«We should probably see Furlong as a peculiarly
English autodidact figure scrupulously orchestrating a record of the international art world over the last 40 years... We begin with a bang, with Marcel Duchamp -LSB-...] his spiky presence as a provocateur and dandy exactly preserved... Some of the earliest interviewees, such as John Cage, Tadeusz Kantor and Philip Glass, suggest a programme accommodating figures on the margins of a traditional definition of a visual arts discourse.