Essential as abstractions are to the analysis of the congregation, however, a greater use of story is today required to round out an understanding of the local church.
Not exact matches
As the full meaning of this sacrifice or self - negation dawns in consciousness, the factuality and historicity of Jesus» particular «self - existence» is negated as that existence now becomes universal self - consciousness: «The death of the mediator is death not merely of his natural aspect, of his particular self - existence: what dies is not merely the outer casement, which, being stripped of essential being, is eo ipso dead, but also the abstraction of the divine Being.&raqu
As the full meaning of this sacrifice or self - negation dawns in consciousness, the factuality and historicity of Jesus» particular «self - existence» is negated
as that existence now becomes universal self - consciousness: «The death of the mediator is death not merely of his natural aspect, of his particular self - existence: what dies is not merely the outer casement, which, being stripped of essential being, is eo ipso dead, but also the abstraction of the divine Being.&raqu
as that existence now becomes universal self - consciousness: «The death of the mediator is death not merely of his natural aspect, of his particular self - existence: what dies is not merely the outer casement, which, being stripped of
essential being, is eo ipso dead, but also the
abstraction of the divine Being.»
Spanning the late «40s through the early «60s, these works examine
Abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging
as essential idioms of a new sculptural language.
There's now an opportunity for a contemporary art space with a focus on minimalist art to offer Evelyn Reyes a solo exhibition, not only because she is defined by her minimalism more than her outsiderism, but because she exemplifies ideals of reductive
abstraction while bringing forth
essential insight about its true nature, origins, and purpose
as a result of her distinct perspective.
Because Kline sketched and painted this photograph so many times, he acquired such a familiarity with it that he could apparently sketch it blindfolded in less than thirty seconds.39 This skill necessarily involved what Kline had described in 1956
as the process that had led to his breakthrough to
abstraction: «breaking down the structure into
essential elements».40 In the photograph, the posture of Nijinsky in absolute terms and relative to the frame has a striking structure of a kind that persists in Kline's abstract work, in which there is a tension between the composition internal to the painting and the limits of the canvas.
Formal works employ color
as an
essential compositional device,
as can be seen in the hard - edged
abstractions of Daniela Marin (B.F.A., painting, 2015), the fiber works of Emma Balder (B.F.A., painting, 2012) and the patterned paintings of Tom Francis, SCAD painting academic program coordinator.
Projected
as wall - size murals, three videos by Berlin - based artist Takehito Koganezawa emphasize the
essential abstraction inherent in camerawork.
Although very loosely defined, the grid here becomes
as essential as it did for artists such
as Mary Heilmann, who replaced representation with
abstraction to channel emotion to the surface.
The misapprehension comes from a misidentification of tradition exacerbated in New York at a time when it seemed
essential to legitimate
abstraction as the
essential expressive mode of modernism.
Spanning the late 1940s through the early 1960s, these works examine
abstraction based upon oblique evocations of the fragmented body and the influence of the unconscious, with seriality and repetition emerging
as essential idioms of a new sculptural language.