Sentences with phrase «european women in the art»

In 2014 Curiger was named by Artnet as one of the twenty - six most powerful European women in the Art World.

Not exact matches

ACE Eddie = ACE Eddie Awards (Jan. 26, 2018) ADG = Art Directors Guild Awards (Jan. 27, 2018) AFI = American Film Institute Awards (Dec. 7, 2017) African American = African American Film Critics Association Awards (Dec. 12, 2017) Alliance of Women = Alliance of Women Film Journalists Awards (Jan. 9, 2018) Atlanta = Atlanta Film Critics Circle Awards (Dec. 10, 2017) Annie = Annie Awards (Feb. 3, 2018) ASC = American Society of Cinematographers Awards (Feb. 17, 2018) Austin = Austin Film Critics Association Awards (Jan. 8, 2018) Australia = Australian Academy Awards (Jan. 5, 2018) BAFTA = BAFTA Awards (Feb. 18, 2018) Black = Black Film Critics Circle Awards (Dec. 18, 2017) Black Reel = Black Reel Awards (Feb. 22, 2018) Boston = Boston Society of Film Critics Awards (Dec. 10, 2017) Boston Online = Boston Online Film Critics Association Awards (Dec. 9, 2017) CAS = Cinema Audio Society Awards (Feb. 24, 2018) CDG = Costume Designers Guild Awards (Feb. 20, 2018) Chicago = Chicago Film Critics Association Awards (Dec. 10, 2017) Chicago Indie = Chicago Independent Film Critics Circle Awards (Dec. 30, 2017) Columbus = Columbus Film Critics Association Awards (Jan. 4, 2018) Critics» Choice = Critics» Choice Awards (Jan. 11, 2018) Critics» Choice Doc = Critics» Choice Documentary Awards (Nov. 2, 2017) Dallas - Fort Worth = Dallas - Fort Worth Film Critics Association Awards (Dec. 13, 2017) Denver = Denver Film Critics Society Awards (Jan. 16, 2018) Detroit = Detroit Film Critics Society Awards (Dec. 7, 2017) DGA = Directors Guild of America Awards (Feb. 3, 2018) Dublin = Dublin Film Critics Circle Awards (Dec. 14, 2017) European Film = European Film Awards (Dec. 9, 2017) Florida = Florida Film Critics Circle Awards (Dec. 23, 2017) Georgia = Georgia Film Critics Association Awards (Jan. 12, 2018) Golden Globe = Golden Globe Awards (Jan. 7, 2018) Gotham = Gotham Independent Film Awards (Nov. 27, 2017) Grammy = Grammy Awards (Jan. 28, 2018) Hawaii = Hawaii Film Critics Society Awards (Jan. 12, 2018) HMMA = Hollywood Music in Media Awards (Nov. 17, 2017) Hollywood = Hollywood Film Awards (Nov. 5, 2017) Houston = Houston Film Critics Society Awards (Jan. 6, 2018) IDA Doc = International Documentary Association Awards (Dec. 9, 2017) Independent Spirit = Film Independent Spirit Awards (March 3, 2018) Indiana = Indiana Film Journalists Association Awards (Dec. 17, 2017) Iowa = Iowa Film Critics Association Awards (Jan. 9, 2018) Las Vegas = Las Vegas Film Critics Society Awards (Dec. 18, 2017) Kansas City = Kansas City Film Critics Circle Awards (Dec. 17, 2017) LGBTQ = Society of LGBTQ Entertainment Critics (a.k.a. GALECA)'s Dorian Awards (Jan. 31, 2018) London = London Film Critics Circle Awards (Jan. 28, 2018) Los Angeles = Los Angeles Film Critics Association Awards (Dec. 3, 2017) Los Angeles Online = Los Angeles Online Film Critics Society Awards (Dec. 19, 2017) Memphis Online = Memphis Online Film Critics Awards (Dec. 11, 2017) MPSE = Motion Picture Sound Editors Awards (Feb. 18, 2018) MUHS = Make - Up Artists and Hair Stylists Guild Awards (Feb. 24, 2018) Music Critics = International Film Music Critics Association Awards (Feb. 22, 2018) Music Supervisors = Guild of Music Supervisors Awards (Feb. 8, 2018) NAACP = NAACP Image Awards (Jan. 15, 2018) NBR = National Board of Review (Nov. 28, 2017) Nevada = Nevada Film Critics Society Awards (Dec. 22, 2017) New Mexico = New Mexico Film Critics Awards (Dec. 10, 2017) New York = New York Film Critics Circle Awards (Nov. 30, 2017) New York Online = New York Film Critics Online Awards (Dec. 10, 2017) North Carolina = North Carolina Film Critics Association Awards (Jan. 2, 2018) North Texas = North Texas Film Critics Association Awards (Dec. 17, 2017) NSFC = National Society of Film Critics Awards (Jan. 6, 2018) Oklahoma = Oklahoma Film Critics Circle Awards (Jan. 2, 2018) Online = Online Film Critics Society Awards (Dec. 28, 2017) PGA = Producers Guild of America Awards (Jan. 20, 2018) Philadelphia = Philadelphia Film Critics Circle Awards (Dec. 10, 2017) Phoenix = Phoenix Film Critics Society Awards (Dec. 19, 2017) Phoenix Critic = Phoenix Critics Circle Awards (Dec. 16, 2017) SAG = Screen Actors Guild Awards (Jan. 21, 2018) San Diego = San Diego Film Critics Society Awards (Dec. 11, 2017) San Francisco = San Francisco Film Critics Circle Awards (Dec. 10, 2017) Satellite = Satellite Awards (Feb. 11, 2018) Seattle = Seattle Film Critics Society Awards (Dec. 18, 2017) Southeast = Southeast Film Critics Association Awards (Dec. 18, 2017) St. Louis = St. Louis Film Critics Association Awards (Dec. 17, 2017) Toronto = Toronto Film Critics Association Awards (Dec. 10, 2017) USC Scripter = USC Scripter Awards (Feb. 10, 2018) Utah = Utah Film Critics Association Awards (Dec. 17, 2017) Vancouver = Vancouver Film Critics Circle Awards (Dec. 18, 2017) VES = Visual Effects Society Awards (Feb. 13, 2018) Washington D.C. = Washington D.C. Area Film Critics Association Awards (Dec. 8, 2017) WGA = Writers Guild of America Awards (Feb. 11, 2018) Women = Women Film Critics Circle Awards (Dec. 22, 2017)

by Bryant Frazer Before Krzysztof Kieslowski became the standard - bearer for the latter - day European art film with ravishing portraits of unspeakably beautiful women living their lives under unutterably mysterious circumstances, he was a gruff but adventurous chronicler, in both documentary and narrative films, of lives lived in the rather more drab surroundings of communist Poland.

She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art wWomen Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art wwomen and already had a significant history in the European art world.

Ms. Macel, 48, is probably the most important woman whom you've never heard of in the European art world.

In conjunction with A Queen Within: Adorned Archetypes, join Kelsey Brosnan, Curatorial Fellow for European Art, for a discussion about women's fashion as depicted in NOMA's eighteenth - century French art collectioIn conjunction with A Queen Within: Adorned Archetypes, join Kelsey Brosnan, Curatorial Fellow for European Art, for a discussion about women's fashion as depicted in NOMA's eighteenth - century French art collectiArt, for a discussion about women's fashion as depicted in NOMA's eighteenth - century French art collectioin NOMA's eighteenth - century French art collectiart collection.

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th centuArt, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th centuart in Paris in the second half of the 19th century.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th centuArt, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th centuart in Paris in the second half of the 19th century.

In her reimagined renderings, the artist replaces the European subjects with powerful and glamorous African American women, inviting questions about conventional beauty, racial identity, and the traditional art historical narrative.

These include European art from the 18th through 20th centuries in Women Artists in Europe from the Monarchy to Modernism; dedicated exhibitions of works in photography from such noted artists as Anne Collier, Sarah Charlesworth, and Catherine Opie; and sculpture by Isa Genzken, Eva Hesse, and Annette Lawrence, among others, in the Museum's quadrant galleries.

Exclusive Patron Circle tour of Thoroughly Modern: Women in 20th Century Art and Design with Erika Holmquist - Wall, Chief Curator and Mary & Barry Bingham Sr., Curator of European & American Painting & Sculpture.

Frequently appearing in public dressed in a women's clothes, Perry described his female alter ego as «a 19th century reforming matriarch, a middle - England protester for No More Art, an aero - model - maker, or an Eastern European Freedom Fighter, a fortysomething woman living in a Barratt home, the kind of woman who eats ready meals and can just about sew on a button.»

This exhibition is the final episode in the artist's series on Colonial America, his successful combining of art, history, and sometimes wicked but always fun - to - read commentary on people — Europeans adventurers and explorers, North American Indians, freed and enslaved blacks, and ravishing women who love, laugh, and die on the banks of the Hudson from Manhattan up to Lake Oneida.

A priority, she says, is addressing the paucity of women artists and enhancing diversity in a collection that has «focused on Western art in the European tradition.»

2009 British Subjects: Identity and Self - Fashioning, 1965 - 2009, Neuberger Museum of Art, Purchase, New York 2009 A Rebelión dos Xeneros, Centro Torrente Ballester, Ferrol, Spain 2009 Third Moscow Bienniale of Contemporary Art, The garage Center for Contemporary Culture, Moscow, Russia 2009 Persona, Royal Museum for Central Africa, Tervuren, Belgium (April — January 2010) 2009 Perhaps Truth is a Woman, Museum of European Garden History, Düsseldorf, Germany 2009 Unbounded: New Art for a New Century, Newark Museum, New Jersey, USA 2009 Body Memory, Princeton University Art Museum, Princeton, New Jersey, USA 2009 Bodies in Contemporary Art, Norton Museum of Art, West Palm Beach, Florida, USA 2009 Pictures in Series, Fischer Landau Center for Art, Long Island City, New York, USA

Recent solo exhibitions include LOVEGAME, Merdiven Art Space, Istanbul, Turkey (2017); THEY / ONLAR video installation, Fabrica, Brighton, (2017) and the Brighton Festival (2017); THEY / ONLAR), Salt Galata, Istanbul, Turkey (2015); 2012 Zilberman Gallery, Istanbul (2012) Besides solo exhibitions she has participated in Evliyagil Museum, Ankara, Turkey (2017); the 13th Istanbul Biennial (2013); Poetry and Exile: British Museum (2014); 3rd European International Book Art Biennale, Moscow (2014); The Fourth and Fifth Bibliotheca Alexandrina International Biennale for the Artist's book (2010, 2004); Istanbul Modern (2009,2011); The National Museum of Women in the Arts (Washington D.C. 2010); King St. Stephen Museum, (Hungary 2013,2006); The Fifth Sharjah International Arts Biennial (2001); Collections include: Istanbul Modern, British Museum, Wien Museum as part of Karamustapha Export - Import, King St. Stephen Museum, The Bibliotheca Alexandrina, Koç and Zorlu Foundations.

She currently also chairs the Museum's Modern Women's Fund Committee, and the Central and Eastern European group, part of the Contemporary and Modern Art Perspectives (C - MAP) in a Global Age.

The devil is in the details and there are layers here to disassemble: the renaming reveals an ugly European classism wherein cleaning ladies are somehow on the bottom and art historians on the top; more pointedly it demonstrates Selz's marked narcissism and an era that tolerated it: any contemporary man who asked a woman for her hand — and, by the way, I'm going to rename you — would be shown the door.

In the early part of the 20th century, European artists had also questioned accepted ideals of beauty, and the choice of Rossy de Palma, often referred to as «a Picasso portrait come to life» — her asymmetric features so impressed film director Pedro Almodóvar that he gave her a starring role in Women on the Verge of a Nervous Breakdown (1988)-- to model the latest Portable Art project collection is appositIn the early part of the 20th century, European artists had also questioned accepted ideals of beauty, and the choice of Rossy de Palma, often referred to as «a Picasso portrait come to life» — her asymmetric features so impressed film director Pedro Almodóvar that he gave her a starring role in Women on the Verge of a Nervous Breakdown (1988)-- to model the latest Portable Art project collection is appositin Women on the Verge of a Nervous Breakdown (1988)-- to model the latest Portable Art project collection is apposite.

At the São Paulo gallery's European outpost, this weekend sees the first solo exhibition in Brussels by Luiz Roque, «The Modern Years», a series of three films emerging from the artist's interest in sculpture and bodily expression: Modern (2014) draws on research into Henry Moore's Recumbent Figure (1938) and performance artist Leigh Bowery (a fixture of London's»80s club culture) while in Rio De Janeiro (2017), a black transsexual woman holds a phone conversation with the founder of the city's Museum of Modern Art, in which she discusses a dream of the building burning.

The overall collection of the National Gallery of Art is divided as follows: in the West Building there is a wide collection of paintings and sculptures by European Old Masters, such as Woman Holding a Balance (1662 - 63) and Girl in a Red Hat (1666) by Jan Vermeer.

In May 1990, in the case of Barber v Guardian Royal Exchange Assurance Group Case C - 262 / 88 [1990] IRLR 240, [1990] 2 All ER 660, the European Court of Justice (ECJ) held that it was unlawful, under Art 141 of the EC Treaty for pension benefits to be payable on retirement at different ages for men and womeIn May 1990, in the case of Barber v Guardian Royal Exchange Assurance Group Case C - 262 / 88 [1990] IRLR 240, [1990] 2 All ER 660, the European Court of Justice (ECJ) held that it was unlawful, under Art 141 of the EC Treaty for pension benefits to be payable on retirement at different ages for men and womein the case of Barber v Guardian Royal Exchange Assurance Group Case C - 262 / 88 [1990] IRLR 240, [1990] 2 All ER 660, the European Court of Justice (ECJ) held that it was unlawful, under Art 141 of the EC Treaty for pension benefits to be payable on retirement at different ages for men and women.