Sentences with phrase «eye drawing exhibition»

Not exact matches

This eye - opening exhibition illuminates the historical and ongoing role of drawing as a means of study, observation, and problem solving, as an outpouring of the artist's imagination, and as a method of realizing a finished work of art.

This exhibition, drawn from the Albright - Knox's collection, reminds us that although our experience and knowledge of the world often comes to us through our eyes, seeing should not always be believing.

Echoing the myth of Argos Panoptes, a giant covered with a myriad of eyes, the exhibition draws on Laurent Grasso's long...

The exhibition includes about 50 paintings, as well as drawings and films, all of them created with an eye to masters like Goya and Manet.

Mies Van Der Rohe was an early champion, and her work soon drew the eye of leading curators Katherine Kuh and Carl Schniewind of the Art Institute of Chicago, where Statsinger had two solo exhibitions in the 1950s.

Patrick Keesey shows ink drawings in an exhibition at the Marfa Country Clinic entitled Saccade, meaning a rapid intermittent eye movement which occurs when the eyes fix on one point after another in the visual field.

Through works that simulate games, maps, sleights of the eye and hand, and draw on illusion, the exhibition will playfully and thoughtfully navigate the slippery terrain between fantasy and reality.

This exhibition will draw a line through work that reflects the principles Loos used to define modernity — simplicity, freedom, purity, and the rejection of superfluous decoration — by exploring the development of the reductive process as seen through the eyes of a small group of leading European and American artists from the latter half of the 20th century.

The first exhibition failed to draw positive criticism, driving the artist to give up painting in 1921, but the second exhibition received strong support from critics, including Henry McBride of The New York Sun, who, admitting his own delay in recognizing Eilshemius» talent, wrote «Suddenly, like another St. Paul, I see a great light and the scales drop from my eyes.

In a conversation with Brunnet, published in the exhibition catalogue, it was put to Hirst, «I could do that [spin drawings] with my eyes closed... where's the art in that?»

French artist Isabelle Cornaro's exhibition «Témoins oculaires» (meaning «eye witnesses») at Spike Island (a collaboration with the South London Gallery), probes the surface of such desires, drawing on the connection between the visual and the tactile, on the consumption of objects and the sensual pleasure that this consumption provides.

Words and names erupt from nowhere like a William Burroughs cut - up, clouds collide and paper seems to mutate into abstract sculpture before your very eyes in this major exhibition of the American artist's drawings

In this exhibition of new work, Hương Ngô draws from the stories of her family's year - long stay in Hong Kong refugee camps through the eyes of her siblings, who were children at the time.

2015 I Dropped the Lemon Tart, Lisa Cooley Gallery, New York, USA Eyes on the Prize, The Travelling Gallery in association with Tramway, Glasgow, Scotland Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England All Of Us Have a Sense of Rhythm, David Robert's Art Foundation, London, England Drawing Now: 2015, The Albertina, Vienna, Austria Below Another Sky, Inverness Museum and Art Gallery, Inverness, Scotland Idiot Box, Kate MacGarry, London, England Devils in the Making, Gallery Of Modern Art, Glasgow, UK

Guiseppe Penone, To Reverse One's Eyes, 1970 Black & white photograph, 11.5 x 15.5 inches May 9 — June 23, 2007 Zwirner & Wirth presents an exhibition of American and European conceptual photography drawn from a private collection.

The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Throughout the exhibition, works are arranged in a way that invites the eye to draw comparisons.

The exhibition, The weakened eye of day, explores how light manifests as a metaphor in our thoughts, obsessions and pursuits, and includes text works, sculpture, ceramics, drawings, paintings and a photographic image.

It was this sense of magic, embodied in works like Image Tirée du Boudoir (1922) and Klee's use of spontaneous or «automatic» drawings as the basis for his paintings, that caught the eyes of Surrealists, who included Klee's paintings in their first group exhibition in 1925.

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Franceschini.

In its compelling mix of paintings, drawings, videos, sound works, photographs and sculptures, the exhibition reveals bleary - eyed sleepers woken up to be photographed, prowling coyotes caught on specialist digital cameras, smartly dressed women urinating while standing up in the most unlikely of locations, and a helicopter spotlight searching the night time waters for a missing person.

2006 Letzte Runde / Last Call, Galerie Thomas Schulte, Berlin, Germany hot spring in autumn, Galerie Krinzinger, Vienna, Austria Broken Surface, Galerie Sabine Knust, Munich, Germany Patrick Heron, Jonathan Lasker, Katie Pratt, John Hansard Gallery, University of Southampton, England Affinities, Centre Européen d'Action Artistiques, Strassbourg, France The 181st Annual Exhibition of Contemporary American Art, National Academy Museum, New York, USA Galleri Lars Bohman, Stockholm, Sweden Modern and Contemporary Master Drawings, Connaught Brown Gallery, London, England Summer Eyes / Summarize, Jan Weiner Gallery, Kansas City, USA Gunnar A. Kaldewey: Artist Books for a Global World, Four Collaborations in Depth, MASS MoCA, North Adams, USA

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collectiveFuturefarmers, founded by San Francisco artist Amy Franceschini.

The exhibition title Soft Eyes might suggest that one bring a contemplative approach to the drawings, paintings and sculptures on view at Whitespace through September 12.

After spending time with the meticulous, tightly packed drawing, one sees the rest of the exhibition with fresh eyes.

And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptures).

Drawing correlations to Relational Aesthetics, her first solo exhibition titled Golden Age Rising at Whatiftheworld Gallery in Cape Town encouraged, «us to consider the natural environment not only with new eyes, but from an integrated, immersed and active positioning of ourselves,» a notion more pertinent today considering South Africa's current cultural and economic situations.

His eye - popping and mind - bending first exhibition of new paintings and drawings in New York since 1988 finds him still rambunctiously animated.

Mergel also has presented several exhibitions in the ICA's Momentum series, including Momentum 15: R.H. Quaytman, Exhibition Guide, Chapter 15, the first solo museum exhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South AfricExhibition Guide, Chapter 15, the first solo museum exhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South Africexhibition of new paintings by this Boston - born artist, recently selected for the 2010 Whitney Biennial; Momentum 13: Eileen Quinlan, My eyes can only look at you (2009), a survey of 32 abstract photographs by this SMFA alumna; and Momentum 11: Nicholas Hlobo, Vula zibhuqe (2008), which featured drawings, an installation, and a performance by this South African artist.

I think what's important for the Morgan is that in this exhibition, instead of presenting our old master drawings — Mantegna, Dürer, Bruegel, Watteau, Ingres, Degas, and so on — in an historical context, among other drawings by the same artist, the same school, etc, we're showing them among contemporary works, and through the eyes of contemporary artists, so that the emphasis is on the process of drawing itself.

On September 13, KAWS will open his third exhibition at Honor Fraser Gallery in Los Angeles, «Man's Best Friend,» a new collection of drawings, paintings, and sculptures with an eye to «Abstract Expressionism of the 1950s with both a nod of homage and a wink of satire.»

Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallerydrawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the galleryDrawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallery walls.

New exhibition explores Winehouse through the eyes of the media Gerald Laing's current exhibition of paintings and drawings executed in 2008 document the public image of the late singer Amy Winehouse.