Best Music (Original Score) Trent Reznor and Atticus Ross, despite their atypical approach to
film music composition, are very much contenders in this race.
FILM MUSIC COMPOSITION OF THE YEAR Cloverfield: «ÄúRoar Overture, «Äù music by Michael Giacchino The Happening: «ÄúBe With You, «Äù music by James Newton Howard Valkyrie: «ÄúThey «Äôll Remember You, «Äù music by John Ottman and Lior Rosner Wall * E: «ÄúDefine Dancing, «Äù music by Thomas Newman and Peter Gabriel Wanted: «ÄúSuccess Montage, «Äù music by Danny Elfman)
Susan Philipsz has developed a 24 - channel sound installation (24 pillars in the main hall of Hamburger Bahnhof), which is based on three
film music compositions by Eisler.
Not exact matches
Still another trend — and this one should have caught Easum's attention, given his interest in «sound tracks» — is the use of
music that draws on classical idioms in the
composition of musical scores for
films of high drama, serious feeling or intense introspection.
That's right, the ATP Iceland
music festival taking place in July of 2016 has officially booked John Carpenter for his first ever live performance of his
film scores and new
compositions.
For more than a decade, IFMCA award - winning composer Olivier Derivière (Remember Me, Assassin's Creed IV Freedom Cry) has been scoring
music for animation,
films, and video games and is widely acclaimed for both his
composition and innovative approaches to connecting
music with the game experience.
Philip Glass (The Illusionist, Undertow) coats the
film with his usual whimsical style, and though the
film might be deemed as too slight in its subject matter to merit such heavy - handed
compositions, the
music is actually completely in keeping with the tragic allusions underneath, with motifs based on magic (wizard hats, old cats, strands of hair, and gold stars tie in to the coven - like relationship of the women) as well as Biblical references (Sheba is short for Bathsheba, the Old Testament woman seduced; Barbara's last name is Covett, and covet she most certainly does).
Music Of Woody Allen
Films — an irregular feature about the musical
compositions that have helped to make Allen's
films sing.
Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled
music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology
film «Creepshow ``; Richard Band «s better - than - deserved
compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins»
music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original
music by Libra for his final
film «Shock.»
The band's 2011 follow - up Chopped & Screwed, which rearranged the first album as a live collaboration with the London Sinfonietta, was brought to Glazer's attention by his
music supervisor, and Levi came on board the
film in April 2012, spending nearly a year working on her
compositions.
Music Of Woody Allen
Films — a new irregular feature about the musical
compositions that have helped to make Allen's
films sing.
The greatest achievement of the
film's psychedelic roller coaster is the potent and passionate
music of Junkie XL, whose previous scores on
films like «300: Rise of an Empire» and «Divergent» could have never hinted at the masterpiece
composition he would create for George Miller.
Composer Michael Giacchino wins two awards —
Film Music Composition of the Year and Best Original Score for a Fantasy / Science Fiction / Horror
Film — both for his work on the third
film in the blockbuster Planet of the Apes trilogy, «War for the Planet of the Apes».
The
film is a technical marvel of
composition, lighting, production design,
music cues... all the tricks in a filmmaker's bag to make one remark «Wow.»
He studied at the Yale School of
Music and in Italy, before learning the trade of
film composition with the great Jerry Goldsmith.
Founded in 2001 by composer Elmer Bernstein, the
Film Music Foundation has supported the
Film Music Program since 2013, which aims to foster greater appreciation for
film composition and greater diversity among artists who are pursuing
film composition as a viable, sustainable career path and an opportunity to reach wide audiences.
«Collaborative
Composition: Scoring Odd Man Out» (20:40) lets
film music scholar analyze William Alwyn's score in detail in an informative new interview.
Aside from that, it also includes some unusual inclusions for the following: Christmas tree decorations, cinematic
films, combs and sponges, egg cups, global positioning systems, household and kitchen utensils, household linen,
music composition software, unworked or semi-worked glass (except building glass).
Scott is an alumnus of the University of Southern California, where he obtained dual degrees in
music composition (
film scoring emphasis) and computer engineering / computer science.
After his long classical training on
composition and orchestration, Pedro learned
film scoring in Berklee College of
Music.
This one - year curriculum focuses on technical production skills, creative workflow, interactive game audio,
film scoring and
music composition.
A variety of disciplines are accepted including, but not limited to, visual arts, media / new genre, performance, architecture,
film / video, literature, interdisciplinary arts,
music composition, and choreography.
yi zhou is a chinese artist who creates multimedia installation artworks combining
film, digital animation, photography, sculpture, painting, drawing, and contemporary
music composition.
SCREEN
COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczyns
COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen
Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczyns
Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video /
film artists and sound /
music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]
Drawing on varied genres including documentary filmmaking,
music video, experimental
film and theatrical performance, these artworks dispense with straightforward storytelling and unfold in a manner akin to musical
compositions.
A
film drawn from Smith's research on the influence of the
music and life of Alice Coltrane (1937 - 2007), with recordings from signal Coltrane
compositions, joins three works drawn from an area of Smith's work best described as activist response, a multiplicity of work rooted in Chicago, where Smith has lived since 2011.
With a background in mathematics and computer programming, Tony Conrad became active in performance and
music composition during the 1960s, and was associated with the founding of both minimal
music and underground
film in New York City.
Finally, a digitized version of Bruce Conner's 8 - mm short
film Easter Morning, 2008, an expansion of his memorable Super 8
film Easter Morning Raga, 1966, is a harmonious and festive
composition of lights and colors, with
music by Terry Riley.
The four
compositions — Intro Testimonial, Bumper, Judgment Sequence and Elimination Testimonial (all 2016)-- were produced by Barefoot
Music, a company creating soundtracks for television, advertising and
film, in collaboration with Guthrie Lonergan.
His art comes across as a wonderful victorian
music hall variety act — taking on all manner of artistic approaches whether
film, installation, text narratives, performance, painting, musical
composition, there is endless invention to his work and to the manifest personas that he takes on when he makes his work.
Lifehouse is a Pete Townshend
music and
film project that was never produced in its originally conceived form, but has led to a legacy of works, including The Who's Who's Next album, Townshend's own year 2000 6 - CD set The Lifehouse Chronicles and a now - defunct internet site called The Lifehouse Method at which visitors could transform their personal data into original musical
compositions.
Tags for this Online Resume:
music, guitarist,
composition, jazz, microsoft office,
film / television
A production arm offers digital sound design,
music composition, digital dialog recording, and post editorial for feature
films, television, theme parks and special venues.