Sentences with phrase «even the screen feels»

Even the screen feels almost like paper.

Not exact matches

You know what they're thinking and feeling, even if you're reading it on a screen.

Feld deploys what he calls tactical steps — no more coffee or alcohol, no screen time from Friday evening to Sunday morning — when he feels vulnerable to despondency.

For the early explorers, and certainly for those in Europe reading their first reports, the specificity and detail of America's native flora and fauna, and even more, its aboriginal Indian cultures, which by 1492 had already completed a long and distinguished history in this hemisphere, were swallowed up in a generalized feeling of newness which replaced that specificity and detail with the blank screen of an alleged «state of nature.»

Now, though, the routinisation of genetic screening has led to a situation in which many couples report feeling pressure, even from the medical profession, to do exactly what used to be forbidden: having an abortion.

New to the realm of gluten free and vegan foods, we hope to bring some inspiration to your screen with simple and delicious recipes that will leave you feeling satisfied, great about yourself and maybe even craving a second helping.

The marriage of ability and technology is stupefying to watch on a screen, and even more so when one is able to see the focus and feel the anxiety of the pilots in - person.

Thanks billy even if we differ in opinion about wenger i respect your right say what you feel about the situation we all have our own afc feelings but i think we all want the same the club to be successful and my touch screens finicky with all the grammar pauses takes me 3 times as long

However, just the fact that the Gunners were even in the mix for Mbappe was a surprise to many people and some of the more suspicious Arsenal fans out there felt that our interest in him was a really a smoke screen and that Arsene Wenger never seriously thought he would sign Mbappe.

Not only does it look so much faster than traditional onboards (even at these slow speeds) but watching it, you can almost feel the wind and the rain and the cold coming right out of the computer screen at you.

The Champions League returned to our screens earlier this evening (who doesn't love the feel of that anthem!).

Even when I have finally made peace with the (cramped) keyboard, the amount of scrolling due to the small screen size made me feel pretty cross-eyed.

It helps a little to tell yourself that, no, their lives are not as perfectly put - together as their social media presence would make them appear, and yes, even Perfect Internet Mom Friend is probably riddled with doubts about herself, but even those known truths bring little comfort when it's 11 a.m. on a Saturday morning, your house is a full - on mess, the kids are all staring at screens, and you're cruising Instagram, waiting to feel inadequate.

One study even found that older kids are bored during screen time but feel they don't have other play options.

But many parents I speak to, even the most internet savvy, often feel out of their depth when it comes to managing their children's screen time.

It begins to happen even before the baby is born — when you feel the first little flutters in your belly or see your baby kick on the ultrasound screen.

While many of us are still getting used to the new features, the familiar logo and cobalt blue coloring are comforting to us, and we feel like we understand what's happening on the screen in front of us, even if the video switches often to Ugandan children and rebel troops.

Social interactions, even those that come via a screen, may help kids feel better sooner.

Even now, the idea of a solid black dress doesn't really interest me, not unless it's a wiggle dress, as the sexy screen siren feel of that silhouette overpowers my desire for there to be an aspect of true interest punctuating the black.

Even when I sometimes feel — while we are out shooting — that it might not come across as I had in mind, it usually does when I see it on a big screen.

I moved to Chicago and enrolled in a high - risk screening program, but even with the best tools out there, I felt as though I was just waiting to be diagnosed with cancer instead of doing something to actually prevent it.

Even though you are behind a computer screen, and you may feel more protected, don't ask anything that you wouldn't ask face to face, imagine you are in a coffee shop and you are meeting this person for the first time.

One noticeable issue about this movie is that it forces us to feel sad for characters we don't even learn anything about or are on screen for one scene.

British novelist Mary Stewart's beloved «The Little Broomstick» predates J.K. Rowling's hit Harry Potter series by more than a quarter - century, which means the source material is original, even if its gorgeous big - screen adaptation feels a bit derivative in places — and derivative of not just Rowling's more richly imagined fantasy world, but also Ghibli's own «Kiki's Delivery Service,» which presents a similar plot, in reverse: There, a young witch with a flying broom loses her powers, whereas in this case, young Mary discovers a magical broom that whisks her away to Endor College, where she's celebrated for her newfound abilities.

I myself don't even feel insulted by the garbage they threw at me from the screen disdain for moviegoers has become common place nowadays.

Vidal continued to feel this way all through Phillips Exeter Academy, and even after his World War II experiences, which planted the first seeds of doubt as to whether those images on screen were reflecting anything resembling real life.

The draw distance sinks down into what feels like mere feet, and that's assuming you can even tell where you are or what you're doing on your shrunken half of the Switch's screen.

The critics» first social media reactions to Deadpool 2 are actually on - line, following the preliminary spherical of press screenings, and it kind of feels the overall consensus is reasonably sure, with some even hailing this film as being higher than the primary one.

Even for those of us who never met the man in real life, there is a loss that is felt, but the nature of Hoffman's work as a film actor is such that he continues to live on on - screen.

And with luck the film's visuals may be enough to keep audience attention focused on the screen even when the plot begins to feel a little familiar.

«And I feel like it even pre-empted the swashbuckling princesses on the big screen.

The later sequences are shot with wider - screen lenses, looking more like a modern blockbuster with every jump forward in time even as Shen's life begins to feel more limited and frustrating.

Much as he admired it, for example, Barbera said that he felt Black Mass would not work as the opening film — «too dark, too violent, too extreme» — and so arranged for an out - of - competition screening in a high - profile slot on Friday evening.

I'm questioning myself even saying that as year after year I feel like hitting my screen when something unworthy makes it in over something much more deserving.

The experience felt like a throwback to when audiences would learn about the latest developments of World War II from the newsreels screened before an evening's feature presentation.

Sienna Miller's dignity as she exited The Lost City of Z. I tear up every time she leaves the screen because I'm worried she won't bother coming back for yet another sidelined wife or girlfriend gig, supporting roles that she makes feel big, even though they're smaller than she deserves.

And the film even has the perfect bittersweet conclusion, which it then, unfortunately, ignores in favor of a completely unbelievable and illogical happy ending that feels as it had been mandated by studio test - screenings where the audience was unhappy with the original outcome.

I missed a recent screening of The Sense of an Ending but I read the book, which felt plodding and took me a while to finish even though it's a slim volume.

While — like (I guess) many Rohmer fans — I tend to find myself most at home in his beach houses and Parisian apartment blocks, I was drawn to this presentation of his lesser - known historical films for two reasons: one was the pure joy of being able to enjoy his greatest work, Perceval, on the big screen; the other was the opportunity to finally be introduced to his feature - length television play Catherine de Heilbronn, a production that, in its grey set design and even starker minimalism, in many ways felt like the former film's shadowy companion piece.

But between its top - notch visual effects and the indefatigable charisma of the only man who can dwarf not one but three giant mutated animals, Rampage provides so much destruction that audiences indisputably get their money's worth, even if afterward they'll probably feel as leveled as the cities on screen.

It's also worth noting the fact that audiences might not even feel that jarred by the passing of the Black Panther mantle because we have already seen another Panther on the silver screen aside from T'Challa.

«Only The Brave» (Oct. 20): This one almost feels too sad to bear, sort of like «The Perfect Storm» was back when that film came out, but we'll trust a cast that includes Josh Brolin, Jeff Bridges and Miles Teller to find a way to inspire us even as the true - life events of Yarnell Hill Fire that claimed the lives of 19 of the Granite Mountain Hotshots firefighting team, including Seal Beach native Kevin Woyjeck, unfold on screen.

The Disaster Artist screened at SXSW as a work in progress, even though it felt like a completed projected just waiting for a release date.

It was rare that I ever felt and frame rate issues even when the screen was swarming with zombies.

But when I walked out of the theater after a press screening in October, my dominant feeling about the movie was one of rage, and not even about the film's most obvious targets for that emotion.

Execs at Warner Bros. made a big deal about how they did not feel the need to cut down the film after it received remarkably high marks at its first test screening; even so, some trimming is clearly in order.

Inherent Vice is shockingly faithful, both to Pynchon's convoluted plotting, which seems only slightly streamlined for the screen, and to the book's overall grass - haze vibe — there's barely a scene free of dope, but you'd feel the buzz it even if it weren't on - screen.

The replication from page to screen is so complete that Rodriguez even gave Miller co-directing credit for setting up the look and feel of the scenes that were shot for the movie, even though he didn't actually direct in the traditional sense.

The film even begins with a period Warner Bros. logo with artificial scratches and specks on the screen to further evoke the 1970s feel, even though this is not a technique this reviewer likes.

And even selling points, like the bullet - time gimmick of «Max Payne» for instance, might feel fresh in a game, but in that case, and many others, it was something inspired by a movie («The Matrix «-RRB-, and when taken back to the big screen, it felt like just another violent cop actioner.