Sentences with phrase «exhibition addressing issues»

10 Nov 1997 Exhibition addressing issues of violence against women at the Irish Museum of Modern Art An exhibition of works focusing on the issues underlying violence against women opens to the public at the Irish Museum of Modern Art on Friday 28 November.

She recently curated «Dreamlands: Immersive Cinema and Art 1905 - 2016», a large thematic exhibition addressing issues of the immersive cinematic experience in relation to the body and technology.

Not exact matches

«Supporting the trade exhibition is a strategic WISA seminar program and floor show presentations with outstanding speakers addressing issues that will help to springboard the Australian wine industry towards its objectives.

Over the years, the House has hosted many informative exhibitions, never fearing to address sensitive or difficult social issues.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

For her second exhibition in the gallery, Roni Horn has selected a series of recent works, all of which address these two issues.

The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.

The first group exhibition, Women and their Work I: Affect + Action will open on Friday, September 8 from 5:30 to 7 pm where artists will address social issues ranging from institutionalized racism, water pollution, the atrocities of war, and the subjugation of female bodies (human and nonhuman).

Drawing from the British context as point of departure, and the wave of exhibitions by Black British artists — highlighting the recurrence of the issues they addressed in the 1980s and demonstrating the continued relevance of their art to this day — this project is the result of ongoing conversations with artists who have always been alert to the fragility of democracies and concerned with the pockets of exclusions that exist in the so - called «Free World».

(An issue also addressed in an exhibition of Stanley Whitney's paintings at the Studio Museum last year and in an Alma Thomas retrospective opening at the Tang Museum upstate next month.)

In the exhibition Lost and Found: Queerying the Archive these issues are addressed from queer perspectives through art works offering alternative histories and reworked archives.

Throughout his brief and influential career, Palermo executed paintings, «objects,» installations, wall drawings, and works on paper that addressed the contextual and semantic issues at stake in the construction, exhibition, and reception of works of art.

The exhibition (21 January - 23 April 2017) consists of two films, WESTERN UNION: Small Boats (2007) and True North (2004), which address issues of migration, race, gender, and globalisation.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

More than an exhibition of separate and self - contained works, the scale and simultaneity of the works installed over 4 floors of TRAFO will create a single installation where the works echo physical and topographical layers, addressing issues of modernity and the human condition in front of changing political and technological realities.

The exhibition consists of two film projections, WESTERN UNION: Small Boats (2007) and True North (2004), which address issues of migration, race, gender, and globalisation.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

Speaking to artnet, Lew described his intention to address questions of race head - on in the exhibition: «We spend our everyday lives skirting around these issues, but they're really built into the show — we're not running away from these discussions.»

Anyone who is interested in finding out more before visiting can stop by the ticket office for a document that provides a complete overview of the images contained in the exhibition and insights into the issues these artworks address.

The New York Times serves as the point of departure for the exhibition, featuring over 80 artists, artist duos, and collectives who use the «paper of record» to address and reframe issues that impact our everyday lives.

In a panel discussion moderated by independent curator and writer, Patterson Sims, panelists John Smith, Barbara Haskell and Joan Washburn will address the issues of research and the vital yet complex role that archives play in the development of an exhibition.

Building on discourses regarding formalism and painting, the exhibition addresses universal issues of loss, alienation, life, and death.

Wu addresses these issues through a survey of current exhibition practices, a discussion of the Smart Museum exhibition, a case study of It's Me, a rich collection of primary materials from eleven recent exhibitions.

Issues of identity, gender, class, race, globalization, and consumerism is crucial to the exhibition and is addressed through the many creative, theoretical, and sociopolitical investigations of the artists.

In addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary art.

STUFF is an exhibition that aims to address issues of consumerism and accumulation of material possessions, through the lens of contemporary art.

This exhibition addressed contemporary portraiture as the nexus of three issues: visuality, location, and identity.

The exhibition addresses the push back that is occurring in communities nationwide around issues such as water access and safety, marginalization of the poor, the murder and incarceration of African American youth, and decay of urban infrastructure.

A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.

The exhibition New Gravity / Interesting Thing includes video and performance works that address, in diverse ways, gender and sexuality as central elements of broader social issues.

White: Whiteness and Race in Contemporary Art, the first exhibition and book devoted to the subject, gives voice to 11 artists who explicitly address the issue of whiteness: Max Becher and Andrea Robbin, Nayland Blake, Nancy Burson, Wendy Ewald and Mike Kelley, William Kentridge, Barbara Kruger, Nikki S. Lee, Cindy Sherman and Gary Simmons.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

The exhibition will address the issue of photography, -LSB-...]

The anniversary online exhibition encourages new scholarship on the original show and hopes to foster a renewed appreciation of how the digitization of art historical resources offer distinctive frameworks to address complex political, social, and cultural issues related to art history and museum practices.

By addressing certain issues that have both united and polarized the neighborhood over the last 30 + years, the exhibition will encourage artists and community members to become an active part of the conversation by focusing on the particular insights and experimental processes that artists bring to imagining new urban spaces.

This summer, Artpace embraces this question with two solo exhibitions of work by Sabine Senft and Doerte Weber, artists who are addressing global issues of migration and geopolitical borders.

«His longstanding relationships with artists and art audiences alike, outstanding exhibition programming and his passion for addressing social issues will bring a wealth of excitement, energy and vitality to the ICA.

In a follow up to the gallery's critically acclaimed group show «UPRISE / ANGRY WOMEN,» which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year.

Creating contemporary art exhibitions around the world to address critical social and environmental issues

He is known for large works that transform the conventional exhibition spaces of modern art into all - encompassing environments addressing issues of «justice and injustice, power and powerlessness, and moral responsibility.»

Curated by Dean Saskia Bos and Associate Dean Steven Lam, Free as Air and Water addresses these questions within the context of contemporary art linking a broad set of issues such as public access to resources, political ecology and governmentality within a group exhibition that features a diverse array of artistic operations and tactics.

Celebrating its 125th year, Baxter St at CCNY is marking this important anniversary with an exhibition of work by artists who draw upon the origins of the medium to address contemporary photographic issues and practices.

«With Carbon 13 and the Marfa Dialogues, Ballroom Marfa continues its mission of presenting art as a transforming media capable of addressing the most pressing issues of our time: The exhibition consists of newly commissioned work by eight international artists who have focused the lens of their creativity to interrogate the reality of climate change.

By making artwork and exhibitions concrete and personal for each viewer, the Museum provides a context to address contemporary and historical issues presented by artists of African descent.

«There are issues of hostility toward austerity measures, which is completely understandable, and other difficult issues between Germany and Greece will of course be addressed during the process of making the exhibition, but it will not become the main topic of the exhibition,» said Szymczyk, calling from Kassel.

Diverse backgrounds are integral to this year's exhibition of the artists shortlisted for the Turner Prize, as, in each of the four micro-exhibitions, they are wielded to address pressing social issues.

This is the second solo exhibition in a series of three intending to address issues of marginalization and history - making, first articulated in Podedworny's earlier curatorial project, Rethinking History which was mounted -LSB-...]

Curator, The Attack of the Sandwich Man, solo exhibition by Chris Cozier (Trinidad), video collaboration with Richard Fung; addresses issues related to nation - making, culture, the politics of gender and the post - colonial Caribbean.

In partnership with Craft Ontario and Culture Storm, this exhibition of commissioned works addresses issues of cultural appropriation through fashion, textiles and wearable art with curatorial vision by Erika Iserhoff and Sage Paul, founders and directors of Setsuné.

This group exhibition includes emerging and established artists whose work addresses issues, images, and themes related to the Cold War and its cultural impact.