Sentences with phrase «editor grant writer»

This cover letter was written by ResumeMyCareer's staff of professional resume writers, and demonstrates how a cover letter for a Technical Writer Editor Grant Writer Cover Letter Sample should properly be created.

The sample below is for Technical Writer Editor Grant Writer Cover Letter.

Not exact matches

Editor's note: The writer was granted anonymity because of concerns this piece could jeopardize her employment.

SI.com: AdamLevine (Executive Editor); Dan George (Supervising Producer); B.J. Schecter (Assistant Managing Editor / Integration); Larry Burke, Bobby Clay, Ryan Hunt, Jacob Luft, Brad Weinstein (Senior Editors); Richard Deitsch (Special ProjectsEditor); Dom Bonvissuto, Jonah Freedman, Lonny Krasnow, Cory McCartney, AndrewPerloff, Jimmy Traina, Bill Trocchi (Senior Producers); Jay Clemons, GennaroFilice, Paul Forrester, Andy Gray, Brett Hait, Jeffrey Lewis, Jeff Ritter, JohnRolfe, Bill Trocchi (Producers); Jody Woodman (Copy Editor); Kevin Armstrong, Bryan A. Graham, Nicki Jhabvala, Nina Mandell, Mallory Rubin (AssociateProducers); Don Banks, Stewart Mandel, Luke Winn (Senior Writers); Ted Keith, Arash Markazi, Andy Staples (Staff Writers); Chris Heine (Design Director); Randall Grant (Senior Designer); Jeremy Gordon (Designer); John Blackmar (PhotoDirector); David Kaye (Senior Photo Producer); Paul Henshaw (ProductionEditor); Jennifer Barber, Shamika Brown (Project Managers); Orlando Caraballo, Susan Chan, Laura - Jeanne Monahos, Nelson Tai (Webmasters); Helin Jung (Administrative Assistant)

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

In the new photos posted by script editor Emma Freud, the wife of writer and director Richard Curtis, star Hugh Grant reprises his role as the British prime minister and actress Martine McCutcheon as his love interest Natalie.

Production company: Yuzu Productions With: Judy Balaban, Mark Glancy, Barbara Jaynes, David Thomson Voice of Cary Grant: Jonathan Pryce Director: Mark Kidel Writers: Mark Kidel, Nick Ware Producers: Christian Popp, Nick Ware Executive producers: Annie Roney, Sue Turley Director of photography: Jean - Marie Delorme Editor: Cyril Leuthy Music: The Insects, Adrian Utley Venue: Cannes Film Festival (Cannes Classics)

Distinguished writers, editors and academics nominated writers for grants.

The traditional practice of granting lifelong job security to professors after seven or so years is being called into question by many, including Naomi Schaefer Riley, a former Wall Street Journal editor and writer.

Madeline Strong Diehl has worked as a magazine journalist, editor, and grant writer for almost thirty years.

For the first installment of our Ask an Editor Series, we asked Lynn and Grant what they typically look for when they consider stories for publication (as well as what tips they could provide for writers interested in publishing their work).

Thanks to a recent $ 25,000 Amazon grant that helped pay the editors and writers of the Los Angeles Review of Books, the company intends on revamping its website.

Granted, it's hard work — but not half as discouraging as having editors change the very tone of your book, decide that a proposal won't sell because it's not the flavor of the month, have the completed draft languish on someone's desk for months, wait five months after the book's published for a first advance, or learn that you, a prolific Canadian writer, aren't being published in Canada.

Nancy Stohlman is the author of three books of flash fiction, editor of three anthologies of flash fiction, and a prominent instructor of flash fiction techniques; Tara Lynn Masih is the founding editor of Best Small Fictions anthology series and the Field Guide to Writing Flash Fiction; Lynn Mundell is a co-founder of 100 Word Story and 2017 Wigleaf Top 50; and Grant Faulkner is the author of Pep Talks for Writers and the flash collection Fissures.

C.S. Plocher has been part of the publishing world for the past decade as a copyeditor, proofreader, grant writer, developmental editor, researcher, beta reader, and writer.

A 2009 recipient of an Arts Writers Grant from the Creative Capital / Warhol Foundation, Cox is Editor - at - Large at Cabinet magazine.

The recipient of an Arts Writers Grant from Creative Capital and the Andy Warhol Foundation for the Visual Arts, Cox is Editor - at - Large at Cabinet magazine.

The recipient of a 2016 Creative Capital Warhol Foundation Arts Writers Grant for short - form writing, she was the editor of publications for the inaugural Okayama Art Summit and is a former assistant editor of Artforum, where she edited international reviews.

[Editor's note: I am Arts Writer's grant recipient and have been invited by the Creative Capital Foundation to blog from their retreat this year.

Freelance writer and editor John Olivar received a Pillsbury Grant for Creative Writing, distributed through the Santa Barbara Foundation.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, artistic director of Cannonball, a Miami — based nonprofit dedicated to the advancement of critical discourse and contemporary art through residencies, grants, commissions, and public programs; Aily Nash, co-curator of Projections, the New York Film Festival's artists» film and video section, and co-curator of the 2017 Whitney Biennial film program; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothing.

Negar Azimi, whose project The Shahbanou and the Iranian Avant - Garde won a 2012 Arts Writers grant in the book category, is senior editor of Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East.

A recipient of a 2011 Creative Capital Warhol Foundation Arts Writers Grant for Short - Form Writing, he is a Contributing Editor at ArtAsiaPacific and an Editorial Correspondent for Ibraaz.org, and his writing has appeared in numerous international publications and in catalogues for galleries and nonprofit institutions.

That's the case with Alexis Grant, a former writer and editor at US News and World Report who has just launched a thriving social media consultancy.

Summary of Qualifications * Consultant, Business owner, Technical Communications Manager, Senior Staff Technical Writer, Technical Editor, Technical Translator, Business Analyst, Proposal Manager, Technical Trainer, Proposal Writer, Grant Writer, and Project Manager with over 20 years of experience in writing and editing software and hardware end - user manuals, online help, simulation and training guides, tutorials, white pa...