Sentences with phrase «exhibition entrance of»

Exhibition entrance of Pierre Chareau: Modern Architecture and Design at The Jewish Museum, NY.

Not exact matches

She stood at the entrance of the exhibition; a maternal presence marking the start of the impending journey through The Stations.

«For all that, LogiMAT still brings everything close together with its clear concentration of various industry segments and the newly designed admission via the West entrance to the exhibition centre.»

At the entrance hall of the ALMA Building, we presented poster exhibition of the ALMA Telescope, ALMA site map with illustrations and photos, and manually - operable miniature models of the ALMA 12 - m and 7 - m antennas.

Hall 11, which is located right next to the main entrance of the Frankfurt exhibition site and has been made available for the joint presentation by the BMW, MINI and Rolls - Royce brands, is where all the latest features and additions are being showcased.

Visitors should be prepared for bag searches at all of the entrances to the exhibition grounds: «We recommend leaving backpacks and trolley suitcases at home since they can lead to longer waiting times at the entrances», says Gabi Rauch - Kneer, Vice President Exhibition Management at the Frankfurter exhibition grounds: «We recommend leaving backpacks and trolley suitcases at home since they can lead to longer waiting times at the entrances», says Gabi Rauch - Kneer, Vice President Exhibition Management at the Frankfurter Exhibition Management at the Frankfurter Buchmesse.

The new campaign features 40 locations around the emirate and comprises two distinct television commercials running across TV networks, digital channels and in - flight entertainment systems, as well as five promotional videos, one of which is being shown throughout WTM on a giant digital screen by the entrance to the venue, the Abu Dhabi - owned exhibition centre, ExCel London.

Renowned exhibition designer Dagmar Von Wilcken is responsible for the concept development and design of the museum route, and Bierman Henket Architects for the new entrance.

Renowned exhibition designer Dagmar Von Wilcken will be responsible for the concept development and design of the museum route, and Bierman Henket Architects for the new entrance.

Benefits of the Hosted Buyer Programme include complimentary flights from selected airports; complimentary 4/5 star accommodation at an official CIBTM hotel in Beijing; one - to - one diary of priority appointments with exhibitors, arranged prior to the event; invitations to evening receptions and exclusive networking functions; entrance to the private Hosted Buyer Lounge during the exhibition and complimentary access to the China Meetings Week and CIBTM's Professional Education Programme.

At his studios, in their different configurations and locations, Wolfgang Tillmans has also hosted various events including music sessions and legendary parties which eventually led to the 2006 opening of an exhibition space called «Between Bridges», run by the artist, first located in the entrance and stairwell of his London studio on Cambridge Heath Road and now relocated to Keithstrasse in Berlin.

Rather, the first painting to the left of the entrance is echoed by the first painting on the right, which turned me back into the exhibition.

The vibrant colour contrasts that underlie the golden serenity of Severini's Paysage à Civray (Vienne)(1908), displayed on the wall facing the entrance to the exhibition, engage the viewer immediately in the dialogue between classicism and abstraction that the exhibition seeks to promote.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Lothar Götz has created a new aquatint in an edition of 30 to accompany his site specific wall - painting which spanned the entrance of The London Open 2015, the Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.

Planned and designed with artist Tom Dolan, this 80 - page book functions asa work of art as well and fits in with Thater's idea that all things associated with a work, be it the entrance to the exhibition space, the invitation or the catalogue, must attend to the ideas driving the work.

Titled Entrance, the exhibition will present a new series of paintings and will be on view October 29 — December 21, 2013.

Comprising 10 large - scale environments from over the past decade, alongside two newly commissioned multicoloured polycarbonate sculptures in the grand entrance hall of the Manchester Art Gallery, the works in the exhibition show Darbyshire's dedication to the processes of making — and faking — it, with materials ranging from felt to wood to Perspex.

In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.

Many of the art fair - based events are set in a 65,000 square foot exhibition hall with an entrance that features Keith Haring's 4o - foot mural Pop Shop Mural (1986) presented by Castle Fitzjohn Gallery.

The second exhibition drew tremendous attention, beginning with the AAA flag waving above the entrance to the gallery and ending with the realization by the critics of the fact that modern art was invading the very inner sanctum of the traditional art.

At the entrance to the exhibition, we are greeted by the pulsing pink of Are we ever really in control?

For an exhibition sporting as foreboding a title as The End of Love, Rebecca Leveille's paintings are so entrancing as to inspire a sort of optimism in the viewer.

This enhanced show design comprises a new floorplan featuring more than 10 percent of added exhibition space — yielding larger booths, wider aisles and enhanced lounging and dining options — as well as four entrances to the halls.

In the midst of this tension, the»93 Biennial curators (Elizabeth Sussman, Thelma Golden, Lisa Phillips, and John G. Hanhardt) placed a video of the Rodney King beating on replay right at the entrance to the exhibition.

Another very different kind of socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the exhibition with its entrance on 115 Delancey Street.

A colossal steel figure outside the museum entrance, Vater Staat (2010), observes visitors as they arrive, while the key work in the exhibition — the monumental bronze sculptures United Enemies (2011)-- originate in his small, sketchy figures with heads of modelling clay made nearly twenty years earlier.

«As one of the first commissioned works by a living female artist to be installed at the entrance of an American museum, Pas de Deux (Plaza Monument) will serve as a beacon for the DMA's intent to broaden its collecting and exhibition habits.»

Serra's first solo exhibition at the museum was held in 1980, and marked the creation and permanent installation of the large - scale steel sculpture Waxing Arcs in the entrance area.

The exhibition featured the original door that stood at the entrance of the Ferus plus a full - scale re-creation of the gallery's 1960 solo Bengston exhibition.

Museum goers get a taste of the exhibition inside with a «decked out «Airstream trailer transformed by artist Randy Palumbo that's «parked» at the museum's entrance.

For most of the exhibition, however, it stood at the entrance.

2012 Every Exit is an Entrance: 30 Years of Exit Art, Exit Art, New York, NY Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, NY To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

At the entrance of the exhibition held in the Beirut Art Center the artist has placed scrap metal, tires, parts of tanks, satellite dishes, and doors so that visitors are forced to scramble across the debris on their way to the rest of the displays.

The site - specific work «Ground Control» by Ögüt transforms the entrance floor into a controlled public space, an intervention that will remain following the end of the exhibition.

Saraceno's MATRIX exhibition, his first solo museum exhibition in the United States, will extend outside the MATRIX Gallery, making use of the Berkeley Art Museum's unique architecture with a new suspended sculpture for the museum's entrance atrium.

The exhibition presents a mapping of the entire collection — developed in collaboration with Paris - based Brazilian artists Angela Detanico and Rafael Lain — in an attempt to open up, to an interested audience, the idea of the collection as a system with variable entrances.

Free tours of this exhibition take place Thursday through Sunday at 3 p.m. and begin at the exhibition entrance on the second floor.

what: a campus - wide program of installations, events, workshops, open studios and more when: may 17 — 21 11:00 am — 6:00 pm where: industry city, brooklyn [main wanteddesign exhibition entrance @ 274 36th street]

Recognition as a Sustaining Sponsor for an upcoming exhibition of your choice, you will be prominently recognized on the entrance wall of the exhibition and related materials; staff will meet with you to help determine which exhibition best meets your interests

-- 21.10.2012 4th floor, A-wing, Cabinet of Prints and Drawings The one - room exhibition introduces the early work, from the 1970s, of the designer Jüri Kaarma (1950 — 2011), and the series of charcoal drawings Deaths and Entrances, which is here presented for the first time.

The entrance has been re-activated as one of many elements within the exhibition which draws on themes related to environmentalism, the Commons and political ecology.

At the entrance to the Whitechapel Gallery's summer exhibition stands an imposing image of the Italian artist Giulio Paolini (b. 1940), arms folded, sunglasses on.

Rachel has served as co-director of Sara Meltzer Gallery and curator at Exit Art, where she organized the final exhibitions Every Exit Is an Entrance: 30 Years of Exit Art and Collective / Performative.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

The detour via the side entrances signals that, for the duration of the 54th International Art Exhibition — la Biennale di Venezia, it won't be possible to take a linear path through this pavilion.

People are waiting to see what Tate Britain will do with its collection of Turner paintings to warrant the entrance fee to «Late Turner» (opening 10 September), and also to see which of Britain's cherished Old Masters will come out on top when the V&A opens its Constable exhibition 10 days later (20 September).

THE ORGANIZERS of the elegant Blinky Palermo retrospective at the Kunsthalle Düsseldorf and the Kunstverein für die Rheinlande und Westfalen wasted no time in announcing their bold, materially focused agenda: At the entrance to the exhibition, visitors were greeted by a sequence of short videos featuring Palermo, whose own statements about abstraction introduced, in effect, the daring curatorial program within the galleries.

The footprint of the building is a non-standard twelve - sided shape that lends the interior a pleasing characterfulness; coming through the entrance, one descends a short flight of steps into the exhibition space.

The exhibition alternates light and sound, images and written words, moments of contemplation and outbursts of euphoria, in an entrancing journey that draws visitors in and demands their total engagement.