In the specific context of abstract expressionism, a breakthrough entailed a move away from figuration towards abstraction and, most particularly, from
the European tradition of painting towards a unique personal style.
Not exact matches
El Greco's
paintings of Toledo became models for a new
European tradition in landscapes.
Using a condensed and dramatic form mixing elements
of comic book art, Californian underground, and murals with the great
European tradition, the large scale religious implementations
of the Baroque in particular, Danø works range from the traditional
painting to reliefs and singular objects.
In his oeuvre, he combines the
traditions of European modernist
painting with influences from American postwar art.
Located in Trafalgar Square, London, The National Gallery houses the national collection
of paintings in the Western
European tradition from the 13th to the 19th centuries.
It is Thiebaud knowledge and appreciation for the
traditions of European painting from Chardin to Morandi that are the basis for his ideas and efforts.
In this new series
of paintings, he draws on Indian and Western
European traditions to create a hybrid visual language with which to relate intimate tales
of sensual and spiritual encounter.
According to the museum, her
paintings «embrace many
of the conventions
of historical
European portraiture, but expand on that
tradition by engaging fictional subjects who often serve as protagonists
of the artist's short stories as well.»
I've been to Yuskavageland — an improbable zone at the intersection
of the
European painting tradition, religious iconography, porn, and, I'll argue, performance art.
Yiadom - Boakye's lush oil
paintings embrace many
of the conventions
of historical
European portraiture, but expand on that
tradition by engaging fictional subjects who often serve as protagonists
of the artist's short stories as well.
Yiadom - Boakye is one
of the most renowned painters
of her generation, her lush oil
paintings embracing many
of the conventions
of historical
European portraiture but expanding on that
tradition by featuring purely fictional subjects.
It's easiest to say that Karen Kilimnik is a painter — it's what she's best known for by far, through canvases that blithely mix celebrity icons (Paris Hilton, most famously) with the
tradition of classic
European painting — but that only scratches the surface
of her talents.
Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work
of Vuillard and Bonnard, she immersed herself in the
tradition of 19th - century
European painting.
The work is part
of Varejão's ongoing explorations into the
traditions of azulejos, hand -
painted tiles in Brazil that trace back to when the Portuguese imported Baroque tiles, which were inspired by the cobalt - blue ceramics that
Europeans encountered in China.
Drawing on the classical
tradition of bourgeois
European painting, Yiadom - Boayke inverts this staid style by placing dark - skinned subjects on her canvases, though her loose, blurred brushstrokes negate any traces
of racial distinction.
Fusing the
traditions of European painting with the distinct character
of American abstraction, Scully's great achievement is the reinvigoration
of abstract
painting with the metaphorical, the philosophical, and the sublime combined with the earthy tangibility
of paint.
I see myself as essentially a figurative painter in the
European tradition, attempting to maintain my craft at the highest level, using
paint to explore issues
of truth, meaning and value.
As its
European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction
of the everyday modern life and the
tradition of the en plain air, started with Monet's landscape
paintings.
While the formal still lifes may conjure associations with Audubon and are occasionally mistaken for watercolors or drawings, the consequence
of motion is a startling and surprising range
of subtle colors, suggesting painterly strategies that refer to a long
tradition of European still life
painting.
Rarely do these commissions make any kind
of larger statement about American art, but last fall, when Barack Obama selected Kehinde Wiley — a figurative painter who deploys the techniques, poses and patterns
of the grand
tradition of Baroque
European paintings to portray contemporary black and brown men he finds on the street — to
paint his official portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world
of culture.
Though there is a long
tradition of geometric abstraction abroad that dates back to Russian Constructivism (Kasimir Malevich) and Dutch Neoplasticism (Piet Mondrian), the
European artists were concerned with a balanced relationship
of parts within a whole, whereas Reinhardt, Newman and Rothko stressed the unity
of the
painting over all other surface incidents.
It includes native - born artists who drew in the
European landscape
tradition to reflect on their own culture, as exemplified by José María Velasco's
paintings of Mexico, which not only embrace the
European Enlightenment sensibility, but also a growing sense
of national identity.
One
of Bearden's «hierographic
paintings,» it is more analytical — and less concerned with religious faith than with trying to work through the
European art - historical
tradition while homing in on a distinctly modern style.
There, she developed a highly personal painterly style - synthesizing an Abstract Expressionist tendency with the
traditions of high
European painting.
The installation at the Leubsdorf Gallery at Hunter College presents works that convey to what extent the
European tradition of landscape
painting underwent changes in the process
of being applied to represent Latin American landscapes.
Luc Tuymans is one
of today's most widely admired painters, a continuation
of the great
tradition of Northern
European painting and an enduring influence on younger and emerging artists.
The work is in the
tradition of combining scientific accuracy to create art that is both arresting and botanically correct, many trained in the
European tradition of botanical
paintings, according to the curator.
And unlike Johannesburg, which dived headlong into abstract expressionism, the
tradition of abstract
painting here has always shown a strong
European influence.
Wiley's large
paintings place contemporary black men into the rich
tradition of European royal portraiture.
Related to her memorable installation presently at the New Museum, it shows an imaginary black dancer in a blue leotard in a bold pose reminiscent
of Sargent's Madame X (1883 — 84), and equally boldly
painted — few artists have more strongly claimed and reconfigured
European painterly
traditions than she.
Pollock's impression
of vast herds thundering over the western plains electrifies Mural, separating it from a
European tradition of landscape
painting.
Two
of the Louvre's
paintings, Chardin's La Tabagie and Abraham Mignon's Fleurs dans une carafe de cristal placée sur un piédestal en pierre avec libellule provide examples
of the
European still life
tradition.
In Untitled, which depicts a jewel - encrusted knife thrust into a stony surface, George Condo seamlessly melds the
traditions of old
European painting with a strong American Pop - art influence.
Evertz, who moved from Berlin to NYC at the age
of 19, sees her work as bridging two opposing aesthetic
traditions: a philosophical Northern
European and a pragmatic American approach to
painting.
To highlight the connection — and a contemporary leap —
of Close's work vis - à - vis the Dutch
tradition of portraiture, the exhibition also includes a tapestry (arguably, the first digitized medium in history and
of Northern
European origin) and a smaller
painted self - portrait on loan.
A Modern Master
paints a truly cosmopolitan portrait
of Chase, who bounced among, and borrowed from, a host
of European artistic
traditions.
«Visitors to Bouquets: French Still - Life
Painting from Chardin to Matisse will appreciate not only the sheer visual splendor
of the works on display, but also the discovery
of a clear artistic dialogue among artists
of different generations working in the floral still - life
tradition,» said Heather MacDonald, the DMA's Lillian and James H. Clark Associate Curator
of European Art, who is the exhibition co-curator.
Yiadom - Boakye, a London native
of Ghanaian descent, looks to the historical
European tradition of portraiture but
paints largely fictional characters.
Where an early generation
of artists had portrayed the romantic lure
of the American Southwest during the nineteenth - century using
European Academic
painting traditions to represent the environment and inhabitants
of the region as exotic, Modern artists took a very different approach.
Michael Craig - Martin, one
of the leading representatives
of an art in which American and
European traditions intermingle, has used
painting, drawing, space, and light to create an overall work
of art for his first solo show in Austria.
«American Landscapes: Treasures from the Parrish Art Museum,» features landscape
paintings that trace the «evolution
of American art from its roots in an emerging national landscape
tradition to the liberating influences
of European modernism» — the progression from the 19th - century Hudson River School to the present.
Hess had championed the American abstract expressionists as the heirs to
European abstraction, which, as Hess argued in his 1951 book on the movement titled Abstract
Painting: Background and American Phase, had formerly been centred in Paris and had recently relocated to New York: «New York becomes Paris for the art
of its time, and also takes over Paris»
tradition.»
For example, the Abstract Expressionists broke
European tradition in the 1940s with their use
of materials and process - using house
paints and house
painting brushes, and pouring, flinging, and dripping
paint.
The Americans had broken away from the
European and especially French
tradition of modern
painting, or, in the period language, «the tasteful cookery
of oil pigment, the direct backing
of the Old Masters and all precedence
of rules», as Hess wrote in his obituary
of Kline.50 As is recorded in one
of the news reports
of the acrimonious exchange between Fautrier and Kline at the Venice Biennale
of 1960, when Fautrier pronounced an insult to the effect
of «U.S. Go Home!»
Best known as a painter
of monumental works in oil, Sean Scully (b. 1945) has garnered international acclaim as one
of the most prominent painters in the abstract
tradition, fusing the conventions
of European painting with the distinct character
of American abstraction.
Her figurative
paintings are drawn from her own fictitious set
of characters and allude to
traditions of European portraiture.
Lynette Yiadom - Boakye «s figurative
paintings are drawn from her own fictitious set
of characters and allude to
traditions of European portraiture.
Kathy Halbreich, director
of Walker Art Center, Minneapolis, writes about the range
of influences he absorbed: «From his early drawings rooted in a
European Surrealist
tradition to his monumental abstract canvases, Motherwell's visual language synthesizes a veritable history
of modern
painting, reflecting ties to Picasso's early collages, Matisse's color - rich
paintings, and the development
of American Abstract Expressionism in which he played such a pivotal role».
The second section
of the exhibition, «To Learn is To Create,» showcases earlier works made between 1945 and 1954, a period in which Zao tapped diverse visual
traditions and methods, ranging from
European painters such as Paul Cézanne, Marc Chagall, and Paul Klee, to ancient Chinese bronze inscriptions, rubbings from Han - dynasty tomb decorations, and Tang - and Song - dynasty landscape
paintings.
He has been credited with founding the
tradition of European landscape
painting.