Sentences with phrase «electric horseman»

The pair previously appeared together in 1967's «Barefoot in the Park» and 1979's «The Electric Horseman.»

Admittedly, when the film opens with Howard galloping off into the desert away from the film set, my stomach began to churn as I had flashbacks to Electric Horseman.

Composer Elliot Goldenthal's score leans a little heavy on the bluegrass - lite — although a Willie Nelson song on the radio is a subtle wink to his co-starring role opposite Redford and Fonda in «The Electric Horseman» — and Stephen Goldblatt's cinematography is functional but unobtrusive.

The film marks the first time Fonda and Redford have appeared on screen together since they both starred in 1979's The Electric Horseman.

Though Robert Redford may be the very platonic ideal of a movie star — a matinee idol from films such as «Butch Cassidy and the Sundance Kid,» «The Sting,» «The Way We Were,» «The Electric Horseman» and «Out of Africa» — he has of late been involved with smaller - scale, socially conscious dramas.

Not since «The Electric Horseman» in 1979 have we had the distinct pleasure of seeing two outstanding actors, Robert Redford («All Is Lost»), now 81, and Jane Fonda («Youth»), now 79, working together in the same film.

Whatever they had must have been catching because even hacks and / or poseurs like Ted Kotcheff, Peter Yates, William Friedkin, Sydney Pollack, and Arthur Hiller signed their names to very agreeable movies (North Dallas Forty, Breaking Away, The Brinks Job, The Electric Horseman, and The In - Laws, respectively).

Other ’79 films remembered with more - than - average fondness include: Nicholas Meyer's Time after Time, Ettore Scola's Down and Dirty, John Hanson and Rob Nilsson's Northern Lights, Arthur Hiller's (and Andrew Bergman's) The In - Laws, Diane Kurys's Peppermint Soda, Sydney Pollack's The Electric Horseman, Oldrich Lipsky's Nick Carter in Prague, or Dinner for Adele, Jim Henson and James Frawley's The Muppet Movie, and Don Sharp's The Thirty - nine Steps.

Also in the running: Jill Clayburgh, Luna and Starting Over; Jane Fonda, The Electric Horseman (but not The China Syndrome); Barbara Harris, The Seduction of Joe Tynan; Mary Steenburgen, Time after Time; Susannah York, The Shout.

Also memorable: Woody Allen, Manhattan; George Burns, Going in Style; Gérard Depardieu, Get Out Your Handkerchiefs; Peter Falk and Alan Arkin in tandem, The In - Laws; Frank Langella, Dracula; Robert Redford, The Electric Horseman; Burt.

Not exact matches

While each has its single electric zone, for the filters of classifying exotic consideration they can be scaled as one, as each kills of the upper three venues: vehicles, horsemen and breeders.