Sentences with phrase «exhibition director mary»
Mick Peter solo exhibition Director Mary Doyle gives an introduction talk about artist Mick Peter's work, who transforms imagery derived from fiction, illustration and graphic design into playful installations, resembling quick hand drawn sketches which seem to have been cut from the flatness of the paper and dragged into three - dimensional space.
http://www.artlyst.com/ Not exact matches
Mary Schmidt Campbell is named Director, and oversees a search for a larger museum space that would accommodate expanded exhibitions, programming and storage space.
Guest curator dj Hellerman, Curator and Director of Exhibitions at Burlington City Arts, selected site - specific works by artists Robert Bennett, Jr., Katherine Langlands, Mark Lorah, Zoë Marr Hilliard, Stella Marrs, Angus McCullough, Samuel Spellman and Mary Zompetti.
This exhibition was made possible by the exciting discovery of twenty - seven major works by William H. Johnson from the estate of Mary Beattie Brady, director of the Harmon Foundation for more than forty years.
Curated by White Columns director and CCS Bard faculty member Matthew Higgs, the exhibition includes major works by more than 100 artists including Kai Althoff, Jeremy Deller, Peter Doig, David Hammons, Mary Heilmann, Elizabeth Peyton, and Rirkrit Tirvanija.
«This exhibition serves as a timely examination of the great American tradition of documentary photography,» said Judith F. Dolkart, The Mary Stripp and R. Crosby Kemper Director of the Addison Gallery of American Art.
This year's exhibition is curated and selected by Rosamond Murdoch, Nunnery Gallery Director and guest curator Dr Shahidha Bari, lecturer in Romanticism at Queen Marys University of London.
Under the leadership of Mary Ellen Goeke, Executive Director of FotoFocus; Raphaela Platow, Director of Contemporary Arts Center; and curated by Kevin Moore, Artistic Director of FotoFocus, the program will include an international roster of curators, critics, artists, and art world professionals who will meet for a two - day event on October 23 and 24, 2015, at the CAC, to discuss the significance and implications of the exhibition and Mapplethorpe's career and legacy as these have evolved over the past 25 years.
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.
«This exhibition is the first opportunity for our visitors to discover the great works we acquired over the past three years, thanks to the incredible gift from the Hall Family Foundation,» said Julián Zugazagoitia, Menefee D. and Mary Louise Blackwell CEO & Director of the Nelson - Atkins.
Curated by Allison Peters Quinn, Director of Exhibitions at Hyde Park Art Cetner, Altogether Mutable was the first retrospective dedicated to the work of Mary Lou Zelazny.
Curator Mary Jane Jacob is professor and executive director of exhibitions and exhibition studies at The School of the Art Institute of Chicago.
In addition, owner and gallery director Mary Cantone will bring select works from her gallery to the South Fork and participate in the eARThHAMPTONS event and exhibition in East Hampton, NY.
Sunday October 12, at 4 p.m, in conjunction with Lily Simonson's solo exhibition On Ice, CB1 Gallery will host a panel discussion entitled Exploring Antarctica: New Frontiers of Art and Science with artist Lily Simonson, her collaborator Dr. Joe Levy, a permafrost and planetary geologist from the University of Texas Institute for Geophysics, and Mary Miller, project director at the Exploratorium, a museum of science, art and human perception.
Ex officio (Nasher Museum staff): Sarah Schroth, Mary D.B.T. and James H. Semans Director Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art Molly Boarati, assistant curator of exhibitions Ellen C. Raimond, Ph.D., Assistant Curator of Academic Initiatives
Join Void Director Mary Cremin as she gives an indepth tour of our current exhibition Where History Begins.
«We are thrilled to present an exhibition of some of the most exciting art of our time,» said Sarah Schroth, Mary D.B.T. and James H. Semans Director of the Nasher Museum.
Director / Curator Mary Reid's counterview of contemporary artistic practice in Winnipeg pleasantly interrupted a reverie of city - centric exhibitions asserting legacies and mythologies of local artists and art production.
This exhibition is organized by Lynne Warren, Curator, and Mary Richardson, Library Director.
Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston
At the Kimbell Art Museum Gustave Caillebotte: The Painter's Eye Curators George Shackelford and Mary Morton interviews Episode 266 - December 11, 2015 This week, we visit the Kimbell Art Museum and our interviewer, Aimee Cardoso, speaks with Deputy Director of the Kimbell Art Museum, George Shackelford, and curator of French painting at the National Gallery of Art, Mary Morton, about the exhibition, Gustave Caillebotte: The Painter's Eye.
The exhibition is organized by the Walker Art Center's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, with Joan Rothfuss and Mary Coyne.
Curators: Sondra N. Arkin, Artist & Independent Curator Philip Barlow, Associate Commissioner, DC Department of Insurance, Securities & Banking; Board Member, District of Columbia Arts Center & Millenium Arts Salon Chuck Baxter, Artist Robert Devers, Professor of Fine Arts and Ceramics, Corcoran School of the Arts + Design, George Washington University Thomas Drymon, Curator, doris - mae Charlie Gaynor, Realtor and Photographer, member of the Mid City Artists Aneta Georgievska - Shine, Lecturer in Art History, University of Maryland and Smithsonian Institution George Hemphill, Gallery Director, Hemphill Francie Hester, Visual Artist Don Kimes, Professor, Director Studio Art Program, American University Department of Art; Artistic Director, Visual Arts at Chautauqua Institution Zofie Lang, Artist Mary Liniger, Executive Director, Art Enables Akemi Maegawa, Artist Jayme McLellan, Director & Founder, Civilian Art Projects Twig Murray, Gallery Director, Athenaeum Gallery Victoria Reis, Co-Founder, Executive & Artistic Director, Transformer Nancy Sausser, Curator and Exhibitions Director, McLean Project for the Arts Andy Shallal, Founder, Busboys and Poets Stan Squirewell, Artist
Contributors to the catalogue include: Lawrence Weschler (author of creative nonfiction), Kay Redfield Jamison (clinical psychologist and author), Maria Popova (writer and blogger at brainpickings.org), Barbara Maria Stafford (art historian), Jill Tarter (astronomer and former director of the Center for SETI Research), Robin Ince (comedian and co-host of BBC radio's The Infinite Monkey Cage), Stefan Sagmeister (graphic designer), Mary Ruefle (poet), Sam Green (filmmaker of The Measure of All Things), Steve Holmes (curator), and the exhibition curators.
Director of visual arts Mary Jane Taylor became the first gallery director and began expanding the frequency and breadth of art exhibitions on campus throughout the latDirector of visual arts Mary Jane Taylor became the first gallery director and began expanding the frequency and breadth of art exhibitions on campus throughout the latdirector and began expanding the frequency and breadth of art exhibitions on campus throughout the late 1980s.
The exhibition is organized by Rebecca McGrew, Pomona College Museum of Art senior curator, with the assistance of the «Prometheus 2017» research team — Terri Geis, former Pomona College Museum of Art curator of academic programs; Mary K. Coffey, Dartmouth College professor of art history; Daniel Garza Usabiaga, artistic director of Zona Maco in Mexico City; Nidhi Gandhi and Ian Byers - Gamber, Pomona College Museum of Art curatorial assistants; and Benjamin Kersten, former Pomona College Museum of Art curatorial assistant.
This exhibition is organized by Mary Leclère, associate director, Core Residency Program, and Gabriel Martínez, Core critical theory programming assistant.
The exhibition will be officially opened by Mary Cloake, Director, The Arts Council, at 7.30 pm on Friday 19 June 2009.
Northwest art curator Bonnie Laing - Malcolmson plans to retire next year; curator Dawson Carr will oversee European painting and sculpture up to 1900, Mary Weaver Chapin is now curator of prints and drawing; Donald Urquhart has been promoted to director of collections and exhibitions; and Samantha Springer has been hired as conservator.
The exhibition, curated by Mary - Kay Lombino, the Emily Hargroves Fisher ’57 and Richard B. Fisher Curator and Assistant Director for Strategic Planning at the Frances Lehman Loeb Art Center, will be on view through March 27.