Sentences with phrase «everyone in this film gives»

Two performances in Game Night stood out to me, which is an accomplishment, since everyone in the film gave memorable and entertaining performances from Magnussen's look of child - like wonder when he was right about something everyone else doubted to Horgan's quick wit and ability to quickly and naturally go from moments of honest laughter to moments of unforgettable deadpan.

Everyone in this film gives a great performance and all have at least one great scene.

Not exact matches

The Cabin in the Woods WOW it was a great film the actors and actresses are great the writers the directors, producers and everyone who was involved, The film has a understanding story im not going to give it away for anyone who has not seen it.

Therefore, the film «Creation» (which should have been called «Evolution,» given its proper nomenclature) only confirms what I already knew to be true: that in the end, everyone must make their own «leap of faith» toward some belief, be it based in science, religion, perceived facts, or the scriptures themselves.

Everyone must watch this film its my humble request... I liked it so much that i watched it more than 100 times.The song the cameras all are well set... Both actors looks charming and they have really given their maximum effort in making such a marvelous film... Come up with new films like this in future..

Like Only God Forgives before it, this one will polarize and is not for everyone, but if you're up for a vivid and distinct sensory treat unlike most films you find in a given year, this arthouse flick is one beautiful satire of beauty.

Even more interesting, in an interview with Nerd Report, Pearce said his «gigantic, bold idea» gives everyone involved the tools to, potentially, link all of these movies back to the original films:

If a science - fiction historical epic starring Michael Fassbender and directed by Justin Kurzel isn't something worth watching, then everyone had better just give up trying to adapt games into films in the first place.

From the chart you can see that Jason is still the lone holdout in giving any votes for Selma as he believes that everyone is vastly overrating the film's strength.

While Philip Seymore Hoffman, Philip Baker Hall, and Julianne Moore have been rather busy in films over the last year, they have constantly given great performances (I don't care what everyone says, Julianne Moore was incredible in Magnolia).

Augustus Waters from the film version of The Fault in Our Stars (2014) was given this title in a 2014 Vulture article, [36] in which Matt Patches stated, «he's a bad boy, he's a sweetheart, he's a dumb jock, he's a nerd, he's a philosopher, he's a poet, he's a victim, he's a survivor, he's everything everyone wants in their lives, and he's a fallacious notion of what we can actually have in our lives.»

As much as I like Eye in the Sky, there is very little chance Mirren will be nominated for that film, given that (SPOILER ALERT) her character is responsible for a deed that will make most everyone in the audience recoil.

It took an hour and 45 minutes for Steve McQueen's film to win its first of the night and the wait was worth it for everyone in the audience who gave Miss Nyong» o a standing ovation.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

James Mangold for caring about all the right things in his work and blessing us with Logan and Copland, Refn for Drive alone, Stallone for giving us Rocky and THE «Just keep going» monologue that everyone in the arts needs when they have that inevitable bad day, Joe Carnahan for being able to blend heart stopping action with character drama and Phil Joanou for making my favorite film of all time with State of Grace (1990)(I'd love a Cinephilia and Beyond piece on it someday...)

Almost everyone involved in the film has given Maximum Effort the past two years, maintaining the highest level of super secrets, like how David Blaine catches bullets in his mouth.

Neeson gives a strong, assured performance as Felt, and in some of the film's best moments you can see the toll this leaking is taking on Felt, who has to keep it entirely from everyone he holds dear all the while Nixon's men and Gray are putting the pressure on Felt to find out who the leaker is.

I do wish that it didn't seem so inconsequential when all's said and done, because, in truth, everyone does such a nice job (Breslin, in particular, is fast becoming a reason to see a film by herself) with what they're given that I felt kind of badly that they weren't given something less threadbare and obvious.

Given all the hard work everyone involved with the film has done to maintain «the highest level of super secrets,» it would be huge bummer if somebody let slip that «Deadpool dies in this one.»

But everyone else in the film is either gently patronized, like Gertrude (Sarah Snook), the girl too humble to land the boy of her dreams until Tilly gives her a head - to - toe makeover, or demonized, like the gossipy women and mean schoolteacher — with the on - the - nose name of Miss Harridiene (Kerry Fox)-- who afflict this ostensibly feminist fable with a queasy - making tinge of misogyny.

Led by the late Bill Paxton in one of his best performances, some fine supporting turns from McConaughey, O'Leary and Boothe, a fascinating and tightly wound plot that never fails to fascinate and engage the viewer, Frailty is a film that is perhaps one of the prime examples of an «underrated gem» and I recommend that everyone at least give a watch at least once.

Writer - director Richard Linklater (The School of Rock) attempts to play with fire by giving us the answer in this sequel, and with everyone who saw and enjoyed the first film forming their own imaginary conclusions, the answer would seem bound to disappoint.

Still, everyone in the movie gives entertaining and enthusiastic performances — with special mention to Paul Bettany's charming crime lord - and with a stronger, smarter script (you guess the outcome of the movie within the film's first few minutes - not good) and the elimination of some very questionable choices (all spoilers, let's just say we're referring to the third act), «Solo» might have been something to really send a hologram Leia to call home with.

Stop me if you've heard this one before: a gruff CIA agent who suffers from PTSD and sees re-animated corpses at random moments is ordered to travel to the UK and hire Stanley Kubrick to film a fake moon landing that the American government can use in case the Apollo 11 mission turns out to be a tragic failure, only the agent (who is played by Ron Perlman, by the way) ends up giving a suitcase full of cash to a failed band manager and his perpetually stoned friend who looks a little bit like Stanley Kubrick, and those two idiots get robbed by the local mafia thugs right before Agent Ron Perlman realizes his mistake and threatens to kill everyone involved — and THEN the idiotic band manager (who is played by Rupert Grint, by the way) proposes that they all head off to film the fake moon landing with the help of a artistic hippie commune run by an egotistical dolt who can't understand why he can't put giant jellyfish on the moon.

Of course, as the story progresses, David starts to seem increasingly predatory, which gives the film a shadowy undertone that causes crises for everyone in Jenny's life, mainly because she's so determined to do what she wants to do.

Writer - director Steven Knight gives us everything we want in a movie (suspense, stakes, humor, backstory, relationships), all with just one actor behind a steering wheel, with everyone else in the film just a voice on his speakerphone.

Coogler concluded his letter by thanking Black Panther everyone who contributed to the movie's thunderous debut:» For the people who bought out theaters, who posted on social [media] about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world before even seeing the film... To the press who wrote about the film for folks who hadn't yet seen it, and encourage audiences to come out... And to the young ones, who came out with their parents, with their mentors, and with their friends... Thank you for giving our team of filmmakers the greatest gift: The opportunity to share this film, that we poured our hearts and souls into, with you.»

Come to think of it, there's no reason why this film is set in the 1980s — everyone looks like they could be from the»90s or 2001, for that matter — except to give Carey a chance to cover and / or sample the R&B hits of the era (most prominently, Cherrelle's «I Didn't Mean to Turn You On»), which, in the film's storyline, are original hits by Billie — hence giving Miss Mariah a history - rewriting ego boost.

Everyone versed in movie arts immediately recognizes the famous quote from Monty Python's comedy film, Monty Python and the Holy Grail, in which the Black Knight refuses to give up fighting even after King Arthur has cut off all of his limbs.