Sentences with phrase «exhibition marks»

The exhibition marks the US premiere of Riverboat song (2017 - 18), featuring a monologue by the artist, pop tracks and unsettling animations.

After the decision taken last year by the Royal Botanic Garden (which owns Inverleith House) to close the space as a dedicated contemporary art gallery, this exhibition marks a new remit for the gallery to showcase artists responding to the botanic collections, after months of public outcry.

The exhibition marks the reopening of Modern Art Oxford following a substantial redesign of the Gallery's entrance and public spaces.

The opening of this exhibition marks a turning - point for Lee, who is well known for his playful and colorful depictions of happy creatures.

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The exhibition marks the first public presentation of Op de Beeck's percepti...

Featuring nearly twenty large - scale color photographs taken between 2011 and 2014, the exhibition marks Graham's second solo show with the galleries and will be on view at 510 West 25th Street from September 5 through October 4, 2014.

The Summer Exhibition marks the 19th year the show will be presented.

The exhibition marks the largest solo presentation of Yun's work in North America to date.

, this exhibition marks Newsome's debut at De Buck Gallery.

This gallery exhibition marks a long association between Julian Schnabel and Gian Enzo Sperone, who has shown the artist in Italy regularly since 1985.

Including over 100 prints by one of the most prolific and inventive printmakers of his generation, this exhibition marks the first museum study of this distinguished artist's graphic oeuvre.

Featuring all new works, many of which will be created on site, this exhibition marks the artist's continued investigation into the relationship between visual politics, shamanism, and object making.

This exhibition marks the first time these two major works are shown together.

The exhibition marks Biasi's debut at De Buck Gallery, and his first solo exhibition in New York since 1971.

Featuring a multimedia installation, the exhibition marks the Lebanon debut of a 2013 project by the artist.

Graffuturism 5 Year Anniversary Exhibition marks in many ways the consolidation of a journey that started in 2010 when Graffuturism decided to create a blog in order to showcase the work of Graffiti / Urban Artists who were underrepresented.

This exhibition marks the culmination of LACMA's 50th anniversary year, one that began with historic gifts to the museum represented in 50 for 50: Gifts on the Occasion of LACMA's Anniversary.

The exhibition marks the debut of all three artists at the gallery, and will be on view from May 16 through June 29, 2013.

This exhibition marks Merz's seventh solo exhibition at Sperone Westwater and will be commemorated with an extensive catalogue featuring an essay by Emily Braun, Ph.D., Distinguished Professor of Art History, Hunter College and the Graduate Center, CUNY and a specialist in modern Italian art and culture.

This exhibition marks their first at the gallery.

08 Sep 2010 27 Feb 2011 The Novak / O'Doherty Collection This exhibition marks the generous gift of works by art historian Barbara Novak and artist Brian O'Doherty / Patrick Ireland to the IMMA Collection.

Exhibition Marks the First Time MoMA will Display White's Recently Acquired Black Pope (Sandwich Board Man)(1973) and a Drapery Study by Leonardo

This exhibition marks the opening of the public diplomacy and cultural program for the Latvian Presidency of the Council for the European Union in the United States of America.

This exhibition marks the second major exhibition of «Celestial Navigation: a year into the afro future», a year - long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

The exhibition marks the release of the artist's first monograph, Angelika Sher: Series, 2005 — 2012 (Kehrer Verlag, 2014) with an introductory essay by Elisabeth Biondi.

Susan Te Kahurangi King's current exhibition marks her second, highly anticipated solo show at Andrew Edlin, following the critically acclaimed debut of the New Zealand - based artist with the space in 2014, Drawings from Many Worlds.

The exhibition marks a late - in - life return to big landscape painting for an artist many identify with indolent scenes of swimming pools and slender young men.

This exhibition marks the first time Subtlety has been produced as a mural since its premier in 1998 for the artist's solo exhibition at Margo Leavin Gallery in Los Angeles.

The exhibition marks the occasion of the Henry's ninetieth anniversary with the first museum - wide showing of the contemporary collection, featuring over fifty artworks by an international roster of artists working in various media.

This exhibition marks the first time these works have been shown as a collection.

The exhibition marks the first time these two paintings will be reunited in over three decades.

Featuring work by painters Elizabeth Glaessner, Yunsung Jang and Nicolas V. Sanchez, this exhibition marks the beginning of each artist's promising career and the culmination of their year - long fellowships.

With the impending change in the museum's curatorial staff, this exhibition marks a point for some deserved reflection on boys - will - be-boys art in Houston.

This exhibition marks the launch of seminal Senegalese process based situationist artist Issa Samb's (aka Joe Ouakam) first monograph published by Raw Material Company in collaboration with OCA, Office of Contemporary Art Norway.

This exhibition marks the first time Monir's work will be shown in Ireland.

Featuring works by Maria Anwander, Deborah Grant, Luis Hidalgo, Jonas Lund, Pablo Rasgado, Camilo Restrepo, Rafaël Rozendaal, Michael Staniak and Yung Jake, the exhibition marks the first time most of our gallery artists will be showing together.

The exhibition marks the start of a collaborative effort between Deutsche Bank KunstHalle and Tate Modern.

Irving Penn at the Grand Palais September 21 — January 29, 2018 The exhibition marks the centenary of Irving Penn's birth and is the first major show of his work in France since his passing in 2009.

This exhibition marks Red Star's first solo show in New York City.

This exhibition marks the beginning of the collaboration between those artists and the gallery.

This latest exhibition marks the entry of the United States into the war in 1917 and promises to be as spectacular as the prior entries in the series, which have now been seen by more than five million people.

The exhibition marks his first exhibition in France since heshowed Small Paintings 1975 - 1989 at the Musee des Beaux Arts, Nantes, in 1990.

This exhibition marks the bequest of noted Canadian writers, Sheila and Wilfred Watson.

This exhibition marks Grabner's return to domesticated geometric pattern.

This exhibition marks the third of four solo exhibitions from the recipients of the 2013 CCNY Darkroom Residency Program.

This exhibition marks a significant cultural occasion in Denmark where Hepworth's works have not travelled since her first and only presentation in 1964.

The exhibition marks the return of Rain Room to the Yuz Museum, where it made its debut in Asia in 2015, and well as its first presentation alongside other works by Random International.

As importantly, the exhibition marks a new phase in K11's evolution, being the first of its exhibitions to be internally conceived and curated.

This year's MFA grant recipients exhibition marks the ninth year of the Joan Mitchell Foundation's collaboration with CUE Art Foundation.