Stettheimer spent a significant period of her early life in Europe, and incorporated
European art historical traditions into her early work before abandoning them upon her return to New York.
Not exact matches
Questioning the distinctions between high and low
art, Ceramics presents new works that are an appropriation and celebration of the cultural and
historical vernacular
traditions of her native Poland and a wider
European context.
One of Bearden's «hierographic paintings,» it is more analytical — and less concerned with religious faith than with trying to work through the
European art -
historical tradition while homing in on a distinctly modern style.