Norman Rosenthal,
Exhibitions Secretary at the Royal Academy, writes an introduction to the exhibition, Richard...
Norman Rosenthal,
exhibitions secretary at the Royal Academy agrees.
In a move as brazen as his art, Hirst invited the Tate director Nicholas Serota and brought Norman Rosenthal, then
exhibitions secretary at the Royal Academy of Arts, to the show in a taxi.
During his 31 years as
the exhibitions secretary at London's Royal Academy, Sir Norman Rosenthal staged groundbreaking exhibitions of art including the legendary show, «A New Spirit in Painting» (1981), which brought artists such as Joseph Beuys, Gerhard Richter and Georg Baselitz to broader recognition.
A pencil portrait of Norman Rosenthal,
Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008.
His hyperstylized robotic woman — as — idol remains a constant iconographic feature of his work, as this fifty - year survey, organized by Sir Norman Rosenthal, former longtime
exhibitions secretary at the Royal Academy of Arts in London, amply documents.
Not exact matches
We are honored to be partnering with the United Nations,
at the invitation of Deputy
Secretary - General Jan Eliasson, for this special
exhibition commemorating the 70th anniversary of the organization's peacekeeping efforts.
David Wojnarowicz's A Fire in My Belly (1986 — 87) was removed from a group
exhibition at the National Portrait Gallery in Washington, D.C., in 2010 because the video's images of ants crawling on a crucifix were deemed by the Smithsonian's
secretary to be too politically explosive.
Danh Vō's 2013
exhibition Mother Tongue
at Marian Goodman in New York used artefacts from the estate of Robert McNamara, former US
Secretary of Defence during the Vietnam War, and therefore kept close to the artist's own biography.
They spoke of the developing brouhaha over the Smithsonian
Secretary's removal of David Wojnarowicz's Fire in My Belly video from a current
exhibition at the National Portrait Gallery.
The Commissioner was Alfred A. Longden, who was the Art
Exhibitions Officer and
Secretary of the Fine Art Department
at the British Council.
The Breeze
at Dawn will be accompanied by a fully illustrated catalogue with a foreword written by Norman Rosenthal, independent curator and former
Exhibition Secretary of the Royal Academy of Arts.
A welded joint
at the waist of one copy (1/6) was found to be broken on arrival for Hepworth's first New York
exhibition in late 1959 (letter Hepworth to Peter Gimpel, 24 Sept. 1959, TGA 965); this seems to have been the same cast which required repair
at the foundry on its return from the British Artist Craftsmen
exhibition which toured America (letter from Hepworth's
secretary, Margaret Moir, to Peter Gimpel, 27 April 1961, TGA 965).