Not exact matches
Coaching singles from «college - age to the large population of baby - boomers who are looking for a chance at true
love,» Julie Spira is
publisher and editor - in - chief at Cyber-Dating Expert.
Vice President,
Publisher: Tim Moore Associate
Publisher and Director of Marketing: Amy Neidlinger Acquisitions
Editor: Martha Cooley Editorial Assistant The Rules of
Love & Grammar has 995 ratings
and 197 reviews.
Vice President,
Publisher: Tim Moore Associate
Publisher and Director of Marketing: Amy Neidlinger Acquisitions
Editor: Martha Cooley Editorial Assistant The Forty Rules of
Love is written by Elif Shafak, a French born Turkish writer.
• As if we needed another reason to
love John Green, his frank discussion of why he feels The Fault in Our Stars has been so wildly successful — in which he credits his
editor, publicist
and publisher — frankly made this former book
editor swoon.
He is the
publisher and editor of Penny Dread Tales, a short story collection in its fifth volume that has become a labor of
love.
• Wrote the first version in 2004, found an agent who represented it, book went to acquisition at a BIG 6
publisher because
editor loved it, week before acquisition meeting
editor leaves
and heads to another company.
For two, three or four days, you gather with other readers, writers, librarians, book dealers, literary agents,
editors, magazine
publishers — all of whom are seriously in
love with the mystery
and crime genre.
Author of Discovering
Love Online:
Love May Be Closer Than You Think, architect of indie publishing house Propeller Cap, LLC
and former singles ministry director, Chuck brings a diverse career background
and nearly four decades of experience as a journalist,
editor,
publisher and pastor to his written portfolio.
I'm a commercially published author,
and I
love my
publisher for all the reasons Ms. Hocking is hoping she'll
love hers... they take care of covers,
editors,
and getting my book into the big bookstores.
As an
editor and publisher, I
love helping authors enrich their prose, pare down
and tighten their writing, pick up the pace,
and hone a narrative arc that takes the reader on a compelling
and emotional journey.
My motivation for these past 40 years as the
editor - in - chief of this enterprise derives from my life - long
love of books, the personal importance libraries have played in my life,
and the continued expressions of appreciation
and support I receive from librarians, booksellers, authors,
publishers,
and the general reading public.
He
loves to hear from authors,
editors,
and publishers in the BookBaby community with tales of publishing trials
and triumphs.
«For
publishers, our main purpose is to give our
editors the freedom
and confidence to find, publish
and champion books that readers will
love.
Agents
and publishers do reject good writers, for a variety of reasons (for instance, the
editor may
love your book but feel it's too similar to one he's already publishing; the agent may
love your book but feel she couldn't market it effectively).
I certainly know writers who
love their
editors and say their books would not be the same without that input, but a
publisher does not necessarily improve the quality of the book.
I'd
love to see a day when writers,
publishers, agents,
and editors like
and respect each other.
There was an offer to buy the first novel for TV as soon as I found a
publisher,
and there were three agents that
loved my writing
and sent books out to
editors.
Because while I'd miss my amazing
editors and cover designers
and promo that my
publisher do for me, I'd
love the opportunity to see how my books might sell if they're listed for 99 cents.
We have «category experts» such as book bloggers,
editors, reviewers,
publishers, authors, book club / reading circle members,
and others who
love a particular category of book.