Not exact matches
The first, and most searing,
essay ends with an explicit citation
of Mathew 5:13: «Ye are the salt
of the
earth.
Author
of books: Atmospheres
of Mars and Venus (1961, nonfiction) Planets (1966, nonfiction, with Jonathan Norton Leonard) Intelligent Life in the Universe (1966, nonfiction, with Iosif S. Shklovskii) Planetary Exploration (1970, nonfiction) Planetary Atmospheres (1971, nonfiction, with Tobias C. Owen and Harlan J. Smith) U.F.O.'s: A Scientific Debate (1972, with Thornton Page) The Cosmic Connection: An Extraterrestrial Perspective (1973, nonfiction) Communication with Extraterrestrial Intelligence (1973, nonfiction) The Dragons
of Eden: Speculations on the Evolution
of Human Intelligence (1977, nonfiction) Murmurs
of Earth: The Voyager Interstellar Record (1978, nonfiction) Broca's Brain: Reflections on the Romance
of Science (1979, nonfiction) Cosmos (1980, nonfiction) Comet (1985, nonfiction, with Ann Druyan) Contact (1985, novel) Nuclear Winter (1985, nonfiction) A Path where No Man Thought: Nuclear Winter and the
End of the Arms Race (1990, nonfiction, with Richard P. Turco) The Demon - Haunted World: Science as a Candle in the Dark (1996,
essays) Shadows
of Forgotten Ancestors: A Search for Who We Are (1992, nonfiction, with Ann Druyan) Pale Blue Dot: A Vision
of the Human Future in Space (1994,
essays) Billions and Billions (1996,
essays) The Varieties
of Scientific Experience: A Personal View
of the Search for God (2006, nonfiction, posthumous, with Ann Druyan)
English Language Arts, Balanced Literacy, Creative Writing, Writing - Expository, Reading, Grammar, Spelling, Vocabulary, Specialty, Math, Applied Math, Arithmetic, Basic Operations, Fractions, Geometry, Graphing, Measurement, Numbers, Order
of Operations, Science,
Earth Sciences, Environment, Social Studies - History, Ancient History, World Language, Spanish, Arts & Music, Graphic Arts, Special Education, EFL - ESL - ELD, Health, Other (Specialty), ELA Test Prep, Math Test Prep, Geography, Other (Social Studies - History), Other (ELA), Life Skills, Religion, Gifted and Talented, Critical Thinking, For All Subject Areas, Literature, Classroom Management, Professional Development, Business, School Counseling, Character Education, Word Problems, Cooking, Short Stories, Writing, Oral Communication, Child Care, Reading Strategies, Writing -
Essays, Holidays / Seasonal, Back to School, Thanksgiving, Christmas / Chanukah / Kwanzaa, Poetry, Autumn, Mental Math, Halloween, Winter, The New Year, Valentine's Day, Presidents» Day, Decimals, St. Patrick's Day, Easter, Spring, Place Value, Tools for Common Core, For All Subjects, Summer, Informational Text,
End of Year, Phonics, Close Reading, Classroom Community
Catherine Watson is the former travel editor
of the Minneapolis Star Tribune, a winner
of the Lowell Thomas Travel Journalist
of the Year and the author
of two collections
of travel
essays, the new Home on the Road — Further Dispatches from the
Ends of the
Earth, and Roads Less Traveled — Dispatches from the
Ends of the
Earth.
Recent publications include Hopelessness Freezes Time, a study
of earthworks, drawing, Detroit, urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «
Earth Beneath Detroit,» an
essay for the exhibition catalogue
Ends of the
Earth: Land Art to 1974 (Museum
of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production
of Space» (forthcoming in Critical Landscapes, University
of California Press, Berkeley).
Recent publications include Hopelessness Freezes Time, a study
of earthworks, drawing, Detroit, urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «
Earth Beneath Detroit,» an
essay for the catalogue
Ends of the
Earth: Land Art to 1974 (Museum
of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production
of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2015).