Sentences with phrase «exhibition catalogue featuring»

20 page, full - color exhibition catalogue featuring 16 paintings from 2014 - 2015 and an essay by Lilly Wei.

Jennifer Coates All U Can Eat is a 94 page full - color exhibition catalogue featuring images by Jennifer Coates and text by Scott Indrisek, David Humphrey and Jennifer Coates.

Exhibition catalogue featuring more than fifty rarely seen works, as well as unpublished notebooks and previously undocumented works of art.

Exhibition catalogue featuring an introductory essay co-written by Julian Myers, Callie Humphrey, and Patricia Cariño; and interviews with artists Martin Soto Climent, Rana Hamadeh, Li Ran, Cinthia Marcelle, William Powhida, members of Real Time & Space, and Ian Wallace

ROCKS AND RAYS: New Paintings by Rachelle Krieger Exhibition catalogue featuring paintings from 2014 - 2015.

An exhibition catalogue featuring an interview with the artist will be published.

CUE provides institutional guidance, a stipend, shipping budget, and an accompanying exhibition catalogue featuring an essay written by a participant in CUE's Young Art Critic Mentoring Program.

Edited by Desmond Shawe - Taylor and Per Rumberg, the exhibition catalogue features contributions from David Ekserdjian, Dr Barbara Furlotti, Gregory Martin, Guido Rebecchini, Vanessa Remington, Dr Karen Serres, Lucy Whitaker, Jeremy Wood and Helen Wyld.

The exhibition catalogue features several new works by the young Swiss artist, which illustrate the post-modern approaches of time - space compression in coexistence with the historicity and perception of our environment.

This fully illustrated exhibition catalogue features new writings by Mary Heilmann, Lydia Yee and Briony Fer.

This exhibition catalogue features entries with full - color illustrations of the works in the exhibition as well as six new essays discussing the artistic, historical, and religious significance of the caves and their sculptures and recent research dedicated to their digital reconstruction.

This beautifully illustrated exhibition catalogue features essays from a range of perspectives and reveals the similar visual and artistic interests of Anni and Josef and the Latin American world that became their haven.

This artist - designed exhibition catalogue features more than 60 works in various media, illuminating the artist's process with selections from his personal archive of clippings and ephemera, as well as raw sketches for his projects.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

The Catalogue A fully illustrated exhibition catalogue features essays by notable scholars of ancient Greek art and archaeology: Seán Hemingway, Curator, Greek and Roman Art, The Metropolitan Museum of Art; Carol Mattusch, Mathy Professor Emerita of Art History, George Mason University; John Oakley, Chancellor Professor and Forrest D. Murden, Jr..

The exhibition catalogue features an essay by art writer Lizzie Lloyd.

This exhibition catalogue features Ayse Erkmen, Ceal Floyer and David Lamelas.

The 176 - page exhibition catalogue features 160 illustrations and essays by Bernice Rose, Michelle White, Gary Garrels, and Magdalena Dabrowski, as well as contributions by Richard Shiff, the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin; and Lizzie Borden, a Los Angeles - based filmmaker and writer.

A nonprofit institution founded in 1909, the AFA is dedicated to enriching the public's experience and understanding of the visual arts through organizing and touring art exhibitions for presentation in museums around the world, publishing exhibition catalogues featuring important scholarly research, and developing educational programs.

The museum's in - depth exhibition catalogue features over 300 images, and includes essays by the Michener's chief curator Kristen M. Jensen, fashion and textile historian Nancy Diehl, independent curator Thomas Mellins, and curatoratorial fellow Kelsey Halliday Johnson that illuminate how Sheeler's work reinterpreted and shifted contemporary trends in architecture and fashion, and highlight the role of Condé Nast in shaping the era's culture.

A 176 - page exhibition catalogue features an essay by Elizabeth Siegel, associate curator of photography, The Art Institute of Chicago; an interview by Paul Martineau, associate curator of photography, J. Paul Getty Museum, Los Angeles; and an illustrated chronology by Brett Abbott, curator of photography and head of collections, High Museum of Art, Atlanta.

Not exact matches

In the midst of an ongoing catalogue raisonné project to comprise 5,000 works, MoMA will now feature a selection of 220 of them in its second - floor atrium and in its third - floor exhibition spaces.

A fully illustrated catalogue featuring an interview of the artist by Hans - Ulrich Obrist, an essay by curator and scholar Hui Kyung An, and a specially commissioned poem by Mónica De La Torre will accompany the exhibition.

Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

A catalogue featuring two personal statements written by the artist accompanies the exhibition.

Featuring a carefully curated selection of books and media including: art & design, exhibition catalogues, cookbooks, young readers and everything in between.

Following the exhibition, Pace will publish a catalogue featuring installation views and a new essay by art critic John Yau.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

The accompanying catalogue, Wayne Thiebaud, Draftsman, features 63 plates of works in the exhibition and 20 sketchbook pages.

Accompanying the exhibition is a clothbound catalogue featuring an interview by artist Matt Connors and full - color reproductions of over sixty works.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Books, exhibition catalogues, instructional DVDs are cherished resources for new painters seeking guidance and support for their own work as well as insight into the work of the featured artist.

nine seventeen is accompanied by a catalogue which features texts by Dr. Peter Miller, whose shared enthusiasm for Meppayil's work brought the exhibition to the American Academy in Rome; historian and critic, Deepak Ananth, a specialist on Meppayil's work and its relationship to Indian art history; and Harvard professor and Art Historian Dr. Benjamin H.D. Buchloh, whose original essay stations Prabhavathi's work amongst the greats.

A beautiful, fully illustrated catalogue of the exhibition featuring essays by its curators and guest scholars, as well as entries on all the artists in the exhibition, is available now.

A major catalogue published in conjunction with the exhibition features texts by Sabine Breitwieser, Michael Darling, Jeffrey Grove, Laura Hoptman, Lisa Lee, and Stephanie Weber.

AICA - USA members author publications including exhibition catalogues, magazine features and other articles.

The Baltimore Museum of Art, the presenter of the U.S. Pavilion at the 2017 Venice Biennale along with the Rose Art Museum at Brandeis University, today announced the publication of Tomorrow Is Another Day, the official catalogue accompanying the exhibition of the same name featuring new work by Mark Bradford for the U.S. Pavilion.

Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.

The reference room features books, exhibition catalogues and other printed materials relating to American art history and the Museum's history.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

A fully illustrated catalogue features texts by Byers, Claire Bishop, Lynne Cooke, and Ingrid Schaffner, as well as a historical compendium of influential 20th - century artworks and exhibitions that provide important precedent to the works in the exhibition.

A fully illustrated catalogue featuring an essay by Kirstin Hübner titled Paths of American Abstraction: The Pioneer Spirit of the Twentieth - Century American Avant - Garde, accompanies the exhibition.

The catalogue features a new essay written by artist and critic Joe Fyfe, as well as a selection of works from the exhibition.

The book includes an extensive catalogue entry for each of the twenty - five featured drawings, detailing its materials, exhibition history, literature, and the circumstances in which it was made.

Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

In conjunction with the exhibition, Lévy Gorvy will publish a fully illustrated hardbound catalogue, featuring contributions by renowned Pop Art experts Marco Livingstone and David E. Brauer.

This exhibition is organized by Howard Singerman, Phyllis and Joseph Caroff Chair, Department of Art and Art History, Hunter College with Sarah Watson, Acting Director and Curator, Hunter College Art Galleries and Annie Wischmeyer, Assistant Curator, and will be accompanied by an illustrated catalogue featuring an essay by Howard Singerman.

The exhibition featured approximately 70 prints, drawings and related sculptures from throughout Puryear's nearly 40 - year career, including many works never shown before outside the artist's studio.1 Together with its substantial catalogue, it illuminated the complex and intimate relationship between Puryear's two - and three - dimensional thinking, and the persistence with which he continually revisits and reworks forms, in some cases, over the course of decades.2