Sentences with phrase «european lyrical abstraction»

Alike the Musicalism, European lyrical abstraction artists, American abstract expressionists or the contemporaries of the artist — the graffuturists, he develops a poetry working with the material, the line and the color.

His work was also shown in the seminal exhibition Véhémences confrontées (Opposing forces), which visually pitted European Lyrical Abstraction against American Abstract Expressionism and for which Mathieu assisted French critic Michel Tapié in organizing at Galerie Nina Dausset, Paris (1951).

Not exact matches

American Lyrical Abstraction's European counterpart Neo-expressionism came to dominate the 1980s, and also developed as a response to American Pop Art and Minimalism and borrows heavily from American Abstract Expressionism.

European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of L'Art à Paris 1945 — 1966, and American Lyrical Abstraction a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.

Also in Europe, Art brut, [17] and Lyrical Abstraction or Tachisme (the European equivalent to Abstract expressionism) took hold of the newest generation.

In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyabstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to manyAbstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.

His technique shows some influence of the New York School of Abstract Expressionism, as well as the more subtle European style of Art Informel, the more gestural French style of Tachisme, and the softer Lyrical Abstraction.

In post war decades, the abstract expressionism slid into different fields of op art and geometric abstraction in United States, while the European answer was the invention of lyrical abstraction, art informel and political abstraction in the works of CoBrA members Karel Appel, Constant and Asger Jorn.

By 1954, Zao had developed a unique style that was marked by contrasting colors and lyrical abstraction and that merged Chinese art, as viewed through the lens of European abstraction, with traditional Chinese landscapes.

The least strident sub-variant of the wider Art Informel style - itself one of the most important European modern art movements of the post-World War II period - Lyrical Abstraction (or «Abstraction Lyrique») was a French style of 20th century painting in the manner of American Abstract Expressionism.

A key member of the Art Informel movement (the European variant of Abstract Expressionism), he was associated initially with the Lyrical Abstraction wing, before becoming more calligraphic in style, not unlike the painting of Pierre Soulages (b. 1919).

New York's Abstract Expressionism and Action Painting echoed in its European counterpart known as «Art Informel», with its sub-variants of Lyrical Abstraction and Tachism.