The gallery also has a traveling exhibition titled «Schwitters Miró Arp,» that brings together works by renowned
European Dadaists Kurt Schwitters, Joan Miró and Hans Arp.
Most of the artists of the sixties and seventies that the Whitney features were influenced by and created derivative variations of the work of Joseph Beuys, Marcel Duchamp, Jean Dubuffet, and various other
European Dadaists and Surrealists.
His main influences during his formative years were
the European Dadaist Marcel Janco, Dan Hoffner, the director of Bezalel Art School in Jerusalem, the optical and kinetic artist Yaakov Agam in Paris, and primarily — the painter Eric Brauer of the Vienna School of Fantastic Realism.
Not exact matches
Known by his nom de plume CPLY, he was a self - taught artist pushing the limits of art - world decorum, as well as a collector, gallerist and connector of some of the most important artists of the 20th century, in particular
European Surrealists and
Dadaists such as Max Ernst, Man Ray and Marcel Duchamp, and American Pop artists.
The
European avant - garde artists after the First World War, the
Dadaists, Early Abstract artists, the Surrealists and the artists during the postwar years, continued with the challenging spirit and the progressive ideas of the Cubism.
As Beuys borrowed ideas from artists of other
European nationalities (French Surrealists, Swiss
Dadaists), today's young Catalan artists are borrowing ideas from him.
He became intoxicated by the Surrealists and assorted
Dadaists which influenced his unique blend of American Pop mixed in with a healthy dose of
European Surrealism; all weighted by the color and pattern legacy of Matisse.
I realized then that Reinhardt had come out of the
European geometric tradition, and that the black paintings to which his constructivist trajectory had led were not manifestations of
Dadaist nihilism or even Abstract Expressionist anxiety, but the logical conclusion of that purist tradition.