Not exact matches
BB: I consider myself
at the moment an abstract painter enthralled with observational painting, but one issue I have with post-war and contemporary
figurative painting is how overbearing the «
abstraction» can be sometimes.
While Edelson, Alexander, and Hershman Leeson focus largely on the female body, Graham Anderson's
figurative paintings, which were on view
at Klaus von Nichtssagend, dissolve the nude male into a decorative
abstraction.
Although the artist's
figurative abstractions may appear crude
at first glance, closer examination reveals works vibrating with energy and pulse, creating an all - out assault on the viewer's concept of reality.
At the time (not long before Mondrian was in London painting, and dancing, with the Nicholson / Hepworth crowd), I wonder if it could have seemed like
abstraction might replace
figurative painting.
Although he continued to promote abstract work produced in Britain and throughout Europe, Sylvester believed
at this time that
figurative art «was capable of going further... that [it] could be more complex, more specific, richer in human content».18 By 1958, however, Sylvester had undergone what he later described as a «Damascene conversion'to the profound achievements of recent American
abstraction.
But
at a time when the art world was tilting toward
abstraction and internationalism, Mr. Colville was also something of an outsider, dedicated to
figurative painting and to his native Canada, where he was revered by many as «painter laureate.»
But if you look
at a lot of this abstract painting and you put it against the history of
abstraction, or you look
at this
figurative painting and you put it against the history of straight - up, Modernist
figurative painting, a lot of these artists are not really offering anything that adds much.
Known for his
figurative abstraction, Taylor will spend January living and working
at Museo Taller Jose Clemente Orozco (the historic former residence and workshop of the late Mexican muralist) and,
at the end of the month, the works produced during that time will be presented in an exhibition in the space.
Also, previously, the major retrospectives
at the Whitney had showcased only recent developments in
abstraction; in the case of the New Image show,
figurative art made its way into the exhibition.
Currently on view
at MCA Chicago through May 20, the exhibition spans Pindell's five - decade career, «featuring early
figurative paintings, pure
abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.
His pictures stand between
abstraction and figuration and he is, in his own words (which he has tired of hearing thrown back
at him) a
figurative painter of emotional situations.
At times her work has been figurative and at times completely abstract; at times it's been totally about a picture, and other times there's been no picture, just pure abstraction or pure proces
At times her work has been
figurative and
at times completely abstract; at times it's been totally about a picture, and other times there's been no picture, just pure abstraction or pure proces
at times completely abstract;
at times it's been totally about a picture, and other times there's been no picture, just pure abstraction or pure proces
at times it's been totally about a picture, and other times there's been no picture, just pure
abstraction or pure process.
Her work sits within the realm of emotional
abstraction, with geometric and seemingly coincidental outlines of bodies or vases as her only hint
at figurative representation.
Drawing from the art - historical lineage of cubism, graffiti, cartoons,
figurative painting and gestural
abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition
at CAPC musée d'art contemporain de Bordeaux next summer is as much about the breakdown of the human condition as it is the absurdities that define the perils of human evolution.
He has also written, «I had been looking
at an
abstraction and a
figurative painting that had neither narrative nor visual coherence.
But his body of work completed over many decades, the artist died in 1993
at the age of 71, includes many
figurative, landscape and still lives that served as a foundation for his large scale
abstractions.
These painters focused on depicting contemporary life through innovative
figurative works, rather than the
abstraction, minimalism, and conceptualism that dominated contemporary art
at the time.
Ranging from painterly
abstraction to
figurative interiors and landscapes, Hurvin Anderson's solo exhibition
at New Art Exchange, Nottingham, expands on two long - standing motifs of the barbershop interior and the municipal park landscape and includes his Arts Council Collection commission, Is It OK To Be Black?
By combining the motif inherent in the Penguin book, Miller found a way to marry aspects of Pop Art,
abstraction and
figurative painting
at once, with his writer's love of text.
Both artists evolved out of the Dutch
figurative tradition into complete
abstraction at exactly the same time, but while Mondrian remained with his bleak, geometric painting throughout his life, Van Doesburg had other ideas, dozens of them.
During the late 1960s, Guston became frustrated with the limitations of
abstraction and returned to
figurative painting, amassing a potent language of motifs whose roots can be seen in the forms and shapes of Traveler III, and illustrating what Christoph Schreier refers to as subcutaneous figuration.2 Following his 1966 exhibition
at the Jewish Museum in New York, Guston relocated to Woodstock, New York, embarking on what would become a two - year hiatus from painting.
Working in New York City during the 1950s, Katz rejected
abstraction, which was dominant
at the time, and associated with other
figurative painters.
The emergent work is
at once logical and lyrical, minimal and expressive, and moves fluidly between
abstraction and
figurative representation.
Estimated
at # 15m — # 25m, it is a rare work dating from the artist's expressionist moment and marks his transition from
figurative painting to
abstraction.
Hassel Smith, a major figure in Bay Area art whose expressionist
abstractions and
figurative paintings were admired for their improvisational zeal, potency and humor, has died
at age 91.
In the front gallery, two large sculptures dominate the space and appear
at first glance to be monumental
figurative abstractions.
«They all wanted me to use
figurative art when I was moving into
abstraction,» Pindell said
at the exhibit opening.
... As he translates the rhythms of the urban landscape into increasingly abstract terms, without ever fully abandoning a
figurative impulse, Bradford deftly operates
at the intersection of
abstraction and representation like few before him.
«I just thought it was so different from anything that I had seen because,
at the time, so many of the artists of color were working in heavy
abstraction or very differently in terms of
figurative representation.»
It was there that Mr. Colacello, the man perhaps known best for being a sidekick to legendary artists like Andy Warhol who he worked alongside for 12 consecutive years
at Interview Magazine, leapt from writer to curator with the debut of «The Age of Ambiguity: Abstract Figuration /
Figurative Abstraction,» a selection of works all tied together with a theme of abstraction rooted in tangible objects an
Abstraction,» a selection of works all tied together with a theme of
abstraction rooted in tangible objects an
abstraction rooted in tangible objects and concepts.
Another engaging show traced the stylistic turning points in the early career of Donald Baechler (Cheim & Read), while elsewhere, strikingly assured younger painters (Jason Karolak's boldly colored
abstractions at McKenzie Fine Art; William Buchina's complexly arrayed
figurative works
at Garis & Hahn; Alison Hall's historically aware Minimalism
at Stephen Harvey) were making their presence felt.
Coming out of the tail end of a legacy of
abstraction at the region's art schools and in the midst of the ascendency of new
figurative painting and changing approaches to sculpture via clay, etc, (eg, Voulkos) in the Bay Area, the work they made in that period of transition shows the freedom with which they approached art - making.
1993 Merce Cunningham Dance Company Benefit Art Sale, 65 Thompson Street, New York, USA I am the Enunciator, Thread Waxing Space, New York, USA Darkness and Light, Blaffer Gallery, University of Houston, USA (curated by Marti Mayo) Zeichnungen setzen Zeichen, Galerie Raymond Bollag 1, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier Rewriting History: The Salon f 1993, Montgomery Glasoe Fine Art, Minneapolis, USA Painting, Texas Gallery, Houston, USA Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy (Under the aegis of the 45th Venice Biennale — Reinstalled
at the Guggenheim Museum Soho, New York) XLV Biennale di Venezia, Italy, Tresors de Voyage (al Monastero dei Padri Mechitaristi dell» isola di San Lorenzo degli Armeni) Abstract —
Figurative, Robert Miller Gallery, New York, USA Eight Painters:
Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, USA Living with Art: The Collection of Ellyn & Saul Dennison, Morris Museum, Morristown, USA
Unlike Ireland, where there seems to be a sympathy towards both the painterly and the abstract, Britain has long maintained a
figurative tradition and held
abstraction at arm's length.
Opening: «Richard Diebenkorn: Early Color
Abstractions 1949 - 1955»
at Van Doren Waxter Richard Diebenkorn is one of the most celebrated artists to come out of the Bay Area
Figurative Movement — a group of San Francisco Bay area artists that included David Park, Elmer Bischoff and Wayne Thiebaud — who eventually forsook the dominant Abstract Expressionist style of the»50s to revisit figuration.
The exhibition was considered controversial because it championed
figurative painting
at a time when
abstraction reigned, particularly in the United States under the long - term tutelage of critics like Clement Greenberg.
After this, with the exception of
figurative Surrealism (1925 - 50) and American Scene Painting (1925 - 45),
abstraction dominated art until
at least the 60s.
The answer, I think, is that Anderson is
at heart just as much an abstract painter as he is a
figurative one (certain earlier canvases verge on total
abstraction, and a suite of domestic interiors, shown
at the Studio Museum in Harlem in 2009, are studded with nonrepresentational elements).
This group of classic works by the American painter Alex Katz from the 1980s shows how he kept the ideals of
figurative painting alive during a time when
abstraction was
at the forefront of the discipline.
It's a wide range of pieces, really looking
at the idea of bridging two points between working as a
figurative artist but also having fluid
abstraction going on in the process.
There was no barrier there between
figurative and
abstraction at all!
Among the other winners: Alex Bradley Cohen's charming
figurative paintings
at Nicelle Beauchene (1.00), Marley Freeman's luminous small
abstractions at Parker (2.02), Farah Al Qasimi's complex and beguiling photographs of life in the United Arab Emirates
at Helena Anrather (4.02), Jenna Westra's cerebrally suggestive black and white photographs
at Hassla (4.16), and Graham Anderson's sepia - toned retro - futurist
figurative painting
at Klaus von Nichtssagend (2.05).
At the time I was thinking about both contemporary
figurative painting and gestural
abstraction, and these solidify in Linhares's work with a rare conviction.
Featuring eight painters — four from L.A. and four from New York — the exhibition runs the gamut of current artistic styles, from Heather Gwen Martin's 2015
abstraction of
figurative forms, titledCousins, to the hyper - realism of Marc Dennis» art historical pastiche Ironman, Captain America and a Russian Mobster Walk Into a Bar, which humorously constructs a new scenario for these three characters and Edouard Manet's famous painting A Bar
at the Folies - Bergère.
In retrospect, it was less a conversion than it seemed
at the time, because the
figurative works were really an extension of his
abstractions, just as his later change back to
abstraction grew naturally out of his
figurative paintings.
I'm an abstract artist that oscillates towards
abstraction in a sly, subtle way, and Caris is a
figurative artist that slides towards
abstraction at times.
Kahnweiler's wish to include Caziel in his stable of
figurative artists headed by Picasso, occured
at a time when Caziel had turned to
Abstraction, ensued by the exciting developments of the movement following the end of the Second World War.
As he matured, his early landscapes and
figurative works, often of men
at work with machinery, segued through surrealism and into
abstraction, with traces first of Thomas Hart Benton and Grant Wood, perhaps, and of Paul Cézanne, Pablo Picasso and Max Ernst.