Sentences with phrase «explore color theory»

Explore color theory, mixing, paint application & more with expert guidance.

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This stupendous compendium explores everything to do with artistic expression: use of color, composition and medium; theory and technique; themes, schools and movements, artworks and artists.
Touching on formal elements such as color theory and Op Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.
Illusionism in 20th - century art is explored in works based on color theory and in Op art that confounds perception.
It was there that Schawinsky developed his theory of the «Spectodrama,» producing proto - «happenings» exploring phenomena such as space, motion, light, sound and color from scientific and performance - based perspectives.
For those who wish to only observe, Beckwith and Gartrell will be working on a variety of color theory projectsthroughout their residency ranging from still life photography to found object sculpture and collage that explore seemingly opposing color relationships.
Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
Although Josef Albers» influence on color theory is pervasive, CMYK reveals that artists continue to experiment and explore the infinite possibilities of mixing pigments based on cyan, magenta, yellow and black (K), illustrating that the future for abstract painting is as vast as its past.
«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palColor» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
Join us for a workshop in art history, color theory, drawing from the figure, drypoint etching, figure drawing, the monoprint, oil painting, photography, plein air painting, still life drawing, watercolor, the white line print, and exploring your creative expression.
Johnson believes there is a certain kind of taste development in the assembled painters» use of color and an opportunity to explore their palette as race, theory, and feeling.
ETHAN RYMAN explores geometric forms and tests perception by disrupting boundaries between dimensions and employing the sensory phenomena of color theory.
Her work explores themes as varied as Afrofuturism, queer theory, the power of language, and the spiritual nature of the color purple.
Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure
Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes.
In the 1950s, Hofmann made his most famous series of paintings, in which he explored the relativity of color, developing his «push - pull» theory and technique by which warm and cool colors interact to produce effects of movement, space, and depth.
The Composers Forum will enrich the artistic practices of Philadelphia - based composers by exploring orchestration and techniques used in the creation of Color Theory commissions.
His reductive canvases follow a Minimalist tradition while exploring optical effects that have their origin in the color theories of the 1960s.
Stanczak has continued to draw upon his deep understanding of color theory to explore how colors interact and are perceived.
This new body of work explores the relationship of balance, tension and color with geometric theory.
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