Sentences with phrase «film experience while»

With the special companion app, you can continue the NIGHT FILM experience while reading the book.

However, Hogg, the news director of the high school's TV station, actually filmed his experience while he and his classmates were in lockdown during the shooting.

Not exact matches

While I can completely understand where both of them are coming from, that wasn't my experience with the film at all.

In this case, the nickel film experienced corrosion while the more chemically inert mica remained whole.

In her forthcoming Journal of Consumer Research paper, Dunn demonstrates that consumers who experience fear while watching a film feel a greater affiliation with a present brand than those who watch films which evoke happiness, sadness or excitement.

Also, while the pages devoted to dissection of classic modern films such as Performance, Alien and Full Metal Jacket make compelling reading, they defeat the utter disposability so crucial to the modern: what can't be instantly forgotten becomes an impediment to what can next be accessed and experienced.

I filmed this one a while back when I was a little less experienced with our new gear.

While Satrapi does a nice job of explaining why changes were made, I would have liked to learn more about her real experiences and how they match up with the film.

Yet, while those films used the experiment as a touchstone, allowing the story to take on more aspects of a thriller, Kyle Patrick Alvarez's film is less concerned with thriller elements, but rather the loss of individuality the participants experienced, and how quickly the guards began to abuse the prisoners, most of whom quickly bent to authority.

But it does have a couple of saving graces which, while not redeeming it, do make it a more bearable or forgettable experience than Sam Raimi's film.

When one of the camp's guiding shrinks tells a room full of parents that their children are addicted to online games because «they can't experience satisfaction and heroism in real life,» the film can't help but invite comparison to the child - coddling excess of American culture, while capturing the opposite scenario in excruciating detail.

Russ Tamblyn excitedly tells of a ghostly experience he had while making the film in England.

This is a pulse pounding film that delivers a unique, horrifying experience, one that will stay with you for a while.

More than science fiction, this film is intriguingly spiritual, while being completely compelling as a film experience.

That's the experience I had while watching this one long awkward moment of a film.

While Glazer's latest is indeed a totally trippy experience, you only need to relax and let the film glide over and pull you in to finally realize it's a pretty straight forward science - fiction story told in a completely unique way.

While not quite as polished and satisfying overall as Chicago, the strength of the music, production and commentary on the ups and downs of the music industry do make for an interesting, thoughtful, and enriching experience to justify making a film version of, despite some of the more dated aspects of the original material.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

It's easy to piece together when you hit the film's climax, but while experiencing the rest of the film, it's too tough to connect the dots to appreciate certain scenes in the moment.

The film also goes a bit easy on its characters considering the time period (apart from Carol's custody battle, they don't experience any persecution), and while it looks gorgeous — like an oil painting of soft pastels — you don't feel the romance as much as you should; it's sensual, but emotionally distant.

Certainly, the film does introduce a new viewing experience to mainstream cinemas but for the most part, while this is an intriguing viewing experience, it is hardly the revolution and, if it is, it is a polished and somewhat superficial one.

His latest hot tip is that director Rob Reiner is looking for someone to be in his film, and Dickie becomes obsessed with scoring the role, and while Reiner feels he would be perfect for the part, he also thinks he doesn't have the experiences of a normal person to truly deliver a genuinely truthful performance, never really having a typical life.

While it would be easy to shoot an entire film like this on a sound stage and use visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to experience the elements firsthand by shooting on location in Nepal on the foothills of Everest, as well as the Italian Alps.

Wendigo is an extraordinarily thorny film, no question; that it manages to be so without pretension, while providing an experience that is terrifying and gorgeous, is a remarkable achievement.

The actors — many with considerable stage experience and minimal film work — deliver strong naturalistic performances, especially leading man Lamothe, whose Roque smoothly charms the ladies and sweeps us along whenever he speaks, while holding in reserve a restive intensity we glimpse in his pensive eyes.

While the first film had a sense of newness on its side that made it somewhat effective as a straight - up shocker, we've seen all of the scary images in this sequel a few too many times to experience their original effect.

While home video is no substitute for an IMAX viewing, the film manages to stay spectacular enough to make for a satisfying experience on your home theater.

Lucas» only previous experience was TH 1138, a science fiction thriller, which he had developed from a student film he had made while at USC.

The social change and political drama «Something In The Air» has been in the works for a while now and IFC — who experienced success with the aforementioned films — picked up the rights to his next effort at Cannes reports Cineurope, and filming is set to begin next month.

Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.

While «Farewell, My Queen» does boast admirable elements (more on those below) overall, despite some showy trappings it is a frustratingly empty experience, built around a character whose blankness is supposed to be a virtue, but ends up costing the film dearly in terms of identification and interest.

Not much as changed with the idea that video game to film adaptations are never a good idea, «Silent Hill: Revelation 3D» ensures that trend, and while it's dazzling at times, it will leave an audience hungry for a better movie and experience.

The necessary gimmick is that most of the film involves us following around Mia having an ethereal, out - of - body experience around the hospital while she lies unmoving in her coma on the hospital bed.

These misses narratively combined with other elements of Deadpool 2 make it feel like a backwards step or at the very least of a stalling of the series from the first, there's a sense here that everything's a little auto - pilot, the action too taking a backwards step from the imaginative sequences of the first film and while perfectly entertaining, this is an experience filled with nothing that would suggest Deadpool 2 is going to be a film you'll be going back to anytime soon.

FX: This is my current and also future point of view on making films, because I want my films to be professional looking; it looks good, so it provides it an entertaining experience while people are actually watching it, but I also want to express my point of view on life through my films.

So while Butch Cassidy and the Sundance Kid is a hugely enjoyable movie - going experience, there's a certain cynicism in Goldman's writing that becomes increasingly apparent the more times you watch the film, and which casts him as a kind of puppet - master pulling our strings.

Making a gritty film noir - style movie as an animated feature makes for a visually interesting experience; the animation uses striking colors, and the backgrounds are beautifully detailed while the characters are very simply designed, creating a unique contrast.

After living in Korea for a while, I was able to avoid fish - out - of - water experiences when cinema - going by becoming a film journalist.

While the lack of content concerns may make this a film teens can experience, it's unfortunate these space visitors aren't as clear about our wrongs or how to right them.

While promoting the film, Nicole explained her own experiences drew her to the movie and noted the bond between mother and child goes beyond blood.

Dakota Johnson made headlines this month for telling Elle that filming Luca Guadagnino's «Suspiria» messed her up so much that it sent her to therapy, and it turns out viewers might have a similar experience while watching the horror film this fall.

Sweet: While promoting the film, Nicole explained her own experiences drew her to the movie and noted the bond between mother and child goes beyond blood

While Tony Stark (Robert Downey Jr) states how the coming months of the film's shooting are going to be a crazy experience, Peter Quill (Chris Pratt) and Peter Parker (Tom Holland) are already in awe of being a part of this side of the MCU.

With our own experience of the books (hey, we have nieces) being that # 2 is actually the best of the trilogy in expanding the mythology to a more resonant plane while still retaining the visceral excitement of the first, and with the director who'll be responsible for the taking the franchise home now in the hot seat (Francis Lawrence, replacing Gary Ross), we're hopeful for a film that at least partially deserves its inevitably blockbusting box office, and the trailer makes it look like it may.

Such rules would normally be frowned upon (and even ignored by many), but in fact, this film does such a masterful job of paying homage to the first, while enhancing the characters and story, that we are eager for every viewer to experience it with fresh eyes and clear mind... no matter how tempting it is to talk about!

Darkest Hour is a film of flummoxed old white men hollering at each other, a perfect foil to (and double - bill alongside) Christopher Nolan's Dunkirk, both because the two take place at about the same time during the early years of World War II — as Hitler's world domination began to take shape and an invasion of the UK imminent — and because they are entirely different experiences: Dunkirk is all action, while Joe Wright's film is all words.

While the film sells itself as a super-violent and sexual experience, I found it to be neither.

«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere of It Felt Like Love in the Next section (it later went to Competition in Rotterdam), and, while not entirely autobiographical, the film draws from her experience of growing up in this largely working - class neighbourhood of New York City's most populous borough, of these endless summers where you have to escape to the sea with your friends for fear of melting like the asphalt under your feet.

With its ambiguous ending, Tattoo seems to evoke François Truffaut's Les quatre cents coups (The 400 Blows, 1959), the legendary French New Wave film about another «troubled» teenager who experiences freedom only when he is in motion — whether while spinning in a rotor's drum or when running away from the reformatory in the film's famous concluding tracking shot that culminates in a zoom - in - on - freeze - frame image of his gaze addressing the camera.

While this is certainly a message that few would find fault with, with better films about the experience of combat vets returning home, setting the film up in the Iraq War and then delivering manipulative and mawkish drama where realistic portrayals should be isn't the way to go about it.