Sentences with phrase «facing out of the gallery»

Facing out of the gallery and onto the street -LSB-...]

Not exact matches

They may excuse themselves from the religious element of the meeting, and — if they can face it — shuffle out and, when the moment seems right, slink in again in full view of the public gallery.

Visitors can physically engage with exhibitions and the gallery is part of the university while also facing out onto the city, says Fitzgerald, «so it is not separated from the sciences.»

His two exhibits, Mario Testino: British Royal Portraits and Mario Testino: In Your Face, are currently gracing the gallery walls of Boston's Museum of Fine Arts, and frankly, I can't figure out what took me so long to get there.

Rounding out the satisfying disc is the «The Many Faces of Jet Li,» essentially a two - minute animated photo gallery featuring Li playing dress up (yes, it's stupid), a beautifully mastered trailer for The One, bare - bones filmographies, and a hilarious «Animatic Comparison» that plays a scene from the movie in a split - screen with the G.I. Joe pre-visualization of the same.

Guests can choose from either of our two self - contained houses: * The Gallery — a charming, Cape Cod style two bedroom cottage with a retreat and an upstairs bedroom that opens out onto a sunny north facing deck.

With the «Tag» series not even considered part of the main Tekken storyline, it really all boils down to a rogue's gallery of various folk who enjoy punching each other a lot — but you've got ta hand it to the team for at least having the sense to balance out the stony - faced brawlers with a light hint of self - mockery.

They were stacked in clusters against the gallery walls, back - to - back and face - to - face and sometimes separated by sheets of cardboard or covered by plastic, suggesting they were on their way in or out of storage and weren't yet meant for public viewing.

The piece, limited by architecture even in the generous gallery space of MASS MoCA, also suggests the contrary — that birds encounter predators and other obstacles, facing restrictions that are out of their control.

Group Show / Out of Focus: 25.04.12 — 22.07.12: The Saatchi Gallery / London Group Show / Unknown Quantities: 25.04.12 - 25.05.12: Fishbar, London Robin Maddock / God Forgotten Face: 03.05.12 — 02.06.12: TJ Boulting / London Dana Popa / After the New Man: 26.04.12 — 26.05.12: Foto8 Gallery / London Edgar Martins / This is -LSB-...]

Annet Gelink Gallery, «What's New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next Generation: Heavenly Creatures», Salzburg, Austria The Dreamland Artist Club, «Creative Time in conjunction with a public project for Coney Island redevelopment», New York NY Kunsthaus Baselland, «Strategies of Desire», Basel, Switzerland Le Confort Moderne, «Out of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field of Death», Amsterdam, Netherlands

Some face out, like a wall now for Jonathan Borofsky and the silhouette of his Running Man, but others do implicitly, because partitions never erase the feeling of vast uninterrupted galleries.

Next in the curated section, Troy Michie (Company Gallery) creates works using photographs with people's bodies and faces cut out in a symbolic specter of invisibility, and Tomashi Jackson (Tilton Gallery) assembles sculptures that meld Josef Albers's color theories with the history of racial politics in the US.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Besides their emergent status, the represented artists are united by the challenges they face navigating the Hong Kong art scene: lack of space, high cost of living and few galleries that actively seek out new, or local, talent.

Returning to the main fair, and faced by what feels like a billion works, I can say I was thrilled by the booth of New York's Andrea Rosen Gallery, which outed its representation of the estate of Polish artist Alina Szapocznikow (1926 — 1973).

Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.

Wilson's «Sala Longhi» installation, which he premiered at the 2011 Venice Biennale, takes up the second gallery, with a white glass chandelier emerging from a wall - mounted picture frame surrounded by smaller frames filled with black glass out of which face - shaped circles have been cut.

Out of Line Sideshow Gallery Gandalf Gavan and Susanna Heller face off with floor to ceiling drawings at Sideshow Gallery.

Baur says he's faced and overcome his fair share of challenges since he entered the framing industry 18 years ago as a custom framer at a Ben Franklin store and then later branched out on his own to found Framing Concepts Gallery in 2001.

Betty Tompkins at Foundation University Gallery Thank God a younger generation of artists is rediscovering the incredibly excellent Betty Tompkins, who, in the 1960s, at the exact moment Chuck Close was commencing his giant face paintings, was making huge photo - realist close - up depictions ripped straight out of straight - male porn magazines, I like Tompkins way more than Close, not just for the porn but for how she reveals the secret lives of women's tremendously intense vision.

On top of solo exhibitions, global mural commissions and a host of secret projects, D * Face also runs his own London gallery, StolenSpace, which hosts numerous sell out street art exhibitions on an annual basis.

From the windows of SFU's Burnaby campus overlooking Vancouver, Audain Gallery's window facing Hastings Street, and the Teck Gallery's window onto the inlet and North Shore mountains, we have looked out at the city and observed artists» material practices and collaborations, the organizations they initiated and the discursive forums they convened.

Artist and co-founder of New York's Tomorrow Gallery, Aleksander Hardashnakov shows several small drawings pasted to the walls and interior piping, Adam Shiu - Yang Shaw's «Yucca Rose» and «Beyond Quartzite» are also on the walls, coming out like small cliffs on a bigger cliff face.

However, facing the big colorful canvases that fill out the bright and grandiose white rooms of Saatchi Gallery, I soon felt confused; the title of the show was rather deceptive.

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

While this painting is displayed centrally in the gallery space, it is flanked on either side by two smaller paintings to round out the installation: Face of God, and Dads.

2002 - 03 From Blast To Frieze: A Century of British Art, Kunstmuseum Wolfsburg; Les Abattoirs, Toulouse 2002 Face / Off, Kettle's Yard, Cambridge XXIV Bienal de São Paulo 2001 Out of line: Drawings from the Arts Council Collection, Hayward Gallery, London; York City Art Gallery, York La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton Diary, Cornerhouse Gallery, Manchester Purile 69, Living Art Museum, Reykjavik 1999 Waste Management, Art Gallery of Ontario, Toronto Trace and Art Lovers, The Liverpool Biennial of Contemporary Art 1997 Sensation: Young British artists from The Saatchi Collection, Royal Academy of Arts, London; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Brooklyn Museum of Art, NY Material Culture: The Object in British Art of the 1980s and 90s», Hayward Gallery, London 1996 Ace!

curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL

Recent exhibitions include: Home Truths: Photography and Motherhood (The Photographers» Gallery and Foundling Museum, London), Something Out Of Nothing (Fotogalleriet, Oslo), How We Are: Photographing Britain (co-curated with Val Williams, Tate Britain) and Face of Fashion at the National Portrait Gallery, LondoOf Nothing (Fotogalleriet, Oslo), How We Are: Photographing Britain (co-curated with Val Williams, Tate Britain) and Face of Fashion at the National Portrait Gallery, Londoof Fashion at the National Portrait Gallery, London.

You can check out a few of the faces which are accessible by default on the Huawei Watch in the gallery below.

And while in most of the cases this is indeed true, and it lets you adjust the background blur manually from the Gallery app, I've also noticed that unless the light conditions are just perfect, colors tend to become washed out, especially on people's faces.