Absolutely (2016) showed Donald Trump shooting golf balls into flame - colored skies; Rirkrit Tiravanija painted the phrase «The Tyranny of Common Sense Has Reached Its Final Stage» on November 9 editions of the New York Times; Blum & Poe placed Sam Durant's
End White Supremacy (2008) on the wall facing one of the main entrances, forcing visitors to confront it as they walked in the fair.
End white supremacy now,» presented only days after President Trump dismissively equated the violent actions of white supremacists to their counter-protestors in Charlottesville, VA..
At Blum & Poe, a 2008 light - box installation by Sam Durant spelled out «
End White Supremacy.»
The impassioned plea to «
end white supremacy» was originally handwritten on a sign and carried during a civil rights protest in New York in 1963.
The Hammer recently added Los Angeles - based artist Sam Durant's light box
End White Supremacy (2008) to the Hammer Contemporary Collection.
For this to continue we need this same cross section of people committed to
ending white supremacy to show up and engage.
Not exact matches
I can not forget the feeling of that never -
ending struggle in our minds between democracy and
white supremacy that wore down our energy and strength and compelled us to put up signs in our own souls, segregating beliefs so that one could live in peace with one's self.»
The concept of a passive, «we just want to help ourselves,»
white nationalism is forever tainted by its associations with
white supremacy, much like the passive
ends of the Black Lives Matter movement and their more violent
ends, or progressive protestors and Anti-Fa.
White supremacy — Advertisement By the
end of the following week, one of the most popular dating sites had made it a little harder for those KKK enthusiasts to find the love they were promised.
Killmonger's fatalistic, inevitably violent outlook — a byproduct of American militarism and
white supremacy — is not presented as the
end - all solution.
By Christine Mason When will the evil of racism,
white supremacy, and neo-nazism
end?
Obsessed with its own failure and escaping the aestheticization of it, the space
ends up failing to fail, instead treating its admission of this failure to be radical or institutional as semantic currency in the «project space» conversation and its relationship to issues in Portland and across the nation's cities like the housing crisis, gentrification, and
white supremacy.
Drawing on Negro Spirituals that call for the
end times, what Lamar calls Doom Spirituals, this installation at ONE Archives exhumes legacies of racial violence while longing for the forthcoming destruction of
white supremacy