Sentences with phrase «everything moves the film»

Not exact matches

Everything about this film moves at a very solid pace and you feel like it is giving you a slice of life at this moment in their lives.

Perhaps that's why large portions of this film feel like scenes Toback just wanted to use up somehow — particularly the Grodin sequence, in which his character rails against his fading faculties by turns sweetly and violently, and which might have been moving if it didn't feel so detached from everything around it.

The last movie I want to mention before I hand off the mic to Amy is James Franco's The Disaster Artist, another film that performed the generous service of allowing me to forget everything else for a funny, moving, technically impressive two hours.

But the Buckinghams come to realize to their dismay that classic English theater is falling out of favor in a changing country where the public has become more excited by the explosion of vibrant Bollywood films — and, more deeply, is looking to move beyond everything British.

I'm unsure how the film plays for those who know everything about the mythic beginnings of that enigmatic Swedish star, all the gossip surrounding her banishment from Hollywood (and her triumphant return), and who can trace the history of cinema by tracking the star's own move from small national markets to Hollywood to Europe and back again, all the while gracing the stage in Italy, France, the West End and Broadway.

If you're living in Austin or thinking about moving there, check out these five notices for everything from ABC's new drama series «American Crime» to short film «Booty Call of Cthulhu.»

It's hard to go into detail without spoiling the move, but suffice it to say that my disappointment in the picture up to that point was quickly turned on its head in this reveal that changed everything for these characters and Roskam's film.

I can't wait to see both movies though, as TWR was the last movie I needed to see from 2009's list of nominated films to put a nail in the casket of last year and now I can finally move on to 2010 movies without having the weight of not seeing everything hanging over me.

Ross» film doesn't advise us to drop everything and move to the wilderness.

Begrudgingly moving away from The Raid 2, this week's Top 5 features interviews for and Matt's review of Teenage Mutant Ninja Turtles, Warner Bros. bumping up the release of Batman v Superman: Dawn of Justice, the first trailer for Focus Features» The Theory of Everything, an introductory look at the films of Andrew Dominik, and the Alamo Drafthouse announcing the first wave of programming for its annual Fantastic Fest.

It resembles that film, too, in the way it moves like a nightmare — the kind where nothing's wrong, except everything feels bad.

Everything clicks in this moving and interesting film.

Pretty much everything about it, and its accompanying music video, oozes 2002: JT's Crouching Tiger — inspired dance moves, the Britney look - a-like, the tramp stamp on the model who helps him film a revenge sex tape, the fact that the revenge sex tape was filmed with a clunky camcorder, and not a phone.

New American auteurs Ben and Josh Safdie have moved away from the unhurried style of their earlier films (Daddy Longlegs, Heaven Knows What), producing a tense, funny crime film set over one terrible night when everything goes wrong for its underclass crim protagonists.

For two - thirds of the film, Condon keeps everything moving with great gusto, carefully managing the different data streams of the script (by Josh Singer) in a manner both informative and thrilling.

In an odd backwards move, the Transformers live - action films will receive an animated spin - off, indicating that everything in the world of Transformers has officially gone full circle.

Because of this, just about everything stays on a straight line and allows the film's plot to seamlessly move forward.

With the X-Men franchise moving in several different directions at once, but still holding on to the films that started it all, one of the more confusing questions is where everything falls in the multiple timelines.

Everything is touched lightly upon, then the film moves on to something else, leaving viewers wondering.

It's Ozu's unique way of bringing realism to a film that allows for such speculations: despite his unusual editing style, tatami - level camera placement and generally fixed camera (though it moves more here than in any Ozu I can recall), everything in an Ozu film feels real: people talk like normal people about normal human issues.

As with Malick's recent films, «To the Wonder» is moved forward not so much by plot as it is by an intuitive emotional through line, Malick incorporating Marina's voiceover narration as a glue that holds everything together.

Rather than deliver something with three very clear acts and a piece that neatly moves from one scene to the next, everything overlaps, blending the entire film together seamlessly.

The film doesn't exist without her, written as it was with her constant consultation on everything, including the dance moves on the club floor, which, though choreographed, are almost entirely hers.

As it moves through the world, everything morphs momentarily into a film set.

And by that, I mean one of those dreams where you are trying to run down an infinitely long hallway, never making any real progress, and everything around you is moving as if it were part of the b - roll for a stop action film.

Toni Gallagher studied Graphic Design and Advertising at Brunel, before moving on to a career of diverse artistic achievements, everything from free lance Art Direction of commercials, to a successful stint on the Fourth Plinth, short films, sculpture and photography.

Toni Gallagher studied Graphic Design and Advertising at Brunel, before moving on to a career of diverse artistic achievements, everything from free lance Art Direction of commercials, to a successful stint on the Fourth Plinth, short films, -LSB-...]

So when the Edmonton - born, L.A. - based writer of the bestselling memoir Everything Is Perfect When You're a Liar — who's also authored television pilots and movie scripts and appeared in film and on TV with the likes of James Franco and Nicole Richie — moved into a new home with her husband and their three kids, Orlando was the obvious choice to head up its design.