The future of The Amazing
Eternals is endless!
Not exact matches
To obey Paul's command for your children means giving them more than a rational faith — it means also giving them a well - formed Christian imagination that can look at a starry night sky and see more than the infinite reach of empty space and the
eternal stretch of
endless time, that can «keep seeking the things above, where Christ
is, seated at the right hand of God» (3:1).
Eternal life in this affirmative sense, as indicated in the Gospel of John,
is not simply continuance after death; it
is a quality of life which begins here and
is endless.
We may recall that Christianity
is in the first instance a gospel, a proclamation, in which it
is declared that the
eternal Reality whom men call God has crowned His
endless work of self - revelation to His human children by a uniquely direct and immediate action: He has come to us in one of our own kind, the Man of Nazareth, uniting to Himself the life which, through His purpose,
was conceived and born of Mary, and through this life in its wholeness establishing a new relationship to Himself into which the children of men may enter.
The final objection to identifying God as a living person
is that the envisagement of the
eternal objects
is a primordial and unchanging act and not an
endless succession of acts.
When Christ comes, Paul says in Second Thessalonians, the disobedient will «suffer punishment, even
eternal destruction from the face of the Lord,» (II Thessalonians 1:7 - 9) but whether this involves a prior resurrection, on the one hand, or annihilation or
endless torment, on the other hand,
is not evident.
But unless it can
be shown that the theopaschite understanding corresponds to the
eternal truth about God, then adroit theological shifts to meet the needs of the moment simply validate the atheist's charge that theology
is nothing but an
endless series of ad hoc rationalizations.
Close - in planets
are also likely to
be «tidally locked,» with one side always facing the star in an
eternal scorching day while the other side freezes in an
endless night.
Symbolically, there
are endless eons of time that pass during which the apes live in
eternal boredom - and cope with the struggle for survival.
Because almost every scene or sequence tells an individual story and the one overriding constant
is something understandable to damn near anyone (really wanting something for Christmas), the film becomes a kind of
endless Moebius strip, an
eternal December that can begin and end at any point but always returns to Ralphie peering in that store window and always concludes with the boy lying in bed, cradling his gun.
A change of lifestyle
was in order, and there
is really no better place for shaping up than Aruba, a land of
eternal summer and
endless options for achieving a healthy lifestyle.
Total Annihilation takes place in the distance future where two robotic races, ARM and Core,
are locked in an
endless,
eternal conflict that has spanned countless years and planets, consuming the galaxy in war.
2001: Pikmin, Animal Crossing, Golden Sun, Luigi's Mansion 2002:
Eternal Darkness, Legend of Starfy (Japan) 2003: Mario & Luigi RPG series, WarioWare, Baiten Kaitos 2004: Mario vs DK 2005: Geist, Battalion Wars, Trace Memory 2006: Wii Sports, Drill Dozer, Electroplankton, Chibi Robo, Elite Beat Agents, Excite Truck (debatable revival of old IP that
is different than 80's installments) 2007: Wii Play, Diasaster: Day of Crisis (not released in NA), Hotel Dusk 2008: Wii Fit, Wii Music, Art Style series which consists of dozens of games that
are all new IPs in their own right, Fossil Fighter,
Endless Ocean 2009: Rhythm Heaven 2010: Art Academy, Glory of Heracles (in NA), Line Attack Heroes (in JP), Wii Party, Flingsmash, Fluidity 2011: Steel Diver, Xenoblade, Pushmo 2012: Sakura Samurai, Dillon's Rolling Western, The Last Story, Nintendo Land, Spirit Camera (debatable spin off of other IP) 2013: Pandora's Tower, Kersploosh!
The perpetual movements of an ocean, or the
endless variations of a skyscape, reflect in Bianchi's work our shifting internal gestures and motions — in a constant movement from still to moving images where the
eternal is reconciled with the quotidian.
His recent solo exhibitions and performances include «The Palace of the Summerland» at Thyssen - Bornemisza Art Contemporary, Vienna (2014), «The Explosive Sonics of Divinity» at the Volksbühne, Berlin (2014), «The Visitors» at Luhring Augustine Gallery, New York, Migros Museum für Gegenwartskunst, Zurich (2012 — 13), Thyssen - Bornemisza Art Contemporary Vienna (2013), Hangar Biocca (2013 — 14), «It
's Not the End of the World» at the Fondazione Sandretto
Re Rebaudengo, Turin (2012 — 13), «
Endless Longing,
Eternal Return» at the Frankfurter Kunstverein (2011), and «Take Me Here By the Dishwasher: Memorial for a Marriage» at the BAWAG Foundation, Vienna (2011).