Sentences with phrase «evening art lecture»

Not exact matches

The evening of the lecture was Culture Night when arts, cultural organizations, and historic institutions across the Irish Republic put on free events and welcome the public to attend them.

Even YouTube can help bring in expert lectures to the world of art history, drama, and music.

Henry Louis Gates Jr.'s essay on Frederick Douglass is very empowering, and at the end he says, «Even a lecture about something as seemingly apolitical as photography or art in the end must by definition be engaged within and through Douglass's state of being as a black man in a white society in which one's blackness signifies negation.»

The group helped present «9 Evenings,» the series of technologically abetted performance events by Experiments in Arts and Technology (E.A.T.) in 1966 at the 69th Regiment Armory in Manhattan; theater and dance at Judson Memorial Church; lectures by Marshall McLuhan and Buckminster Fuller; concerts by David Tudor and La Monte Young; and scores more.

Kessling's images are frozen actions; at once works of art — photographs, videos, collages, even lectures — and artefacts of a performative process.

Yesterday, she spoke with UCLA professor Robin D.G. Kelley at the Hammer Museum and, this evening, she is giving a lecture at UC Santa Barbara's Art, Design & Architecture Museum.

The evening before the ceremony, she gave a public lecture about her art and activism.

Friday, June 20 Starts at 6 pm 18th Street Arts Center Main Gallery Free RSVP On selected Friday evenings starting at 6 pm, Patricia Fernández will present a performative lecture that explores in greater depth a specific personal narrative or...

Growing from his excoriating hand - drawn animations about apartheid in his native South Africa, William Kentridge's art has developed and diversified into lecture / performances, full - blown installations and even opera direction.

His lectures and essays on color theory and art are some of the most important to ever be written, rivaling even the notebooks of Leonardo da Vinci.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performancLectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performanclectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

Kunsthal Extra City's programme exists of themed group shows and solo exhibitions with (inter) national contemporary visual art, a wide range of evening activities, with films, performances, workshops, lectures and debates, open discussions, gatherings and a tasty bite at the Extra Fika Café.

This thematic evening will present two lectures about the Italian contemporary art scene.

This evening Lockhart is presenting a lecture at California College of the Arts in San Francisco as part of -LSB-.....]

She has also lectured at Yale University, California Institute of the Arts and University of Chicago, which made her artistic reputation even stronger.

Activities surrounding the exhibition will include: docent training, extended museum hours, evening and lunchtime lectures, family days, and a summer art camp.

In 2009, the museum launched its Wednesday evening MOCA by Moonlight programs featuring Contemporary Art Boot Camp lectures, 5 Minutes of Fame artists forums, and Arts for All, hands - on art classes for adulArt Boot Camp lectures, 5 Minutes of Fame artists forums, and Arts for All, hands - on art classes for adulart classes for adults.

Courses vary on topics ranging from traditional programing, like weekly evening lectures at Cooper Union by important art thinkers and artists, to the more experimental offerings, like a course inspired by Chopped — a completive cooking show on the Food Network — where selected class members compete against one another in a reality TV - style gauntlet of hands - on, cutthroat art - making.

In partnership with VO2 Networx, the University of Memphis Department of Art, Memphis College of Art, and Rhodes College Art Department, Crosstown Arts is pleased to welcome internationally - recognized installation and social practice artist Theaster Gates for a public lecture and panel discussion at Sears Crosstown on the evening of Saturday, November 16.

This year, Otis welcomes six recognized graphic design studios from four different countries who will host workshops over the course of the week and give one - collective lecture open to the public on the evening of Wednesday, June 18, 2014, at 7PM, on Otis College of Art and Design's Elaine and Bram Goldsmith Campus, located at 9045 Lincoln Boulevard, Los Angeles, CA 90045.

The Modern Art Museum of Fort Worth announced the line - up for the Fall 2012 Tuesday Evenings Lecture Series.

This evening Lockhart is presenting a lecture at California College of the Arts in San Francisco as part of the Larry Sultan Visiting Artist Program, a collaboration with Pier 24 Photography and SFMOMA.

Sotheby's Institute of Art — Los Angeles, in conjunction with Claremont Graduate University's Department of Art and its Atlantic Lecture Series, presents an evening with renowned artist Monica Bonvicini, in conversation with Jonathan T. D. Neil, Director of Sotheby's Institute of Art — Los Angeles.

Robert Iglehart, Hale Woodruff and Tony Smith who were teachers in the New York University School of Art Education, in the fall of 1949 privately took over the loft which previously housed «Subjects of the Artist,» «Studio 35» provided the forum for Friday evening lectures by advanced artists.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

In 1994 she gave a lecture at the Walker Art Center about Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even.

ON JUNE 7, 1968, the crowd in Lecture Hall 1 of the University of Vienna's New Institute Building was treated to an evening of «Art and Revolution,» consisting of writer Oswald Wiener's lecture on the relationship between language and thought, as well as less decorous displays of onstage nudity, vomiting, and uriLecture Hall 1 of the University of Vienna's New Institute Building was treated to an evening of «Art and Revolution,» consisting of writer Oswald Wiener's lecture on the relationship between language and thought, as well as less decorous displays of onstage nudity, vomiting, and urilecture on the relationship between language and thought, as well as less decorous displays of onstage nudity, vomiting, and urination.

Exchanges with foreign art organizations, lecture evenings by leading theorists, critics, and artists, and exhibition newsletters round out the program.

For this Tuesday Evenings lecture, Vassell presents DARK ART: A New Conversation with Abstraction, in which she proposes that «a new and grittier form of abstraction permits us to theorize that a younger generation of painters, consciously or not, is producing ruggedly electric paintings that tell somber and vicious tales... making a statement on the sociopolitical inevitability of a world gone mad.»

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

In conjunction with Art Boca Raton, the Boca Raton Museum of Art is hosting lectures at the fair and «After Dark» evening events of art, music, performance and wine at the Museum each evening from 6 to 8 p.m. Exhibitions on view include: Glasstress Boca Raton; Mediterrenea: American Art from the Graham D. Williford Collection; Salvatore Meo and the Poetics of Assemblage; Making Connections: Selected Works from the Boca Museum and Private CollectioArt Boca Raton, the Boca Raton Museum of Art is hosting lectures at the fair and «After Dark» evening events of art, music, performance and wine at the Museum each evening from 6 to 8 p.m. Exhibitions on view include: Glasstress Boca Raton; Mediterrenea: American Art from the Graham D. Williford Collection; Salvatore Meo and the Poetics of Assemblage; Making Connections: Selected Works from the Boca Museum and Private CollectioArt is hosting lectures at the fair and «After Dark» evening events of art, music, performance and wine at the Museum each evening from 6 to 8 p.m. Exhibitions on view include: Glasstress Boca Raton; Mediterrenea: American Art from the Graham D. Williford Collection; Salvatore Meo and the Poetics of Assemblage; Making Connections: Selected Works from the Boca Museum and Private Collectioart, music, performance and wine at the Museum each evening from 6 to 8 p.m. Exhibitions on view include: Glasstress Boca Raton; Mediterrenea: American Art from the Graham D. Williford Collection; Salvatore Meo and the Poetics of Assemblage; Making Connections: Selected Works from the Boca Museum and Private CollectioArt from the Graham D. Williford Collection; Salvatore Meo and the Poetics of Assemblage; Making Connections: Selected Works from the Boca Museum and Private Collections.

Wagner's Thursday evening lecture will be followed by responses from Johns Hopkins University art historian Brigid Doherty and curator Helen Molesworth from the Baltimore Museum of Aart historian Brigid Doherty and curator Helen Molesworth from the Baltimore Museum of ArtArt.

She inaugurated a pioneering series of monographs on living American artists in 1931; organized morning and evening lecture series by art historians, critics, and others; and staged a variety of exhibitions of contemporary and historical art, folk art, primitives, and other unusual genres.