At the São Paulo gallery's
European outpost, this weekend sees the first solo exhibition in Brussels by Luiz Roque, «The Modern Years», a series of three films emerging from the artist's interest in sculpture and bodily expression: Modern (2014) draws on research into Henry Moore's Recumbent Figure (1938) and performance artist Leigh Bowery (a fixture of London's»80s
club culture) while in Rio De Janeiro (2017), a black transsexual woman holds a phone conversation with the founder of the city's Museum of Modern Art, in which she discusses a dream of the building burning.