Even as an abstract painter, I felt it difficult not to share this sense of relief.
Not exact matches
This gives him almost the same freedom
as an
abstract colour - field
painter, or possibly
even more, since his colour is largely relieved of its space - making duties by the figuration of his drawing.
As such, «Rower's pours come closer to the
abstracting nature photos of Edward Weston than to the works of Pollock or de Kooning,
painters who,
even when most
abstract, always left behind traces of the actions of their hands.»
Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won forms play on the language of ancient art
as well
as modernism and the
abstract compositions of
painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from
even the most fundamental visual associations.
I explore things formally and I
even describe myself
as an
abstract painter.
Behnke writes: «For the event, Roach brought together six
abstract / non-objective
painters whose works offer a dramatic contrast to their ancient surroundings
even as formal elements (grids, texture, color and composition) are often reflected in the environment of the crypt.
In your
abstract works I see references to, or inflections of, numerous
abstract painters such
as Robert Motherwell, Frank Stella,
even a bit of Jules Olitski and Mary Heilmann here and there.
Especially
as the competition between national schools of
abstract painting escalated, breaking out in arguments and
even punches in the case of Kline and the French
painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of
abstract expressionism, Meryon could thus be seen
as a reassertion of Kline's original, breakthrough style
as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.
Even though her mature works are all considered
abstract, she often referred to herself
as a
painter of landscapes.
Even so, he is regarded by some art critics
as one of the great
abstract painters of the modern era.
In other words, my primary stride at that time
as a
painter was to make my painting real
even though it was of, shall we say,
abstract or
even nonobjective nature, to make it terribly physical.