Sentences with phrase «faces of death films»

It didn't appear in any of the six Faces of Death films, nor do kids dare each other to watch it at sleepovers when their parents» backs are turned, fuelled by the titillation of the taboo and forbidden.

Not exact matches

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

Every time the film makes some sense, the sweaty and sleepless face of Belushi invades in close - up and we know it «s only a matter of time before director Peerce will make us privy to the comic «s needless death.

«Killing Ground» is primal and nerve - shredding, a savvily constructed horror film of very real human monsters and innocent victims staring death in the face.

Now it seems she's out to prove she's more than a cute - faced belle by portraying the particularly nasty title character of director Miller's final film, completed before his death last year.

This film explosives the inherently dangerous occupation of astronauts and cosmonauts, who in the face of an unforgiving hostile environment, and relentless life threatening pressures, endured almost certain death in the pursuit to conquer the unknown.

Going by its title alone, The Autopsy Of Jane Doe sounds like a Faces Of Death knockoff or maybe one of those Japanese gore videos from the»80s like the one that made Charlie Sheen call the cops because he thought he was watching a real snuff filOf Jane Doe sounds like a Faces Of Death knockoff or maybe one of those Japanese gore videos from the»80s like the one that made Charlie Sheen call the cops because he thought he was watching a real snuff filOf Death knockoff or maybe one of those Japanese gore videos from the»80s like the one that made Charlie Sheen call the cops because he thought he was watching a real snuff filof those Japanese gore videos from the»80s like the one that made Charlie Sheen call the cops because he thought he was watching a real snuff film.

A horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter (They Live), Get Out has more fun playing with half - buried racial tensions than with scaring us to death.

Once again starring Pilou Asbæk, the film portrays a Danish Army major whose life begins to unravel after he causes the death of a dozen women and children during a high - risk mission in Afghanistan and now faces a war - crimes tribunal... Gaspar Noé is back!

On the other hand, the film is basically on the killer's side throughout — for any similarly - victimized teenager, the grisly deaths of the assembled bullies and predators must be a devoutly - wished consummation — and shows viewers how it feels for outsiders to face the straight world on an everyday basis.

Insiders say that if Midnight Rider does resume production, it could face union pressure, litigation and protests from sectors of the film community that have highlighted Jones» death as a preventable fatality.

Instead of conveying the horror the Armenians faced during this period, the deaths all too conveniently shift the film's focus back to the central trio, and the mens» tug of war for Ana's affections.

Two great films about the search for meaning in the face of death.

Considering the problems with filming and the fact that so many people were openly attacked on camera, this is like watching Faces of Death, if that was a comedy.

Plenty of films took satirical aim at familiar targets prior to the David Zucker - Jim Abrahams - Jerry Zucker brain trust's magnum opus: Mel Brooks» Blazing Saddles was a Western spoof as roaringly un-PC as the films in which it found inspiration, a baby - faced Woody Allen made one of his first film appearances in the spy parody Casino Royale (now doomed to an eternity of being referred to as «no, the other Casino Royale»), and Murder by Death was a takeoff on the whodunit complete with off - brand versions of Sam Spade and Hercule Poirot.

The film is structured around the deaths of the four men who outrank him, leaving him at the climax to face his fears and lead his remaining men to complete their mission.

The film follows Marina Vidal, a trans woman who not only loses her partner but is also forced to confront the scrutiny and suspicion of his family in the face of his death.

The film's hero with a dozen faces is a young man (Wiley Wiggins of «Dazed and Confused») who wanders an urban dreamscape, encountering various guides and fellow sleepwalkers, most of whom have something to say about the meaning of life and the nature of death.

9:35 am — Sundance — A Girl Cut in Two One of the last films from great French director Claude Chabrol before his death, with Ludivine Sagnier as an up - and - coming TV personality faced with choosing between two men — with Chabrol at the helm, you know there's more than that to it, and his touch for black comedy thrillers should make this one an enjoyable watch.

As a depression - prone war photographer whose death has sent her husband and two sons into decidedly separate states of emotional denial, she's a dangerous open wound of a character even from the confines of flashback; at one point Trier closes in on her silent, trembling, feeling - flushed face for what feels like a full exquisite minute, and it's the most riveting moment in the entire film.

Through this extraordinary journey the film shares a story of love in the face of death.

And of course he discusses the F / X set - ups for the film's tracheotomy, a death scene involving a shotgun, the creation of a gruesome half - mask with a false eye, the use of roast pork for a character's charred remains, and what sounds like a grisly effect involving shards of glass hitting a woman's face that didn't make the final cut.

At it's heart the film is a story of feminine courage, surviving past traumas and facing death.

These are pretty heavy subjects for any child to face, but the film is better off for not talking down to kids and teaching them that death and loss are part of life.

A mother and father are forced to face the death of their son in this Israeli film that picked up the Silver Lion in Venice.

Still, dark despair does not always equal profundity, and the film, though effective in certain scenes, managed to leave me cold in the face of death.

Directed by Sebastián Lelio (Gloria, forthcoming drama Disobedience), the new film follows a transgender singer named Marina who faces scorn and discrimination after the sudden death of her older boyfriend (Francisco Reyes).

Starring Casey Affleck, Michelle Williams, Kyle Chandler, and rising young star Lucas Hedges (from both Moonrise Kingdom and The Grand Budapest Hotel), the film tells the story of Lee, a Boston handyman (played by Affleck) who is crippled by the sanctity of his own bitter isolation up until he is, ultimately, forced to face those tragedies of the past as well as welcome life - changing obligations following the unexpected death of his older brother.

X-Files vets Glen Morgan and James Wong may have had an intriguing premise with the first film, even if it was X-Files lite: the idea that death is uncheatable flies in the face of the typical conceit of horror movies, which usually demand at least one or two survivors.

a.) It starred a fresh - faced, pre-Freddie Krueger Robert Englund; b.) the sets and alien landscapes were done by a certain James Cameron (you might have heard of him), who served as production designer and second unit director on the film; and c.) a scene in which a woman is raped to death by a giant maggot space alien monster.

Just how alive Batty is in the face of death, the bliss of feeling rain on his face, even if he is not «real», is the most affecting element of the film.

His film «First Steps to Recovery», explores illness and death and the ways in which faith can be a great source of strength and solace to those facing these issues.