Sentences with phrase «eyes scan time»

Installation view of the exhibition «And Our Eyes Scan Time» at BALTIC Centre for Contemporary Art, Gateshead: 8 April - 25 June 2007

Not exact matches

He and I were talking to each other, while at the same time his eyes kept scanning the room for any sort of problem that might arise.

«I get nervous,» she said, looking at the time, eyes scanning the crowd.

I close my eyes and remember the countless times at the beach, pool and lake in New Jersey and think how different my scan of French kids is compared to my scan in kids in America.

As I scanned the three pages of neurology consultation, my eye caught the word hysterical, this time used to explain the arm and leg symptoms, which fit into no clinical pattern that made sense.

I felt my eyes scanning the screen at all times, trying to find subtle changes or paranormal anomalies.

This Chevrolet Trax features the following options: TRANSMISSION, 6 - SPEED AUTOMATIC (STD), SEATS, FRONT BUCKET WITH DRIVER POWER LUMBAR (STD), LPO, CARGO PACKAGE includes (VLI) Cargo mat, LPO and (W2D) Cargo net, LPO, LPO, CARGO NET, LPO, CARGO MAT, LICENSE PLATE BRACKET, FRONT, JET BLACK, CLOTH SEAT TRIM, ENGINE, ECOTEC TURBO 1.4 L VARIABLE VALVE TIMING DOHC 4 - CYLINDER SEQUENTIAL MFI (138 hp [102.9 kW] @ 4900 rpm, 148 lb - ft of torque [199.8 N - m] @ 1850 rpm)(STD), CHEVROLET MYLINK RADIO, 7 DIAGONAL COLOR TOUCH - SCREEN, AM / FM STEREO with seek - and - scan and digital clock, includes Bluetooth streaming audio for music and select phones; Pandora, TuneIn radio, Stitcher and Siri Eyes Free for compatible smartphones (STD), and BLACK GRANITE METALLIC.

* This Chevrolet Sonic Features the Following Options * SEATS, FRONT BUCKET WITH RECLINE AND HEIGHT - ADJUSTABLE HEADRESTS (STD), RED HOT, REAR VISION CAMERA, LPO, ALL - WEATHER FLOOR MATS, LICENSE PLATE BRACKET, FRONT, JET BLACK / DARK TITANIUM, DELUXE CLOTH SEAT TRIM, ENGINE, ECOTEC 1.8 L VARIABLE VALVE TIMING DOHC 4 - CYLINDER SEQUENTIAL MFI (138 hp [103 kW] @ 6300 rpm, 125 lb - ft of torque [168.8 N - m] @ 3800 rpm)(STD), CHEVROLET MYLINK RADIO, AM / FM STEREO WITH SEEK - AND - SCAN AND DIGITAL CLOCK includes Bluetooth streaming audio for music and select phones, voice recognition for compatible phone, Pandora, TuneIn radio, Stitcher and Siri Eyes Free voice recognition smartphone compatible, all functions controlled through 7 diagonal color touch - screen, deletes card slot on center console, no CD player included (STD), AXLE, 3.47 FINAL DRIVE RATIO, 1SD PREFERRED EQUIPMENT GROUP includes Standard Equipment.

Albeit an unfolded textbook, NG, Time, Economist,... Scientist and most mags are 18 ″... that's how our brains (eye + neural net, see visual integration across saccadic eye movements) read pages: Unfolded, scanning back - forth, diagonal, reverse... and again.

You can use either a touch pattern or facial scan to unlock the Pure; the facial scan worked for us instantly on standard settings, though the device had a hard time picking up our eye motions when we added the «required blink» credential.

Scanning Tips and Techniques Train your eyes to look at charts this way the next time you do your market homework.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Even if you don't want to or lack the skills or time to look at the formulas behind the numbers, scan the sheet with a critical eye.

Your eyes scan the parking lot once, twice, three times.

There are times when the iris scanner doesn't immediately start scanning my eyes and makes me wait a few seconds.

However, Samsung is also been said to be working on eye - scanning technology for its devices, so it remains to be seen which, if either, techniques is used by the manufacturer any time soon.

There are times in life when eye contact can and should be avoided — like when you're being reprimanded by your parents, when you're within a 20 - foot radius of your ex or when the teacher is scanning the room for someone to call on and you don't know the answer.

They scan resumes with an eagle - eye and can tell right away if you've got the right information in place or if reading your application will be a waste of time.

Created By: Careerly Sound Bite: «A recruiter's eyes are basically going to scan the name, education, the names of companies, and the length of time that [you] worked at those companies.»

The computer software, after scanning resumes, recommends to hiring managers which resumes have been deemed worthy to be viewed by human eyes, potentially saving them valuable time.

My eyes quickly shifted, side to side, scanning each over-flowing, junk - filled booth, in record time.