Essay accompanying a show at the Pinacoteca Giovanni e Marella Agnelli, Turin, curated by Elena Geuna.
Not exact matches
Global Voices To mark its 125th year of publication, Science has been running a series of
essays (each
accompanied by an online slide
show) providing worldwide perspectives on the scientific enterprise.
The
show will be
accompanied by a full color catalogue with an
essay by Joe Fyfe.
The
show is
accompanied by a full color catalogue with
essays by Kay Larson and Matthew Israel.
The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a
show in 2014 that focused on work from the 1990s, which was
accompanied by a catalogue published by David Zwirner Books, with
essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.
The
show will be
accompanied by a catalogue featuring an
essay by Philip Larratt - Smith.
The
show is
accompanied by a full color catalogue with an
essay by John Yau.
The exhibition will be
accompanied by a fully illustrated publication with a scholarly
essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her
show at the New Museum in 1980.
In 1991, during the years he spent most immersed in our program, he wrote an
essay on Brice Marden's Grove Group series, which
accompanied an exhibition of the works — the first time all five paintings had been brought together in one
show.
CATALOGUE The fully illustrated hardcover catalogue that
accompanies the
show is the most comprehensive treatment of Bradford's work to date, and features
essays by Christopher Bedford, Robert Storr, Richard Shiff, Katy Siegel, and Hilton Als, as well as two interviews with the artist by Carol S. Eliel and Hamza Walker.
The Broad MSU will be providing copies for purchase of Andrew Sendor, the exhibition catalog from Delicates
shown at Sperone Westwater in 2015, with an
accompanying essay written by the late Broad MSU FoundingDirector, Michael Rush.
«Until the late 1970s, offers of exhibitons were few and far between,» writes Frances Morris in the opening
essay to the catalog that
accompanies the
show.
Ms. Steir is the subject of an article in the November issue of Art in America by G. Roger Denson, and Kay Larson has contributed an
essay for the catalogue
accompanying the Marlborough Chelsea
show.
As artist David Reed points out in his superbly crafted
essay that
accompanies Hammersley's posthumous solo exhibition at Ameringer McEnery Yohe in West Chelsea, two other artists were missing from the San Francisco
show who should have been included: Helen Lundeberg and June Harwood.
The
show will be
accompanied by a catalog that includes a major reconsideration of Wood by Barbara Haskell, an extensive narrative chronology, and a range of scholarly
essays.
Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the
show is
accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions;
essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.
Accompanying the exhibition is a catalogue featuring an
essay by curator Bartholomew Ryan, in which he wrestles with the
show's themes and the questions posed by each artist.
She wrote an
essay for the exhibition catalogue that
accompanied the
show.
The
show is
accompanied by an exhibition catalogue that was designed by Marie Lusa and contains
essays by Dieter Buchhart, Glenn O'Brien, and Robert Storr, an interview with Basquiat by Becky Johnston and Tamra Davis, previously published only as a video film (1985), and short texts by Michiko Kono and a chronology by M. Franklin Sirmans.
A catalogue with an
essay by John Yau will
accompany the
show.
Perez Villalta often writes incisive texts to
accompany his
shows, and in his
essay for this most recent exhibition, he addresses and defends precisely this question of beauty.
To introduce «False Flags» — and our
accompanying series of commissioned
essays, interviews, reviews, and artist projects — Simblist shares some of the ideas addressed in the
show and connects the artworks on view at X with New Orleans» own debates over contested lands and cultural ownership.
Accompanying the
shows will be a fully illustrated book with an
essay by the acclaimed curator Barbara Rose, a conversation between Christopher Le Brun and architect Sir David Chipperfield moderated by Tim Marlow, Artistic Director of the Royal Academy, and an introduction by exhibition curator Emile Bruner,
As art historian and guest curator Kathryn Calley Galitz explains in an
accompanying essay, the «Blurred Horizons» of the
show's title refers to the tendency in contemporary landscape art to muddy the divide between realism and abstraction.
A joint publication produced by the College of DuPage
accompanies the exhibitions and discuss the work in both
shows with an
essay by Claudine Ise.
The
show is
accompanied by a catalogue with
essays by Greene, independent scholar Jean - David Jumeau - Lafond, and NYU art historian Kenneth E. Silver.
The group
show brings about thirty international artists reworking categories of representation to examine human - animal relations, including Katja Novitskova, Xiaoxiao Xu, Erik Kessels, and Charlotte Dumas, and is
accompanied by a catalogue with illustrations and
essays from artists and writers like Ana Teixeira Pinto and Slavoj Žižek.
site offers much more: zoomable images of all 130 works in the exhibition,
accompanied by the text that appeared on the Hammer's wall labels; eight
essays, 35 artist biographies, and a detailed chronology from the now out - of - print catalogue; and documentation of the exhibition, including checklists, installation images, related programs, and critical reviews, at the three venues that hosted the
show — the Hammer, MoMA PS1, and Williams College Museum of Art.
The
show is
accompanied by lavishly illustrated, 150 - page catalogue with an introduction by exhibition curators Rebecca Zorach and Elizabeth Rondini,
essays on the thematic sections, and entries on selected works.
Opening: Glenn Ligon at Luhring Augustine
Accompanying the current exhibition of work by Glenn Ligon at Luhring Augustine's Bushwick space, this corresponding
show of the artist's work features a series of 17 ink - jet prints that showcase Ligon's well - worn copy of James Baldwin's 1953
essay, «Stranger in the Village.»
In an
essay that
accompanied the Hammer's 2012
show of their gifts titled «Intimate Intensity,» Larry told Douglas Fogle, «Art is about where it takes me.»
In an
essay written for the catalog that
accompanies this
show, Alison Ferris, curator at the Kohler Arts Center, who has followed and studied Anne's work for many years, comments that the recent paintings display «the physical and emotional consequences of menopause for middle - aged women.»
The
show is also
accompanied by a beautiful exhibition catalogue of images of the new work and two
essays, written by scholars Adrienne Edwards and Binyavanga Wainaina.
Accompanying the
show will be a booklet featuring a newly commissioned
essay written by Brussels based Irish curator, artist and historian Padraic E.Moore, and a limited edition set of antique gold die struck pin badges which will also be on sale throughout the exhibition.
A 160 - page, full - color, hardcover catalogue
accompanies the
show, featuring newly commissioned
essays and expository texts on the artist's production process.
The
show is
accompanied by a 44 - page catalog with an
essay by Peter Frank and an interview between Kent Williams and Lia Newman.
The Gagosian
shows run through December 20th and are
accompanied by a catalogue with an
essay by Kate Nesin.
The exhibition was awarded the 2008 Best Solo
Show by the City Paper ans was
accompanied by an
essay written by Brian Willems, critic and professor of literature at the University of Split, Croatia.
Neal's own painting and catalog
essay will
accompany the upcoming exhibition, The Nature Lab at LABspace in Hillsdale, NY and he will have a solo
show at the Oresman Gallery, Smith College, Northampton, MA in December 2018.
A limited - edition artist's book, with
essays by curator Gregory Burke and New Zealand — based critic and poet Wystan Curnow,
accompanies the
show.
For her 2012 solo
show at Nottingham Contemporary, an
accompanying essay was written by the acclaimed novelist Ali Smith.
A Guggenheim publication
accompanying Josef Albers in Mexico features
essays by Lauren Hinkson, who curated the exhibition, and Joaquín Barriendos, a map, and reproductions of works in the
show.
The
show is
accompanied by an in - depth, scholarly catalogue including
essays by Scott Shields, chief curator and associate director of the Crocker, and art critic Donald Kuspit.
pp Illustrated Catalogue with
Essay by Sally O» Reilly and texts by Jennet Thomas and John Smith to
accompany solo
show at PEER gallery, London RAW Research At Wimbledon, transcribed interview with Bill Furlong on my work 2007
Stephen Westfall, in a catalog
essay that
accompanied a recent
show of Feldman's in New York, noted that the artist's Brooklyn studio lies close to the elevated portion of the F Train, near the Gowanus Canal, which, if you know the place, speaks volumes about some of the choices she's made.
A catalogue, with
essays and entries by the curators, and newly commissioned in - situ photography by Jerry Hardman - Jones, will
accompany the
show.
Accompanying the exhibition will be an
essay written by independent curator Jill Moniz, who organized the very compelling
show of sculpture by African American female artists at the Landing last year.
The
show will be
accompanied by a comprehensive and richly illustrated catalogue including introductory
essays by Richard Shiff and Christoph Schreier.
One problem, however, as Barnaby Wright points out in his
essay, «Jasper Johns — Regrets» (2014), which is included in the catalogue
accompanying the exhibition, Jasper Johns: Regrets, at the Courtauld Gallery, London (September 12 — December 14, 2014), is that Johns has never
shown any affinity with «the populist imagery of Andy Warhol or the «objective» flatness of Frank Stella.»
An extensive catalogue with
essays by Tobia Bezzola, Walter Grasskamp, and Catherine Grenier
accompanies the
show.