How to Hire an Editor: The Indie Author's Guide to Finding and Working with the Right
Editor for Your Book shows authors new to the publishing process how to make sure their manuscripts receive the editorial attention they deserve, even with a self - publisher's unique production schedule, budget constraints, and publishing goals.
Not exact matches
Hershey 2000 — Michael Worthington - Williams visits the greatest autojumble
show on earth /
Book Offers — A seasonal selection of motoring
books from The Automobile's Enthusiast's Bookshelf / Falcon Knight of Old Brooks Brierly looks back at a short - lived American offspring of Dodge / Dashing Devons and Dorsets — Finbarr Corry thinks it might be fun to own a classic Austin A40 / Altons
for Alvis — Guy Griffiths reminisces about his life in the motor trade in the early postwar period / Popular Perfect — Jonathon Wood recalls the life and times of the first Ford to be known by a name / A Very British Affair — Elizabeth Bennett reports on the 2000 London - Brighton run / Original Oxford — The
Editor takes to the road in a 1913 Morris Oxford.
This goes to
show that the Kelley Blue
Book editors are serious about find the best cars
for families — they chose 16 cars out of 250 models that were offered
for consideration.
I know it would make the Guide longer, but there must be a way to
show readers that a listing appears elsewhere in the
book, or could appear elsewhere (and in what chapters) but
editors decided to list each resource only once
for space reasons, right?
I am tired of plagiarism,
book piracy and cheap - * ss scum bags who won't part with a measly $ 2.99 or $ 4.99 to support authors and
show respect
for their hard work, not to mention the graphic artists,
editors, photographers who also contributed to the birth of an author's ebook.»
Bryson was a British copy
editor for years before writing his first
book, and it
shows in his control of the language.
It isn't mandatory to register the copyright
for your
book before
showing it to
editors or agents.
* Expert instruction from a bestselling self - published author * PDFs
for you to download and study * VIP access into my author success group * Links to free video training that teaches how James Patterson and other bestselling authors write their bestsellers * How to choose an
editor * Video instruction on how to create a beautiful
book cover — free * A list building guide
showing you step - by - step how to grow your fanbase * The most important modules from my paid VIP self - publishing program
You can read his posts
for what they are — an attempt to
show what acquisitions
editors want to see in your
book proposal.
When a talk
show host interviews an author, or an
editor writes a feature story about a
book, this provides automatic endorsement
for the
book.
In the intro, I mention the news that Amazon Giveaways are now available
for ebooks, and an article on Written Word Media that
shows authors who earn over $ 5000 per month have written 13.75
books, use professionally designed
book covers and pro
editors, write in popular genres, and use free as a promotional technique.
He was a true dreamer, and these panelists hope to
show you that side of him: Denis Kitchen (artist, author, publisher, and Will Eisner's agent and longtime friend), Scott McCloud (artist, author, and theoretician about comics and sequential art), Dennis O'Neil (comic
book writer and
editor for Marvel Comics and DC Comics), Paul Levitz (writer, former president / publisher, DC Comics) and Michael Schumacher (bestselling author and Biographer with a new biography of Will Eisner due out this fall).
Before an
editor will
show interest in your
book he needs to know that there is a specific market
for your
book.
«
Book editors are more likely to publish a photobook if the photographer understands the potential audience for the book and can organize gallery shows, book signings or other events that will attract buyers.&ra
Book editors are more likely to publish a photobook if the photographer understands the potential audience
for the
book and can organize gallery shows, book signings or other events that will attract buyers.&ra
book and can organize gallery
shows,
book signings or other events that will attract buyers.&ra
book signings or other events that will attract buyers.»
Our brand new partnership with the state - of - the - art Vocus PR Suite will let us generate the most up - to - date and relevant press contacts
for authors, from
book and arts
editors at newspapers, to radio and TV talk
shows, to scoping out editorial opportunities in magazines and journals.
On board the
show this week is Elaine Sciolino, The New York Times Paris correspondent, to talk about her
book The Only Street in Paris; Alexandra Mangum, television producer (and another American expat living in Paris) with her warnings of when NOT to go certain Paris landmarks; Simon Calder,
Editor - at - Large
for The Independent, gives insight on the new expansions at London's Heathrow Airport as well as some of his top picks to visit in London.
On the occasion of Terry Winters's
show at Matthew Marks, Phong Bui, publisher of The Brooklyn Rail, and consulting
editors David Levi Strauss and Peter Lamborn Wilson (who are both writing essays on Winters's work
for a forthcoming
book from the Irish Museum of Modern Art in Dublin) met with Winters to talk about his new work.