Sentences with phrase «expressionist brushwork»

One effect of this notion is that the kind of expressionist brushwork we associate with someone like Willem de Kooning has never again been held in high regard.

Beginning in 1960 Schapiro began to eliminate abstract expressionist brushwork from her paintings and began to introduce a variety of geometric forms.

Through expressionist brushwork, Surrealist methodology, computer - generated lines, and self - conscious amateurism, he multiplies the potential of visual codes through processes of persistent accretion.

The ribbons of smoky, sooty brown that fill this picture stir memories of de Kooning's work at its most lilting and entirely contradictory thoughts of Roy Lichtenstein's stiff Pop satires of Abstract Expressionist brushwork.

Art historians had begun using the term «abstract expressionism» at the end of World War I to refer to Kandinsky and other Europeans who painted abstractly with expressionist brushwork.

Using discarded cloth, leather, and metal parts, Grossman fashioned «chaotic, tumbling reliefs that bring Abstract Expressionist brushwork into real space.»

During this period he began to make drawings of cartoon images such as Mickey Mouse and Donald Duck, at first combining them in paintings with Abstract Expressionist brushwork.

Expressionist brushwork also creeps back with mixed results.

The usual components include angst - free Abstract Expressionist brushwork, bits of popular advertising imagery, Surrealist automatist scribbles, spray - can vapor trails reminiscent of graffiti art and, at times, composite images built on the computer.

Beginning in 1960 Schapiro gradually eliminated the abstract expressionist brushwork from her paintings, introducing a variety of geometric forms.

Not exact matches

Arizona (1962) is another composition of rectangular forms, this time in varying browns, which includes drips and distinct brushwork, evincing Marden's admiration for the Abstract Expressionist artists.

Diebenkorn's practice is unique in that he deftly marries the flat color and planes of brushwork so lauded by the Abstract Expressionists with representational subjects that are influenced by some of Matisse's visual tropes and his dynamic creation of space through form and color rather than perspective.

I'm usually suspicious of expressionist distortions, elongations and excited brushwork.

Expressionists like Edvard Munch sought to convey the grotesque and horror in everyday life, often with hyper - stylized brushwork and horrific images like his painting «The Scream.»

She insisted on calling herself a «late, late Abstract Expressionist,» and you sort of see what she means with her always evident brushwork and slightly tremulous lines.

Artists associated with this first Expressionist movement, including Emil Nolde, Egon Schiele, and Ernst Kirchner, sought to elicit emotional responses through their bold imagery, bright and often unnatural colors, and striking brushwork.

The energetic and open brushwork, with its all - over rhythm and luminous density built from layers of translucent colour, relays the influence of American artist Sam Francis, and the Abstract Expressionist paintings he had seen exhibited at Tate in 1956.

However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.

One of the youngest of the second - generation abstract expressionists, he invites comparison with such figures as Alfred Leslie and Grace Hartigan, whose vigorous brushwork brought them attention in the 1950s but whose changing styles have made their oeuvres tricky to summarize.

While the two schools of abstract expressionist painting shared certain characteristics ---- large scale; bold, gestural brushwork; emphasis on the materiality of paint; figure and ground equal or collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures and the expansiveness of the western landscape, in addition to European painting, invited landscape references into their work whereas New York painters resisted such associations.

Krieger's rich palette, textured surfaces and raw, stormy brushwork evoke the paintings of Chaim Soutine, Amedeo Modigliani and abstract expressionist Willem de Kooning.»

The brushwork has a more expressionist and looser feel than before.

Schapiro's looser expressionist paintings crowded with brushwork at the start of her career began to include, along with images evoking the feminine, geometric forms and more open spaces in the 1960s.

While there is no one prescribed style, Abstract Expressionist canvases are known for loose brushwork, all - over composition, an emphasis on surface rather than depth, and a grand sense of scale.

Defying easy categorization, Diebenkorn's loose brushwork and all - over compositions are often labeled Abstract Expressionist, aligning him with New York School artists.

Van Gogh's influence is evident in many Expressionist works as painters emulated his use of pure, bright colors, his emphatic brushwork, and his contrasting color combinations in their own paintings.

Influenced by Paul Gauguin, Fauvism was an important movement in the history of expressionist painting, which advocated brilliant colours and wild brushwork - hence their nickname Les Fauves (wild beasts), given them by the critic Louis Vauxcelles after their first showing at the Salon d'Automne in Paris in 1905.

Attila Richard Lukacs fuses an almost classical style of painting with gritty and raw brushwork reminiscent of the abstract expressionists.

Many of these influences, ranging from Monet's flickering brushwork to the abstraction of Expressionist mark making, often graphically manifest in the artist's drawings and prints.

Abstract Expressionist painting, with its expressive brushwork, is often described as gestural.

By the early 1950s, Mr. Pace was meeting with considerable success as a second - generation Abstract Expressionist, known for dark, energetically worked abstractions achieved through a distinctive blend of brushwork, drawing and staining.

Furthermore, their brushwork and other painterly techniques can sometimes intrude too far, lending the work an atmospheric, even expressionist, quality, which is not naturalistic.

One of the few female painters to gain recognition within the American Abstract Expressionist movement, Joan Mitchell was known for her often violent brushwork on unprimed canvases.

A founder of the CoBrA association of painters, Karel Appel rendered expressionist canvases with vibrant color, violent brushwork, and thick application of impasto paint.

WHEN IT COMES to contemporary art, West Berlin is today perhaps best - known for its hefty, expressionist painting, chock - full of sex, violence and rabbit - punch brushwork — a thriving practice, it seems, despite the decline of that sort of painting most everywhere else.

Blueberry Field from 1955, a Maine landscape rendered with painterly patches of bright color, acknowledges the influences of contemporary Abstract Expressionists such as Jackson Pollock and Willem de Kooning, who placed a premium on gestural brushwork.

Abstract Expressionism and Segue into the 1960s, Alcopley: 1950 — 1965, Selections in Oil, Watercolor, and Ink Opening Reception: Friday, December 15, 2017 from 5:00 — 7:00 Gallery Talk: Saturday, December 16, 2017 from 4:00 — 5:00 With Una Dora Copley and Scott Jeffries, Moderated by Kathryn M Davis of Artbeat Santa Fe On view through January 20, 2018 Alcopley, Abstract Expressionist and prominent member of the New York School, has his first solo exhibition with David Richard Gallery and his first show since 2009, exploring the flow of structures through his multi-media brushwork David Richard Gallery, LLC 1570 Pacheco Street, E2, Santa Fe, NM 87505 P: (505) 983 - 9555 www.davidrichardgallery.com

His monumental early sculptures constructed from thick, discarded wooden beams or pieces of metal evoked the wide, bold brushwork of Abstract Expressionist painters such as Willem de Kooning and Franz Kline.

Built up into a thick impasto of rich colors, Pollock's brushwork is typical of Abstract Expressionist gestural painting, in which visible brushstrokes are seen as physical traces of the creative act.

Eliminating the gestural brushwork and spiritual underpinnings of his Abstract Expressionist predecessors, Louis paved the way for the clean lines, cool conceptualism, and process - based practices of the generations to follow.

One could stand in front of any Abstract - Expressionist work for a long time, and walk back and forth, and inspect the depths of the pigment and the inflection and all the painterly brushwork for hours.

Their paintings, often characterized as realism rendered with Abstract Expressionist — style brushwork, were equally influenced by the Intimist canvases of Pierre Bonnard and Édouard Vuillard.