Sentences with phrase «european cinema»

Her unique oeuvre did not only make her one of the most influential women behind the scenes of European cinema of the 60s and early 70s, it also prefigured many contemporary debates around magic, materiality, feminism, sensuous forms of knowledge and the interconnected nature of reality.

Since his Times Square Show debut, his pictorial universe has been incredibly consistent and meticulously staged: a cinematic landscape often flattened into eerie planes and characterized by classic foreign sports cars, French pop singers, camouflaged Spitfires and troop ships, icons of European cinema and snowy Alpine peaks — a series of very particular, rhapsodic infatuations, through which he has conjured a fully - realized, unironic, modern - day narrative mythology.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

Subsequent exposure to European cinema led her back to New York City where she studied filmmaking at New York University.

Satyajit Ray's long - heralded cinematic achievement was influenced by European cinema but also grew out of long - standing Indian artistic tradition.

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At times the director seems to channel the stark, meditative gaze of Carl Theodor Dreyer, Robert Bresson and other saints of European cinema, as well as the ghostly poetry of such Japanese classics as Kenji Mizoguchi's «Ugetsu.»

Despite the attentions of Hollywood, she's keen to work with Langseth again, and to maintain a presence in European cinema.

8 - 17 November 2002 Festival website: www.filmfestival.gr «I have always thought that European cinema should protect themselves...» said...

The more devastating effects of war is an even hotter topic in European cinema.

But suddenly, there's some movement, and it could mean one of the most interesting directors in European cinema coming on board.

Will win The Great Beauty Should win The Great Beauty Should have been nominated Wadjda The frontrunner Comparisons to the great Italian director Federico Fellini could help the cause of Paolo Sorrentino's The Great Beauty among ageing Oscar voters who think that's what great European cinema looks like.

Maybe because it amplifies your stereotypes about European cinema?

(This is like asking why Entertainment Weekly doedsn't cover European cinema with the gusto it covers Hollywood's product — it's obvious and self - evident why.)

Long live our rich and free European cinema.»

Because of the lag of exhibition here, I had to include a gem from 2014 East European cinema, Andrey Zvyagintsev's Leviafan (Leviathan 2014), a tale of moral decay and corruption with Tolstoyan and Dostoyevskyan characters falling apart.

She said: «I have no issues with nudity, especially in a lot of European cinema that I adore, but I find that in American cinema, the idea of nudity has always bothered me.

Proving once again that European cinema is decades ahead in the realm of entertainment targeting teenage girls, All That Glitters is an incisive (yet admittedly lightweight) drama / comedy that brings a smile to your face despite its flaws.

He had a slight aversion to European cinema in his youth, but is frantically trying to rectify this after realising he was just being a dick.

Despite the fact that twenty - six years have passed since the collapse of the Soviet Union, and thirteen years have passed since the first group of formerly communist countries joined the European Union, an East / West divide is still often used to define European cinema in scholarly works (one could think of a number of edited volumes, such as European Cinema after 1989 [2007], A Companion of Eastern European Cinemas [2012], Cinemas in Transition in Central and Eastern Europe After 1989 [2013], among others).

If you saw The American (read our review HERE) then you know that the movie - in which Clooney plays an assassin hiding out in a remote Italian village - was more about the aesthetic of European cinema than the kinetic action of American cinema.

East, West and Centre: Reframing Post-1989 European Cinema, the 18 - chapter volume edited by Michael Gott and Todd Herzog, questions the validity of this particular divide by taking into consideration the current geopolitical and economic situation of the European Union and its neighbouring countries, and this opens up new ways of looking at the map of contemporary European cinema.

Every year Woody Allen writes and directs at least one movie (his films have a more of a foothold in European cinema nowadays).

has received much praise from critics for its deadpan delivery and lack of sensationalism, with director Lanthimos being heralded as an important new voice in European cinema.

However, while Lachman had referenced classics of European cinema for other films, including Haynes» singular Bob Dylan biopic I'm Not There, he didn't reference any specific cinematic world for Carol.

The cream of European cinema turned out for the European Film Awards this weekend and the swanky Parisian event simply wouldn't have been complete without the presence of the world's coolest Frenchman, Jean Reno.

And perhaps it's that quality, in addition to his rakish, athletic good looks, that has turned the Belgian export from a European cinema fixture to a Tinseltown - worthy leading man in the space of just a few years, and has made us most excited for what's to come.

Inspired by European cinema and theater of decades past, the film is written and directed by Jolie, serving as her directorial follow - up to 2013 last year's Oscar - nominated Unbroken.

His latest, «Happy End» (don't believe that title for a second), feels like a kick in the teeth of the earlier film, as though someone had accused European cinema's high - minded provocateur of going soft and his response has been to reprise the suffering of «Amour» but cancel the warmth completely.

A frequent collaborator of Ulrich Seidl and Wim Wenders, Lachman leans, stylistically, toward the world of European cinema.

Great Directors on TCM: Federico Fellini Fellini is one of the touchstone figures of European cinema, no question.

The focus on European cinema is hardly a new development in film scholarship.

A few jewels emerged in European cinema like Christian Petzold's Phoenix, which examines both the individual and collective psyche of post-war Germany, and Hungarian László Nemes's Son of Saul, which quite the opposite, travels literally into the inner chambers of Second World War Jewish extermination.

He was born in 1942, before the likes of Fassbinder and Wenders, yet he now stands as the leading figure in contemporary European cinema.

Moreover a very important study by Andrew Horton (4) as well as significant interpretive essays by David Bordwell, Frederic Jameson, and Dan Georgakas (5) have elevated Angelopoulos to the status of a cinema master, next only to Antonioni, Bergman, Godard and Jansco, one of the truly «greats» (6) of European cinema.

Oana Chivoiu is finishing her dissertation in Theory and Cultural Studies at Purdue University and has special interests in issues of migration, post-communism, and realism in European cinema.

Two women on a journey — a middle - aged actress, established icon of European cinema and stage, and her young assistant — engage in a riveting pas de deux in Olivier Assayas's Clouds of Sils Maria (2014).

Hardly anybody mentioned Jeanne Moreau, and for all of us who love European cinema from the»60s and»70s, she was it.

More than just a collection of thematic tropes, noir is also among the cinema's most distinctive visual forms, although its hallmarks have been cribbed to some degree from the austere lighting and canted camera angles of German Expressionism and other movements of the early eastern - European cinema.

Stanley Kubrick's The Shining felt like a major influence throughout, but I was more surprised at how much the film reminded me of European cinema.

European cinema seems to be reaching a bigger audience these days and this is another worthy of attention.

Jessica Chastain is opening up about doing nudity on screen and her thoughts on the differences between American cinema and European cinema.

It's well worth a look for fans of European cinema, and if you don't mind subtitles.

Dear European Film Award nominating members, You seem to have suffered some form of collective amnesia in recalling the last 12 months of European cinema.

New additions to our Great Directors database include Christian Long on Albert Brooks and Steve Rybin on Alan Rudolph, and we also have reviews of recent books on filmmakers as diverse as Jim Jarmusch, Straub / Huillet and Jess Franco, as well as new work on contemporary Eastern European cinema and André Gaudreault and Philippe Marion's recent polemical title The End of Cinema?.

New additions to our Great Directors database include Christian Long on Albert Brooks and Steve Rybin on Alan Rudolph, and we also have reviews of recent books on filmmakers as diverse as Jim Jarmusch, Straub / Huillet and Jess Franco, as well as new work on contemporary Eastern European cinema and André Gaudreault and Philippe Marion's recent polemical title

In grand European cinema tradition, the protagonist is a film director.

It's been a strange few years for Binoche, who, on her day, remains one of European cinema's brightest lights.

But as a story, «Stealing Beauty» (which Bertolucci wrote with Susan Minot) is a misbegotten, sentimental reunion with old European cinema: Sandrelli, who acted in Bertolucci's «The Conformist,» and Jean Marais, well known for his performance in Jean Cocteau's «Beauty and the Beast,» make idiots of themselves.

This shift of perspective towards Europe was also noticeable in the heightened focus on European cinema.