Sentences with phrase «exit art»

The pieces, all done in the dimensions of a standard sheet of paper, will be on display from April 15 - 29 in the Manhattan gallery Exit Art.

Would the Exit Art folks or Franklin Furnace have known in 1982 about the subject of Hammons» artist statement for the 1990 show, which Schriber presented, and which I had never heard of?

Her art and illustration work has been featured in numerous exhibitions including City Creatures at Peggy Notebaert Nature Museum (Chicago), Dress / Sheild at Lump Gallery (Raleigh), Exit Art (NYC), Kristi Engle (Los Angeles) Corcoran Gallery of Art (Washington DC), The Andy Warhol Museum (Pittsburgh) and Lollapalooza 2007.

Her intimate sculptures and interactive public projects have been exhibited nationally & internationally at museums and public venues, including the Albright - Knox (Buffalo), the Pulitzer Arts Foundation (St. Louis), the Kochi Biennale (India), the Yeosu Art Festival (Korea) Exit Art (NYC) and Gallery 400 (Chicago).

2001 Boomerang, Exit Art, New York, NY Snakes, Snails, and Puppydog Tails, Nikolai Fine Art, New York, NY Pin - Up, Bodybuilder and Sportsman, Chicago, IL Eureka, Too!

They were the subject of multiple solo shows at Stephen Wirtz Gallery and Gallery Paule Anglim in San Francisco, and Joseph Helman Gallery in New York, and were included in group shows at The Drawing Center, Exit Art, Franklin Furnace and PS 1.

Her work has been featured in numerous group exhibitions, including in 2009 Supramundane at Ambach and Rice Gallery in Seattle; in 2007 The Powder Room, Track 16 Gallery, LA; in 2005, Dirty Pigeons at 96 Gillespie's, London and Other America at Exit Art, NY.

Related posts: Exchanging studio visits with Joan Waltemath Rico Gatson's new paintings at Exit Art Free reading: M / E / A / N / I / N / G: A Journal of Contemporary Art Issues

1993 Carl Hammer Gallery, Chicago, Il, Woman x 3 Exit Art, New York, N.Y., Comic Power Laguna Art Museum, Laguna Beach, CA, Kustom Kulture

Bussmann has been featured in group shows at Exit Art, the Drawing Center, the James Nicholson Gallery in Chelsea, the «temporary Museum in Williamsburg, Brooklyn, and ISCP Open Studios in Bushwick.

While at Exit Art, he curated «New Mirrors: Painting in a Transparent World»; and co-curated «Summer Mixtape Volume 1,» an exhibition exploring the role of pop music in the work of emerging artists.

The project has been exhibited widely in group and solo shows at Exit Art (NYC), Denver Museum of Contemporary Art — Creative Acts that Matter Program (Denver), Everson Museum of Art (Syracuse, NY), ARTECH (Spain), Wave Hill (NYC), Harvard Graduate School of Design (Cambridge, MA), Cleveland Museum of Natural History and others.

Bob Flanagan and Sheree Rose have exhibited at Beyond Baroque, Los Angeles, Los Angeles Contemporary Exhibitions, Otis College of Art and Design, Santa Monica Museum, Exit Art and the New Museum in New York, the Musée d'art Moderne et Contemporain, Geneva, Switzerland, and more recently at the Tate Liverpool in Liverpool, England, the KW Institute for Contemporary Art, Berlin, and the Hamburg Kunsthalle in Hamburg, Germany.

Their most recent body of work, A History of the Future, has been exhibited widely in group and solo shows at Exit Art (NYC), Denver Museum of Contemporary Art — Creative Acts that Matter Program (Denver), Everson Museum of Art (Syracuse, NY), ARTECH (Spain), Wave Hill (NYC), Harvard Graduate School of Design (Cambridge, MA), Cleveland Museum of Natural History, Human Resources (L.A.) and The Nevada Museum of Art (Reno), among others.

Jane Hammond had her first solo exhibition in 1989 at Exit Art, NYC.

Reactions (traveling exhibition), Exit Art, New York, NY Williamson Gallery, Art Center College of Design, Pasadena, CA Library Of Congress, Washington, DC

He has previously served as the Associate Curator at Exit Art and the Acting Associate Curator at the Queens Museum of Art.

Related posts: Lovable: Chris Martin at Anton Kern 2014 Whitney Biennial: Curators» statements, painting links Sharon Horvath: Condensed visionary fictions The slaves to facture vs. tentative doubters at Exit Art

Her work has been screened and exhibited nationally including Reality Testing, Los Angeles Contemporary Exhibits, CA; Cowboys, Codes, & Conspiracies, Corcoran Gallery of Art, Washington D.C.; Fleisher Challenge Exhibition at the Samuel S. Fleisher Art Memorial, Philadelphia; New Wine New Bottle, Fleisher / Ollman Gallery, Philadelphia; and Wild Girls, Exit Art, New York.

She has exhibited in a number of venues domestically and abroad, including The Asian Arts Initiative, Brunei Gallery, Exit Art, Visual Arts Center of New Jersey, Woman Made Gallery and university museums including Norwich University, the State University of New York at Brockport, The University of the Arts and the University of Tennessee.

BASIC FACTS: «Exit Art: Unfinished Memories: 30 Years of Exit Art» is written by Susan Harris (Editor), Mary Staniszewski (Editor, Foreword), Papo Colo (Preface), Holland Cotter (Foreword) and Rachel Guelberger (Foreword).

An ambitious endeavor, Exit Biennial: The Reconstruction is the first of five Biennials planned for the decade to highlight Exit Art's transformation from an offbeat Soho gallery into a major venue for emerging art.

Rico Gatson's retrospective at Exit Art, Three Trips Around the Block, ran the gamut of artistic expression.

More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three - decade run.

She was Chief Curator at Matucana 100 in Santiago, and previously Assistant Curator at Exit Art in New York City.

Her work has been supported by Los Angeles Contemporary Exhibitions (LACE), MOCA in Los Angeles, Los Angeles County Museum of Art, Santa Monica Museum of Art, The Luckman Center, Exit Art and Hallwalls in New York, Molndal Konsthall, Sweden, Long Beach Museum, the Skirball Center, Kappa Museum, Prague, and the Los Angeles Cultural Affairs Department as well as commercial galleries including Western Project, Andrew Shire, Deep River and POST.

(catalogue) Persona, The Renaissance Society at the University of Chicago, Chicago, IL; Kunsthalle Basel, Basel Switzerland 1995 It's How You Play The Game, Exit Art, New York; curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo Strung Into the Appolonian Dream... an exhibition of a private collection, Feature, NYC, NY Seven Llongish Wodden Sculptures, Feature, New York, NY 1994 The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design, Milwaukee 1993 A Sequence of Forms: Sculpture by Illinois Artists, Chicago Cultural Center, Chicago, IL Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler, Contemporary Arts Center, Cincinnati, OH; Urbana - Champaign, IL; I Space, University of Urbana - Champaign Gallery, Chicago, IL 1992 Drawing New Conclusions, Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL 1991 Office Party, (March) Feature, New York, NY Power: Its Icons, Myths and Structure in American Culture 1961 - 1991, Museum of Fine Art, Richmond VA: curated by Holliday T. Day (catalogue) 1990 Toward the Future Contemporary Art in Context, Museum of Contemporary Art, Chicago Awards in the Visual Arts, New Orleans Museum of Art, New Orleans, LA; Southeastern The Thing Itself, Feature, New York, NY (brochure) New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA; curated by Elaine A. King (catalogue) Half - Truths, The Parrish Art Museum, Southhampton, NY; curated by Marge Goldwater 1989 On Kawara: Date Paintings 1966 - 1988, The Renaissance Society at the University of Chicago, Chicago, IL Signs of Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian; Fundacao Luso - Americana Para O Desenvolvimento, Lisbon, Portugal; curated by Judith Russi Kirshner.

Exhibitions in the Americas include the New Museum, Mass MoCA, Drawing Center, The Menil Collection, Exit Art, Art in General, Apexart, Dorsky Gallery, Museum London, Museu de Arte Moderna, Paço Imperial, and Funarte; in Europe, the Institute of International Visual Arts, Whitworth Art Gallery, Hansberg / Woolf Gallery, Museu da Cidade, Galleri Tommy Lund, Overgaden, UKS, Oslo Kunstforening, Contemporary Art Centre, the Göteborg Konstmuseum, Rumsnska kulturinstitutet, Signal, Mediations Biennale, Galeria Arsenal, Crossroads Center, Marco Museum, Kolnischer Kunstverein, Lichthaus, Halle fur Kunst, Internationale Kurzfilmtage, the Breeder; in Asia / Middle East, Beirut Art Center, New Plymouth, and Zendai Moma.

His international currency, the Globo, has been exhibited at Exit Art (NY) and at the World Bank (DC), and profiled on the Forbes Magazine website.

2006 Not An Ocean Between Us: Voices of Women From African and the African Diaspora, Winston Salem State University, Winston Salem, NC Lag Time Line Up, Mumbo Jumbo Gallery, New York, NY Materiality, Kravets / Wehby Gallery, New York, NY, Wild Girls, Exit Art, New York, NY The Pulse of New Brooklyn, MoCADA Museum, Brooklyn, NY Do You Think I'm Disco, Longwood Art Gallery, Bronx, NY

Oleson has exhibited and performed at: Hammer Museum, LA (2017); Commonwealth & Council, LA (2017); Coreana Museum, Seoul (2017); Atlanta Contemporary, Atlanta (2016); SculptureCenter, NY (2016); New Museum, NY (2014); Exit Art, NY (2012); MoMA / P.

PROGRAMS OPENED TO INTERNATIONAL ARTISTS LMCC Residences, Whitney Museum Independent Study Program, Sculpture Center In Practice program, Art in General, ISCP, Exit Art open calls for artists, Apexart, Location One.

Hardinger was a co-organizer for Art and Activism against the Drill, at Exit Art, 2010.

As a resident of lower Manhattan in the late 1970s she exhibited in early artist run spaces including Exit Art, 3 Mercer Street Store, (a precursor to Fashion Moda, Franklin Furnace, the Kitchen, Artists Space, The Clocktower and PS1 International Studio Program, and ABC No Rio.

Selected exhibitions include the New Museum, Mass MoCA, Drawing Center, The Menil Collection, Exit Art, Art in General, Apexart and Dorsky Gallery in the U.S.; Museum London in Canada; Institute of International Visual Arts and the Whitworth Art Gallery in England, Museu de Arte Moderna, Paço Imperial and Funarte in Brazil; Museu da Cidade in Portugal; Galleri Tommy Lund and Overgaden in Denmark, UKS and Oslo Kunstforening in Norway; Contemporary Art Centre in Lithuania; the Goteborg Konstmuseum, Rumänska kulturinstitutet and Signal in Sweden; Galeria Arsenal in Poland; Beirut Art Center in Lebanon; the Breeder in Greece; New Plymouth in New Zealand; Zendai Moma in China; Marco Museum in Spain; Kölnischer Kunstverein, Lichthaus, Halle fur Kunst and Internationale Kurzfilmtage in Germany.

1999 Touring the Frame, Rosamund Felsen Gallery, Santa Monica, USA Pierogi 2000: Flatfiles, Rosenwald - Wolf Gallery, University of the Arts, Philadelphia, USA Monumental Drawings, Exit Art, New York, USA Brooklyn: New Work, Contemporary Arts Center, Cincinnati, USA Altoid's Collection, Clementine Gallery, New York, USA Centre Gallery, Miami - Dade College, Miami, USA Inside Art, Chicago, USA Robert Berman Gallery, Santa Monica, USA Walter / McBean Gallery, San Francisco Art Institute, San Francisco, USA The Other Side of New York, Galleria Maze, Turin, Italy Seeing Money, Portland Art and Cultural Foundation, Portland, USA Drawing Rules, Gallery Joe, Philadelphia, USA Rage For Art, Pierogi 2000, Brooklyn, USA

And keep in mind: This is the last week to see «Geometric Days,» an excellent abstraction show rooted in geometry, at Exit Art, and Li Trincere at Minus Space.

The booth included a large - scale, car - shaped pigeon coop by Anton van Dalen, originally exhibited at Exit Art in 1988, alongside pioneering works by artist - activists Martin Wong, David Wojnarowicz, and DAZE.

He has quickly emerged as a leading artist in San Antonio, participating in group shows including Millenium Fever (1998) at Diverseworks, Houston; Inside the Loop (1998) at Blue Star Art Space, San Antonio; Trade (1998) at Salon 300 in Brooklyn; Paradise 8 (1999) at Exit Art, New York; A Girl Like You (1999) at Galerie Praz - Delavallde, Paris.

centers including SculptureCenter, New York, Exit Art, New York, New Museum of Contemporary Art, New York, 2004 Gwangju Biennale, S. Korea.

Third in an ongoing series at Exit Art called SOLO, the show aims (we are told in the press release) to give under - recognized mid-career artists enhanced public visibility.

Her work has been exhibited at galleries and museums nationally and internationally including, White Columns, Art In General, Het Kunst Keldertje, Rotterdam, NL, Milwaukee Art Museum, WI, Hunterdon Museum of Art, Clinton, NJ, Katonah Museum, Katonah, NY, Howard University, Exit Art, NYC and The Sculpture Center, NYC, among others.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Exit Art / The First World, NYC, NY.

In New York exhibitions include, Festival of New Ideas (presented by the New Museum), La Mama Gallery, HVCCA Museum, Asya Geisberg Gallery, Art in Odd Places, Exit Art, Rush Arts Gallery, Bronx River arts Center, Jersey City Museum, Sean Kelly Gallery, DCKT Gallery and Jack the Pelican presents.

She serves on the boards of Creative Time, Inc. and Exit Art: The First World in New York City and the Visiting Committee of the Smith College Museum of Art in Northampton, MA.

Engelstein has been included in group exhibitions at the University of South Florida Contemporary Art Museum, Tampa (2002); Exit Art, New York, NY (2001); Nexus Contemporary Art Center, Atlanta, GA (1999); and Los Angeles Contemporary Exhibitions, CA (1996).

Her work has been included in exhibitions at the Contemporary Arts Museum, Houston, TX (1999); Diverseworks Artspace, Houston, TX (1998); Exit Art, New York, NY (1999); and the Texas Fine Arts Association, Austin, TX (1999).

Her paintings, installations and works on paper have been exhibited at galleries and museums worldwide including The Museum of Arts and Crafts - ITAMI in Japan, 2B Gallery in Budapest, Hungary, Exit Art in New York City and the Somerville Museum in Massachusetts.

Publications include monographs, exhibition catalog essays, and contributions to «Art Galleries International: Post-War to Post-Millennium» and «Unfinished Memories: 30 Years of Exit Art» (forthcoming).