Sentences with phrase «emotional scenes come»

Not exact matches

The emotional scene at the Capitol came on a day when more than 100 more students from the school were headed to Tallahassee by bus to meet with Gov. Rick Scott, Attorney General Pam Bondi and legislative leaders.

One of the most impactful scenes comes from Kate (Chrissy Metz) who, still having not processed her own father's death, is the most emotional at William's funeral.

Portman's big scene and the most emotional moment in the movie comes during that shock - reunion.

Co - writer / director Barry Jenkins tells his tale of a young man's emotional and sexual coming - of - age through sharp dialogue and clearly articulated scenes that build to small or large epiphanies.

Moretz ends up going on a rampage for the climax like the Dark Phoenix from X-Men: The Last Stand with arms held out and eyes in «looks could kill» mode, but lacks the emotional resonance of Spacek's trance - like turn, in which her powers unleashed came as a shock, but with an overriding sense of tragedy; Moretz is shown practicing her skills extensively during several scenes, which makes her revenge seem much more calculated and evil.

Walken's best scenes come early in the film, particularly when he learns the bad news, but he later provides the film's emotional climax, demonstrating his versatility in a sensitive and physically challenging apart.

For Halt and Catch Fire, however, the real emotional gut punch comes a few scenes later when Joe is slouched over machine alone as the company he built with what became his best friend begins to close up shop.

Under the surface, this is a film about a child coming to terms with loss, and we get three incredible powerful scenes that pack a real emotional wallop.

The scenes between Crowe and Giamatti come to form the emotional centre of the film, an honest and touching portrayal of friendship which is almost enough to convince you that the movie has a heart.

Every single one of us should be praising the complexity with which Dee fights against and humanizes Scott's movin» - on - up reductivism (that slapping scene, a scorching evocation of a mother marking her territory and asserting her right to be heard, is of a volatile emotional tenor only Tilda Swinton comes close to achieving), but the almost racist rumblings echoing from certain circles suggest that Dee's miniscule screen time is not just a point of contention but a point of active resentment (must be all those size queens rallying behind Blanchett), and may work against her and the traction she picked up since her SAG victory.

These co-stars take some of the emotional weight off of McCarthy's shoulders and it's in these scenes that «Tammy» (and Tammy herself) comes alive.

When the emotions overtook you Saoirse Ronan: «For me, there was always one scene that stuck out I got very emotional with, where I was drowned in the scene for quite a long time: It was the barley field scene towards the end in which Mr. Harvey's victims come to take Susie to heaven.

And while it becomes far less comical as it moves inexorably towards its somber, come - to - Jesus conclusion, what it loses in laughs it gains in profoundly moving drama and emotional texture (one serious scene between Gleeson and his daughter Reilly is as poignant and heartrending as anything you've ever witnessed in a black comedy).

Truth is, especially in the stagier scenes that require him to do the emotional dance around his stoic and unresponsive father, the stretchmarks show a little as he tries to expand to fill the role, and instead comes over as overly rehearsed.

In scenes alive with emotional truth, River, Cross My Heart weighs the effect of Clara's absence on the people she has left behind: her parents, Alice and Willie Bynum, torn between the old world of their rural North Carolina home and the new world of the city, to which they have moved in search of a better life for themselves and their children; the friends and relatives of the Bynum family in the Georgetown neighborhood they now call home; and, most especially, Clara's sister, twelve - year - old Johnnie Mae, who must come to terms with the powerful and confused emotions sparked by her sister's death as she struggles to decide and discover the kind of woman she will become.

Scene structure is usually a developmental editing step, but this is one of those areas that can overlap with line editing — especially when it comes to narrow story issues, repetition of ideas, and story / emotional flow.

Two important scenes strike me as just needing more time given over to them, and instead they came across as rushed, losing some of the emotional impact from an important reveal and damaging the aftermath of an otherwise shocking moment.

Game Features; — Compelling Adventure: A narrative adventure through love, life, and loss, following the explorations of orphans Scarlett and Finn — Emotional Journey: A striking psychological adventure that is part coming of age story, part personification of the tightly - wound forces of sibling bonds, and part exploration of the deeply - rooted effects of sorrow and loss — Puzzle Exploration: Context - driven puzzles engage the intellect while the story captivates emotions — Gorgeous Visuals: Scarlett's journey comes alive in every scene with lush scenery, vivid effects, unique characters, and a lovingly hand - crafted feel — Strong Pedigree: Created by veterans of Disney Black Rock Studio & the writer of The Room — Game as Art: Mysterious & surreal elements emerge, with interpretation left to the player

It's a thoroughly emotional tale told via stunning aesthetics and cohesive gameplay, one of the very best games coming out of an emerging indie scene.

Their work is super intimate and deals with domestic scenes where the figures are integrated into their environment, and that's where the emotional or psychological charge of the paintings come from.