Sentences with phrase «exhibition catalogue edited»
It is accompanied by an exhibition catalogue edited by Betti - Sue Hertz and Ceci Moss, YBCA's Visual Arts Assistant Curator.
http://sfaq.us/ Not exact matches
The exhibition is accompanied by a catalogue edited by Klaus Biesenbach, with essays by Susan Sontag and Rainer Werner Fassbinder as well as 570 color film stills, the complete screenplay, biography, bibliography, and filmography.
Exhibition catalogue by Roald Nasgaard, with an essay by I. Michael Danoff, and an interview with Gerhard Richter by Benjamin H. D. Buchloh, edited by Terry A. Neff
Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.
The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.
Exhibition catalogue Essays by Norman Hathaway & Gail Moscoso Edited by Dan Nadel Published by Andrew Edlin Gallery 2015 95 pages 10.5 x 9.5 inches $ 35 Click here to purchase
Arns has curated many exhibitions in Germany and abroad, edited exhibition catalogues, and authored numerous articles on media art and net culture.
Edited by Desmond Shawe - Taylor and Per Rumberg, the exhibition catalogue features contributions from David Ekserdjian, Dr Barbara Furlotti, Gregory Martin, Guido Rebecchini, Vanessa Remington, Dr Karen Serres, Lucy Whitaker, Jeremy Wood and Helen Wyld.
In January 2018, Leslie Lohman Museum of Gay & Lesbian Art will release an exhibition catalogue for Barbara Hammer: Evidentiary Bodies, edited by the curators and including contributions from Rizvana Bradley, Florrie Burke, Joey Carducci, Ann Cvetkovich, Janlori Goldman, Ronald Gregg, Jamillah James, Krystyna Mazur, David Napier, Domitilla Olivieri, Mark Toscano, and Greg Youmans.
The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum Theater and Performance curators Victoria Broackes and Geoffrey Marsh, with essays by Camille Paglia, Jon Savage, Howard Goodall, Christopher Breward, Oriole Cullen, Nicholas Coleridge, and a roundtable discussion with Sir Christopher Frayling, Philip Hoare, Mark Kermode, and Geoffrey Marsh.
The exhibition is accompanied by an illustrated catalogue edited by the exhibition curators — Leah Dickerman and Achim Borchardt - Hume — with essays by Yve - Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krčma and others that focus on specific moments within Rauschenberg's career.
The exhibition will be accompanied by an illustrated catalogue edited by curator Ellen Y. Tani and will serve as a significant contribution to the study of contemporary art, race theory, and disability studies, featuring contributions from Amanda Cachia, Joseph Grigely, Shaun Leonardo, Tony Lewis, Nyeema Morgan, and Gala Porras - Kim.
The exhibition is accompanied by an illustrated catalogue, published by the Dallas Museum of Art and distributed by Yale University Press, edited by Nicole R. Myers, with contributions by Michel Pastoureau, Elisabeth Taburet - Delahaye and Michel Zink.
This month's book competition offers you the chance to win the «Masterpieces: Art and East Anglia» exhibition catalogue, edited by Ian Collins
An expert on Edward Hopper, he organized the 2013 exhibition Hopper Drawing and edited and co-authored its award - winning catalogue.
Krannert Art Museum (KAM, kam.illinois.edu) has recently published an edited, multi-authored catalogue in conjunction with the groundbreaking exhibition World on the Horizon: Swahili Arts Across...
In conjunction with the exhibition, the CMA produced a «box set» containing a newly pressed EP, an exhibition catalogue, and an anthology of texts and images edited by Christopher Williams, among other objects.
Dive deeper into Soundtracks with the free online exhibition catalogue, edited by co-curators Rudolf Frieling and Tanya Zimbardo, featuring an artist project by Brandon LaBelle, Dena Beard and Frank Smigiel discussing sound and performance, and writings on exhibition artists and artworks.
His research on Bay Area counterculture design has produced essays in journals, edited collections, and exhibition catalogues
Jessica Moss edited the catalogue with exhibition co-curators John Corbett, Jim Dempsey, and Richard A. Born with assistance provided by Gail Gomez.
While a few recent publications — like the essays by Richard Flood, Frances Morris, Robert Lumley, and Karen Pinkus in the catalogue of the 2001 exhibition «Zero to Infinity: Arte Povera 1962 - 1972,» co-organized by the Walker Art Center and Tate Modern, or the overview Arte Povera (1999), edited and illuminatingly introduced by Carolyn Christov - Bakargiev — have begun to consider arte povera in a broader social context, the field is still plagued by the idea that its artists were primarily enamored of low, or literally «poor,» materials, and by the argument that arte povera's antitechnological bent is a misinterpretation of American Minimalism.
In 2001 he directed and edited the catalogue for the exhibition «Les Années Pop», Centre Georges Pompidou, Paris.
Als edited the catalogue for the Whitney Museum of American Art exhibition entitled «Black Male: Representations of Masculinity in Contemporary American Art,» which ran from November, 1994, to March, 1995.
He curated the exhibition Whistler and the World: The Lunder Collection of James McNeill Whistler at the Colby College Museum of Art and edited the accompanied catalogue.
• This is an edited extract from the catalogue essay to the Duane Hanson exhibition at the Serpentine Sackler Gallery, London, from 2 June to 13 September
Catalogue of Richard Prince's exhibition at Palazzo Collicola Arti Visive, Spoleto, 23 June — 26 August 2012 and at &: Christophe Daviet - Thery, Paris, 26 October — 20 December 2012 Edited by Christophe -LSB-...]
She also edits and contributes to exhibition catalogues and art publications.
She has curated numerous exhibitions and written / edited catalogues.
The exhibition is accompanied by the catalogue Traveler Artists: Landscapes of Latin America from the Patricia Phelps de Cisneros Collection, an authoritative volume on the early history of landscape painting in Latin America, edited by Dr. Katherine Manthorne.
The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.
He has written numerous articles, exhibition reviews, catalogue essays, lectured at many universities and art schools, curated many exhibitions, and edited several series for UMI Research Press and the Cambridge University Press.
William Kentridge: Fortuna, edited by Lilian Tone, the catalogue of an exhibition that opened in Rio de Janeiro in October 2012 (text in Portuguese)
Curator Marisa Olson will also be editing an exhibition catalogue to accompany the show, designed by PWR Studio and featuring a short sci - fi work by artist Claire Evans.
I was a male Yvonne de Carlo, exhibition catalogue, edited by Marie de Brugerolles and Dora Garcia, MUSAC, Léon, Spain The Circus as Parallel Universe, exhibition catalog, Kunsthalle Wien
On the occasion of the exhibition, an illustrated catalogue will be published with contributions by Maxwell Graham, Beatrix Ruf, and Philippe Vergne, edited by Max Andrews / Latitudes.
An exhibition catalogue, edited by ENSBA, was published on the occasion of the exhibition.
The exhibition is accompanied by a richly illustrated catalogue with informative essays, edited by Paul Schimmel and Jenni Sorkin (Milan, Italy: Hauser & Wirth Publishers, Skira editore, 2016).
In addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many others.
On the occasion of the release of the exhibition's accompanying catalogue, which features twenty - four essays commissioned and edited by Cabinet, the panel will examine the complex aesthetic, historical, and epistemological issues raised by Gioni's unconventional exhibition.
Catalogues — Publications 2016 «Space Shuttle In The Garden, Petrit Halilaj», exhibition catalogue at HangarBicocca, published by Mousse Publishing, catalogue edited by Roberta Tenconi.
2014 «Shit and Die», Maurizio Cattelan, Myriam Ben Salah, Marta Papini, Published by Damiani, Bologna, ISBN: 9788862084024 «De Generation of Painting», published by Fondazione 107, Turin, 2014 «Il Piedistallo Vuoto / The Empty Pedestal», Mousse, texts by Boris Buden, Keti Chukhrov, Vit Havránek, Marco Scotini and Joanna Warsza, Milan, ISBN: 9788867490691 «of course blue affects my way of shitting», Chert and Motto books, Berlin, ISBN: 978294052418 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 2, Self - published 2013 «Kosovo Pavilion — Venice Biennale», Walther König, edited by Kathrin Rhomberg & Erzen Shkololli, Cologne, ISBN - 10: 3863355474, ISBN - 13: 978 - 3863355470 «Poisoned by men in need of some love», exhibition catalogue, edited by Elena Filipovic, WIELS and Motto books, ISBN: 978 -2-940524-07-5 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 1, KOSOVO 2.0 «SUPER Visions — Zeichen und Sein», exhibition catalogue, Museum Schloss Moyland, Verlag für Moderne Kunst, ISBN: 3869844191 2012 «New Public», exhibition catalogue at Museion, Walther König, edited by Rein Wolfs, texts by Federico Campagna, Maria Lind, Rein Wolfs, Cologne, ISBN: 9783863352400 «30 Künstler 30 Räume», exhibition catalogue, Verlag für Moderne Kunst, text by Franz Xaver Baier, Dietrich Mahlow, Angelika Nollert, Nürnberg, ISBN: 978 -3-86984-320-9 2011 Artist's book, published by Kunstraum Innsbruck and Chert, Berlin «Struktur & Organismus», exhibition catalogue, edited by Stefan Tasch, Marillenhof — Destillerie Kausl, Austria «Ostalgia», exhibition catalogue, published by New Museum, New York «Based in Berlin», exhibition catalogue, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783863350451 «Kostërrc (CH)», brochure, Chert and Bonner Kunstverein, Bonn «My work and me», edited by Susanne Pfeffer, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783865609052 2010 «Blau Orange 2010 — shortlist Simon Denny, Petrit Halilaj, Klara Liden, Nora Schultz», published by BVR — National Association of German Cooperative Banks «Drinnen & Draussen», exhibition catalogue, Chert and Motto books, Berlin «What is waiting out there», Berlin Biennale 2010, curated by Kathrin Rhomberg, DuMont Buchverlag, Cologne «Liste», fair catalogue, Basel
Le Feuvre's other curatorial projects have been staged in spaces across the UK and she regularly contributes to journals, publications and exhibition catalogues, including the 2010 edited publication Failure published by Whitechapel Art Gallery / MIT Press.
Published in conjunction with exhibition at the Pomona College Museum of Art, August 31 - Dec. 19, 2010 Curated by Rebecca McGrew Edited by Elizabeth Pulsinelli Essay by Rebecca McGrew Foreward by Kathleen Howe Catalogue design by Kimberly Varella, Department of Graphic Sciences 7.75» x 5.5», 80 pages ISBN # 978 -0-9818955-5-0
Then for the catalogue, we decided we wanted the artists» own words, so we asked them for their own writings, and I realized how amazing that fragment of Richter was, so I became curious and I started to research and I saw that there were all these amazing writings he had done, and there was never a book, so the third project we did after the Nietzsche house and the group show in Vienna, The Broken Mirror, was I started to edit, over years, a book of his collected writings, which came out, and has now come out in an augmented edition, a second edition, co-edited together with Dietmar Elger, and is now double the size of the one from fifteen years ago, and then, so it's always been approached in working on another exhibition together.
In conjunction with the exhibition, Buchloh edits a new catalogue raisonné, reproducing all of the accepted paintings up to CR: 794 - 2 to 1:50 scale.
Published in conjunction with exhibition at the Pomona College Museum of Art, January 22 - April 14, 2013 Curated by Edgar Heap of Birds Edited by Elizabeth Pulsinelli Essay by Shanna Ketchum - Heap of Birds Foreward by Kathleen Howe Catalogue design by Kimberly Varella, 47 pages, 11» x 7.5»
Her scholarly work has been commissioned and published in edited anthologies, academic journals and exhibition catalogues, including Exhibiting Craft and Design: Transgressing the White Cube Paradigm 1930 - present (Routledge 2017), Danica Maier: Grafting Propriety from Stitch to Drawn Line (Black Dog Books 2017), More Caught in the Act: Performance by Canadian Women (YYZ Books 2016), The Handbook of Textile Culture (Bloomsbury Academic 2015), the Journal of Modern Craft online, and Textile: Cloth and Culture.
In 2017, with the collaboration of Federico Sardella, the art historian who orginally began to archive Simeti's work on canvas, Dep Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (2010).
The exhibition will be accompanied by a fully illustrated catalogue, with an introduction by Blain Southern's Head Curator and Director of Exhibitions, Mario Codognato, and edited by Kira Perov.
Edited by Phyllis Lambert Design and Construction of «Comparative Skin Models», 2001 «BOULEVARD» Literary Journal Saint Louis University «The Finisher,» 2000 «HARD AND SOFT» Encountering Architecture, 1997 «Inward speech / Shared stories» «THE MEMORY OF LOSS» Essay in exhibition catalogue, 1990 «PRESENCE AND PERCEPTION» Architectural Investigations; Essay in Catalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART ancatalogue, 1990 «PRESENCE AND PERCEPTION» Architectural Investigations; Essay in Catalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART anCatalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART and P.S. 1.