Sentences with phrase «for ephemeral art»
«Bemis Center for Contemporary Arts artist - in - residence 2013, Omaha, NE Main SZPILMAN AWARD FOR EPHEMERAL ART»
http://blog.re-title.com/ Not exact matches
«Finch is known for his poetic installations that recreate the ephemeral qualities of light and color in media as varied as watercolor, glass plates and ice cream cones,» said Jo - Ann Conklin, director of the Bell Gallery at Brown and a member of the Public Art Committee.
Is it good or bad that Sir Peter Bazalgette will now hold the purse - strings for our publicly supported arts, the most debated, the most fragile, the most ephemeral elements of our national cultural consciousness, the most opposite of the time - wasting that is reality TV?
The nebulous notion of ephemeral storage for digital information captures the imagination of many contemporary artists, and it has also been a popular art subject throughout the ages that can now be marketed as if imbued with a new meaning, with Diane Arbus» 1960 photograph Clouds on - screen at a drive - in movie, N.J., offered by Fraenkel Gallery, being just one example.
But as SAMA's visitor notice makes clear, although the seventy - five works on view were translated from ephemeral sand and body paintings, they were done so for the express purpose of participating in the international contemporary art market.
For him art is a springboard towards transformation, making use of ephemeral and transient materials.
ARQUETOPIA, Publa, interior view EXAMPLES OF TECHNIQUES WE OFFER (BUT NOT LIMITED TO THESE) Drawing • Painting • Natural pigments (cochineal, indigo, and other pigments) • Paper • Printmaking • Graphic design • Textiles • Mexican textiles (weaving, embroidery, back - strap weaving) • Sculpture • Ceramics • Mexican ceramics (Talavera, loza vidriada) • Gold leafing and antique art techniques • Wood carving • Performance • Ephemeral (including food and other perishable materials) • Photography: digital photography and alternative photographic processes • Digital media • Design and illustration RESIDENCY PROGRAMS WE OFFER (CLICK EACH FOR INFORMATION) 1.
Shown for the first time, this exhibition of thirty - four chromogenic prints selected from the artist's personal archive of 35 mm Ektachrome color reversal slides represents a unique document of ephemeral moments and emblematic figures shot in the 1980s and 1990s against a backdrop of seismic shifts in the art world, the emergence of multiculturalism, the second wave of AIDS activism, and incipient globalization.
The four British - ish artists whom the Tate placed in contest for the latest edition of the U.K.'s top art honor is a stellar bunch: ephemeral «dancing economist» Tino Sehgal, mordant humorist David Shrigley, imaginary - portrait - painter Lynette Yiadom - Boakye, and installation - art filmmaker Laure Prouvost.
For more information, please see www.damelioterras.com Designed to highlight the prevalence of contemporary artists who are fascinated with the ephemeral, the transitory, and the temporary, miniMATRIX is a series of exhibitions comprising a single work of art, mounted not in the MATRIX Gallery but in atypical viewing spaces.
But someone was documenting it, and it took an artist to do so — one who was knowledgeable, all those years ago, that the fine artist was breaking free from commercial and product concern for an art that was fleeting in nature and often intentionally ephemeral.
Recognized as an influential teacher and a pioneer of such ephemeral practices as performance and site - specific interventions, Hassinger has received numerous honors including awards and grants from Anonymous Was a Woman, the International Association of Art Critics, the Gottlieb Foundation, the Joan Mitchell Foundation, the Pollock - Krasner Foundation, and the National Endowment for the Arts.
Supporting and advocating for the collection of ephemeral, time - based, and digital art works since its founding, bitforms gallery artists are in the collections of the Museum of Modern Art, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalart works since its founding, bitforms gallery artists are in the collections of the Museum of Modern Art, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationally.
The prize for the ephemeral show (once the photos are all taken, the pavilion will close) not only recognizes a brilliantly subtle interplay of art and curation, it also calls the international art world's attention to Africa, which in the past has gone all but unacknowledged at the Biennale.
An advocate for work that is urgent, banal, ephemeral, and hard to categorize, citydrift detroit represents an exciting moment — and opportunity — to reclaim the democratic potential of art in the city.
He recently presented a paper «Sol LeWitt's Wall Drawings: Conservation of an Ephemeral Art Practice» to the American Institute for Conservation's 43rd annual conference in Miami.
For decades she has created large scale ephemeral pigment pieces in desert sites including the Pyramids of Giza and more recently the ice desert of Antarctica where she led an expedition and team of scientists and artists that culminated in the first and largest ephemeral art work created on the continent.
The exhibit is organized by SDAI's Curator - in - Residence Andrew Horwitz as an extension of his blog «Ephemeral Objects: Art Criticism for the Post-Material World» for which he was awarded a prestigious Warhol Foundation Arts Writers Grant in 2014.
Although his creations are ephemeral moments conjured into being by the artist himself or his designated «interpreters,» who he personally trains, Sehgal's intangible art is very much for sale.
Lydia continues to manage production for artist Brandan «Bmike» Odums, including his first solo exhibition «Ephemeral Eternal» at Studio Be and, in collaboration with Welcome Table New Orleans, the Algiers Oral History and Public Art Intensive through which 24 high school youth are creating a freestanding mural based on interviews they conduct with elders on the evolution of race relations.
The work that we were creating at that time was explicitly trying to undermine the commercial gallery museum's access with ephemeral performance art and posters on the wall and posters for the rat population of New York — stuff that undermined the pillars of values that were established in the art world.
The exhibition features about 30 works and will be on display in the Vivian & David Campbell Centre for Contemporary Art (Level 5) and in Walker Court, where Tino Sehgal's ephemeral Kiss (2002), a choreographed dance referencing sculptural kisses from art history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's KiArt (Level 5) and in Walker Court, where Tino Sehgal's ephemeral Kiss (2002), a choreographed dance referencing sculptural kisses from art history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's Kiart history, will be exhibited alongside two of the works that inspired it: Auguste Rodin's The Kiss and Constantin Brâncuşi's Kiss.
At the end of the sixties, Thek left for Europe, where he created extraordinary environments, incorporating elements from art, literature, theater, and religion, often employing fragile and ephemeral substances, including wax and latex.
Bringing both real and imagined subjects into fragile, ephemeral community, English artist Adam Chodzko's projects — which include hunting for God look - alikes, reuniting children «murdered» on film by Pasolini, and entrusting a London gallery's archive to the care of Kurdish asylum seekers — keep that question ever in mind, engendering a fluid, subtle poetics that soars above the current «relational art» mainstream.
These ephemeral documents now hold art historical significance, such as Lyonel Feininger's sketch from 1908 for his 1913 painting High Houses II, which is in the permanent collection of the Neuberger Museum of Art, as well as drawings by Jackson Pollock and Adolph Gottlieb that anticipate significant developments in their artistic careeart historical significance, such as Lyonel Feininger's sketch from 1908 for his 1913 painting High Houses II, which is in the permanent collection of the Neuberger Museum of Art, as well as drawings by Jackson Pollock and Adolph Gottlieb that anticipate significant developments in their artistic careeArt, as well as drawings by Jackson Pollock and Adolph Gottlieb that anticipate significant developments in their artistic careers.
Within each of these geographic areas, the history of the galleries, artist collectives, individuals, collectors, artists, and institutions — including the South Dallas Cultural Center, the Arts District, Good / Bad Collective, Toxic Shock, and others — will be presented through the ephemeral objects produced by these neighborhoods over the past fifty years along with research compiled for the DallasSITES project.
Two Scottish graduates are again in the running for the Turner Prize and, for marrying exquisite traditional craftsmanship with the ephemeral essence of modern art, one of them deserves to win, writes Moira Jeffrey
SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go WeFor Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go Wefor Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go Wefor Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go Wefor Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go Wefor Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!
But, writes Govan, «he had an equally keen sense of the ephemeral nature of his art — all art, for that matter.»
Ault's recent exhibitions include Afterlife: a constellation, for the 2014 Whitney Biennial; the collaboration Macho Man Tell It To My Heart: Collected by Julie Ault, Artists Space, New York, 2013 — 14, (and Museum für Gegenwarts - kunst Basel; Culturgest, Lisbon, 2013); and «Ever Ephemeral, Remembering and Forgetting in the Archive,» Signal and Inter Arts Center, Malmö, 2011.
Most of the works documented here are ephemeral, making this volume an important resource for a fascinating period in Mexico's art culture.
«You know you're making things out of ephemeral and throwaway stuff for a reason, and that's to say that this can be art too.»
Creating ephemeral monuments through film, photography, and assemblage Cordova seeks to expand the overall experience of the visual arts as a platform for discussing our common experiences, needs, and struggles.
[23] There were «physical / ephemeral» pieces by younger artists, such as Jason Rhoades and Richard Jackson, and the famous large - scale black rats by Katharina Fritsch, which were shown earlier at the Dia Center for the Arts in New York.
For $ 10,000 you can obtain a passport, an aluminum «Citizenship Box» briefcase and national flag from Jing Bang, an ephemeral state created for the fair by Chinese artist Sun Xun, whose installation is a satirical comment on art, commerce and nationhoFor $ 10,000 you can obtain a passport, an aluminum «Citizenship Box» briefcase and national flag from Jing Bang, an ephemeral state created for the fair by Chinese artist Sun Xun, whose installation is a satirical comment on art, commerce and nationhofor the fair by Chinese artist Sun Xun, whose installation is a satirical comment on art, commerce and nationhood.
Esteemed for both her solo artistic production and her maverick efforts to champion creative forms that are «vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content,» she has been described by New York Times critic Holland Cotter as one of «the half - dozen most important people for art in downtown Manhattan in the 1970s.»
Noted for translucent, reflective, or ethereal surfaces, the work made by these artists explored the often ephemeral boundaries between painting and sculpture and the broader experiential possibilities of art.
Bavarian - born artist and naturalist Nils Udo has been creating nature - based art for the last three decades and is known for his lyric and ephemeral art that captures a sense of «potential utopias» lurking behind every piece.