It was there she was inspired to incorporate non-Western craft traditions inter
her European modernist designs.
Not exact matches
While it looks a bit shocking to Americans raised within the confines of the typical, homogeneous residential suburb, the i3 seems perfectly at home in a
European city like Amsterdam, where there are dramatic expressions of hyper - intensive
design everywhere you look — the colorful, plastic - y forms of the
modernist housing along the shores of the inland lakes and canals, the small, city - friendly cars, and even the street signs.
The art style is immediately enchanting, channeling this sort of Cold - War - Soviet - era - meets - Pyschonauts vibe against a stark white backdrop reminiscent of
modernist European design.
Tagged With: Bauhaus, Bedside Gun Lamp, Biomorphic
Design, blobitecture, CAD technology, Conceptual
Design, Decorative
Design, Ettore Sottsass,
European Design Since 1985: Shaping the New Century, Expressive
Design, form follows function but not always, High Museum of Art, High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism,
modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki Somers
Tillman Kaiser shares concerns with other contemporary
European artists in displaying a fascination with early
modernist design, Utopian ideology and Futurism redux.
The convergence of nineteenth century and
modernist design further represents status and class, an aspiration for economic growth, and the prevalence of
European and American influence on Guadalajara.
Koppe's rigorous experimentation with form, mastery of diverse media and interest in
design reflect his experience as a student of transplanted
European modernists like László Moholy - Nagy and Alexander Archipenko at Chicago's New Bauhaus in the late 1930s.
In 1936 - 7 he took painting lessons with Carl Holty - a
European modernist influenced by Cubism and Russian Constructivism, whose geometric style works were more hard - edged than expressionist - while also absorbing portrait art under Karl Anderson at the National Academy of
Design.