Sentences with phrase «edited feature film»

BEST EDITED FEATURE FILM (DRAMATIC): Mad Max: Fury Road Margaret Sixel The Martian Pietro Scalia, ACE The Revenant Stephen Mirrione, ACE Sicario Joe Walker, ACE Star Wars: The Force Awakens Maryann Brandon, ACE...

Michael Berenbaum, ACE, has been editing feature films and television in New York for over twenty years.

The ACE Eddie nominations for best edited feature films, documentary and animated features were announced with more than a few shocks and surprises.

Bonelli began editing feature films in the mid-2000s and has worked on projects including «Hannibal Rising,» «Philomena,» and «Florence Foster Jenkins.»

While the iMac offers plenty for most people working in Web design or for people who are editing video for publication on social platforms like Facebook, more is needed for other tasks, like editing feature films and 8K digital video, VR development, scientific modeling, special effects work, and more.

But there are still things mobile isn't ready for, like debugging thousands of lines of code or editing feature films.

Not exact matches

Since, he has created motion graphics for several video artists and edited short feature films.

Previously, he edited features and series and worked on BI FILMS, Business Insider's documentary film unit.

She was the editor on the director's 1967 feature debut, «Who's That Knocking at My Door,» and has edited all of his films since «Raging Bull» in 1980.

Before The New Yorker, Nick was a senior editor at Wired, where he assigned and edited the feature story that was the basis for the Oscar - winning film Argo.

We've got a new feature length narrative film almost done being edited and we need some key positions to join the team and carry the film through it's release.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

With choppy editing, and odd camera movements, this feels more like a hyperkinetic Music Video rather than a feature film.

Beautifully shot and edited, Wenders» latest nonetheless features his highest - profile documentary subject yet, and the film should attract substantial worldwide attention, especially in Latin America.

The style, which features speed changes, a mix of editing techniques, and 5 acts (instead of 3), perfectly captures both the influence of who is behind the film, and the target audience (which happen to be connected one another).

Very few if any feature film editors have won three top awards for best editing all in one month: BAFTA Awards, Feb 8, INDIE SPIRIT Awards Feb 21, and The OSCAR Award, Feb 22.

The second Blu - ray disc includes an in - depth look at the film with «A Filmmaking Journey» with Steven Spielberg, «Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Kennedy.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

The Creative Recognition category recognizes special achievement in cinematography, editing, music and writing in films entered in the Feature Category.

His latest feature, «Django Unchained,» marks a few firsts for the director — including the first film not produced by Lawrence Bender (if you don't count «Grindhouse») and the first film not edited by longtime collaborator Sally Menke (who unfortunately passed away in 2010)-- and though it's hard to say how much of an effect that had on the finished product, it's easily one of his weaker movies.

Featuring special effects that would make Ed Wood blanche, the sequence is certainly one of the most boring, confusingly edited sieges ever filmed.

Nominated for Best Feature, Best Director, Best Cinematography and Best Editing at the 2018 Independent Spirit Wards, Ms. Zhao is following up her highly - lauded 2015 film debut «Songs My Brother Taught Me» with another important story, once again centered on the Pine Ridge Indian Reservation inSouth Dakota.

The first film to accomplish the very rare feat of sweeping all five major Oscar categories (best picture, best actor, best actress, best director, and best screenplay), It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon and featuring two actors at the top of their game, sparking with a chemistry that has never been bettered.

A new edit of the Fox film is pegged for release next summer on Blu - ray and DVD, adding 10 minutes of footage featuring Rogue and other characters.

This Davy Crockett: Two Movie Set will appeal to three groups: A) Davy Crockett fans who are more familiar with or bigger fans of the feature film edits than the TV episodes, B) those who missed out on the Walt Disney Treasures «Davy Crockett» set released in 2001, and C) Davy Crockett fans who embrace all things related to Disney's adventures on the Tennessee woodsman.

Steven Spielberg has just finished editing «The Post», his latest film featuring the first - time collaboration of Tom Hanks and Meryl Streep.

This film features some of the world's strangest / most lacking sound design, comedy bits, green screen and other visual effects, transitional edits, background acting, and foreground acting I've ever encountered.

Disc Two features Grains of Sand (the building of the Sandman), Re-Imagining the Goblin, Covered In Black (creating Venom), On Location in New York and Cleveland, Inside the Editing Room & Science of Sound and a behind - the - scenes look at some of the film's stunts.

In addition, Dennis has one of the steadiest hands to ever operate a camcorder and «he» gives us unbelievably clear access to candid family life, at least as edited by whoever it is that's supposed to have found and compiled these weeks of footage into standard feature film length.

Heder has most recently been writing and story editing on Orange Is The New Black, and Tallulah marks her feature writing / directing debut, after a couple of short films.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Tags 2018 oscar predictions 2018 oscars baby driver beauty and the beast best animated feature best cinematography best costume design best film editing best makeup & hairstyling Best Original Score Best Original Song best production design best sound editing best sound mixing best visual effects blade runner 2049 call me by your name darkest hour dunkirk get out lady bird mudbound oscar predictions oscars 2018 phantom thread star wars the last jedi the post the shape of water three billboards victoria and abdul war for the planet of the apes

Exclusive to the Blu - ray like all other bonus features, the unrated edit extends the film by 5 minutes and 53 seconds.

Tags 2015 oscars 87th academy awards american sniper benedict cumberbatch bennett miller best actor best actress best adapted screenplay best animated feature best art direction best cinematography best costume design best director best documentary feature best film editing best foreign language film best makeup & hairstyling Best Original Score best original screenplay Best Original Song best picture best production design best sound editing best sound mixing best supporting actress best visual effect birdman birdman or (the unexpected virtue of ignorance) boyhood bradley cooper citizenfour eddie redmayne edward norton emma stone ethan hawke felicity jones finding vivian maier foxcatcher Ida into the woods j.k. simmons julianne moore last days of vietnam laura dern maleficent marion cotillard mark ruffalo meryl streep michael keaton morten tyldum mr. turner nightcrawler One Night oscar noms oscars reese witherspoon robert duvall rosamund pike selma steve carell still alice the grand budapest hotel the imitation game the salt of the earth the theory of everything Two Days Unbroken virunga whiplash wild

Featuring brilliant editing and sound design by Walter Murch, very much a genius in his own right, «The Conversation» may not be as well known as Coppola's «Godfather» films and «Apocalypse Now,» but it remains one of the most devastating thrillers ever made.

While the cast, featuring the talents of Robert Downey Jr., Robert Duvall, Vincent D'Onofrio, Vera Farmiga, Billy Bob Thornton and Leighton Meester, among others, would be capable of handling the myriad cliche complexities of The Judge in another context, the film's script, editing, and especially its pacing, are not.

Feature Film Category BEST SOUND EDITING: MUSIC IN A FEATURE FILM LIFE OF PI (20TH CENTURY FOX) Directed by: Ang Lee Produced by: Gil Netter, Ang Lee, DFeature Film Category BEST SOUND EDITING: MUSIC IN A FEATURE FILM LIFE OF PI (20TH CENTURY FOX) Directed by: Ang Lee Produced by: Gil Netter, Ang Lee, DFEATURE FILM LIFE OF PI (20TH CENTURY FOX) Directed by: Ang Lee Produced by: Gil Netter, Ang Lee, David...

2018 Oscar Predictions (December Part 1): BEST PICTURE BEST DIRECTOR BEST ACTOR BEST ACTRESS SUPPORTING ACTOR SUPPORTING ACTRESS THE SCREENPLAYS ANIMATED FEATURE FOREIGN LANGUAGE FILM FILM EDITING and CINEMATOGRAPHY PRODUCTION and COSTUME DESIGN SOUND EDITING and SOUND MIXING

The disc also features six different radio spots, a single TV spot, and a theatrical trailer (2 mins., HD) consisting mainly of the film's money shots edited together, tail to head, with The Car's signature horn blaring on the soundtrack: BEEP!

2018 Oscar Predictions (December Part 1): BEST PICTURE BEST DIRECTOR BEST ACTOR BEST ACTRESS SUPPORTING ACTOR SUPPORTING ACTRESS THE SCREENPLAYS ANIMATED FEATURE FOREIGN LANGUAGE FILM FILM EDITING and CINEMATOGRAPHY

BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)

Program Description: The Editing Residency brings the director and editor of two fiction feature films in picture edit to the Directors Lab at the Sundance Mountain Resort for one week in June.

The Post-Production Track has one application that allows a fiction feature film in picture edit to be considered for two programs.

Eligibility: Filmmakers must be in picture edit on a fiction feature film; by the start date of the residency, filmmakers must have completed a first cut but still have significant time allotted in the schedule before picture lock.

Since 1951, American Cinema Editors has celebrated the best in television and feature film editing at the annual ACE Eddie Awards gala.

Tags 2018 oscar predictions 2018 oscars 90th academy awards adapted screenplay allison janney animated feature best actor best actress best director best picture blade runner 2049 call me by your name cinematography coco costume design dunkirk film editing frances mcdormand gary oldman get out guillermo del toro i tonya original score original screenplay original song oscar predictions oscars 2018 production design sam rockwell sound editing sound mixing supporting actor supporting actress the shape of water three billboards

Outside of the talking heads segments, which feature some of the most delightfully edited interweaving into the narrative, is a film that wants to do more than just tell us this story of expensive books and robbery.

At the Awards Ceremony the next evening, Laura Poitras» Citizenfour took home four awards, becoming the first film in Cinema Eye history to win for Feature, Direction, Editing and Production.

Directors must be in picture edit on a fiction feature film and must have completed at least a first cut by the start date of the lab.

Cowperthwaite's film brings up important issues, and features some impressive cinematography and editing at times, but it never hits the power level like something like, say, the similar film The Cove (2009)-- which dealt with the slaying of dolphins, and had more participatory moments to add to the effect.