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2005 Plaza Art Exhibition, Beverly Arts Center, Chicago, IL Contemporary Women Artists XIII, Juror - Judy Chicago, Mad Art Gallery, St. Louis, MO Interpretations of The Figure, Christel DeHaan Fine Arts Center, University of Indianapolis, IN Seattle Erotic Art Festival, Consolidated Works, Seattle, WA

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Carmen Winant, Assistant Professor of Visual Studies and Contemporary Art History, has had solo exhibitions at Skibum MacArthur in Los Angeles and Fortnight Institute in New York, respectively titled Pictures of Women Working and Who Says Pain is Erotic?.

The exhibition creates both the historical context for female erotic work, and a contemporary forum for further sexual art by women.

«The installation of the exhibition will build upon intersecting histories of commercial, domestic, and museum displays often associated with women's work, insisting on art's other life: decorative and functional objects that are lived with, loved, and used but also enchanted, erotic, unruly, whimsical, and weird,» said Charlotte Ickes, curator of the exhibition.

In a 1973 press release, the collective described itself as «women artists who have done, will do, or do some form of sexually explicit art, i.e., political, humorous, erotic, psychological.»

In much the same way as the women documented in Natalia LL's TAK and Słowo are portrayed in command of their language, works from her later series Consumer Art (1972) and Post-consumer Art (1975) show women in control of their sexuality and erotic pleasure.

Her Body Art is imbued with political significance, undermining the traditional erotic representations of women by male artists, and often exposes the inner biological systems of females as a metaphor for hidden social issues.

1991 Fashion Photography Since 1945, Victoria and Albert Museum, London, England Twentieth Century Collage, Margo Leavin Gallery, Los Angeles, USA, travelled to Centro Cultural Arte Contemporaneo, Mexico City, and Musee D'Arte Moderne et D' Arte Contemporain, Nice, France 7 Women, Andrea Rosen Gallery, New York, USA The Body in question, Aperture Foundation, New York, USA The Power of Theatrical Madness, Fotografie Forum Frankfurt, Frankfurt, Germany Modern Botanical, ICAC Weston Gallery, Carmel, USA National Gallery of Victoria, Melbourne, Australia Erotic Desire, Perspektief, Rotterdam, Netherlands La Revanche de L'Image, Galerie Pierre Huber, Geneve, Switzerland, Framed, Stephen Wirtz Gallery, San Francisco, USA Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, travelled to the Museum of Contemporary Art at Wright State University, Dayton, USA Photography From 1980 to 1990, Ginny Williams Gallery, Denver, USA Galerie Nikolaus Sonne, Berlin, Germany

At 80 years old, Iannone is still a poster woman for the depths and possibilities of erotic art.

But her most celebrated essay is only one of her many contributions to art history: her books include Realism (1971), Woman as Sex Object: Studies in Erotic Art, 1730 — 1970 (1972); Women, Art, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next yeart history: her books include Realism (1971), Woman as Sex Object: Studies in Erotic Art, 1730 — 1970 (1972); Women, Art, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next yeArt, 1730 — 1970 (1972); Women, Art, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next yeArt, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next year.

Inspired by iconic images from art history and pop culture, her works deal with subjects as delicate and personal as erotic pleasure and love, and offer an unconventional view of women in art.

But there's also Modern art at TEFAF — Alexej von Jawlensky's colorful 1913 canvasHead of a Woman, painted in a colorful expressionistic style, was on offer for $ 3.4 million at Galerie Thomas, from Munich; Surrealist Paul Delvaux's erotic rendition of female nudes in a dreamlike setting is at Salzburg's Thomas Salis Art & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New Yoart at TEFAF — Alexej von Jawlensky's colorful 1913 canvasHead of a Woman, painted in a colorful expressionistic style, was on offer for $ 3.4 million at Galerie Thomas, from Munich; Surrealist Paul Delvaux's erotic rendition of female nudes in a dreamlike setting is at Salzburg's Thomas Salis Art & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New Woman, painted in a colorful expressionistic style, was on offer for $ 3.4 million at Galerie Thomas, from Munich; Surrealist Paul Delvaux's erotic rendition of female nudes in a dreamlike setting is at Salzburg's Thomas Salis Art & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New YoArt & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New York.