Sentences with phrase «far back gallery»

Not exact matches

A gallery of pictures and information about military and space - related wristwatches / pocket watches Our maritime traditions Dating back as far as the Bible, marine pilotage is one of the world's oldest trades.

Far more interesting than most photo galleries, this one takes us back to the making of the short back in 1992 and includes shots of its makers at Sundance.

So, if you've made it this far, now it's time to go back up and shuffle through the generous gallery.

You can wander the art galleries and shops of laid - back Hanalei (not far from the spectacular Na Pali Coast) and take surf lessons on its crescent - shaped beach with views to Makana Mountain — a.k.a. Bali Hai from the 1957 film South Pacific.

Whether you take the more traditional route of exploring the world's great museums and art galleries, or go even further back in time to explore our ancient ancestral roots in Africa, cultural holidays are an important reminder of the lessons of the past.

We only made it through half of the fair yesterday, and we'll be going back today, but in the meantime you can see some of our favorite booths so far in the gallery below.

In the back gallery space four further paintings evidence an evolution in form that has been in development over the past two years.

Some Kabinett galleries have opted for the historical approach: Kukje Gallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as theGallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as theGallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as thegallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as the 1960s.

Seen individually, the whispers might seem like a gimmicky move, but together they have the effect of further uniting an already cohesive installation, particularly in the back gallery, where Rolph's paintings have just the right amount of breathing room.

With its second ward, the gallery has expanded across the street, as well as to nearly twenty artists, ranging as far back as Ad Reinhardt.

One could even cast as far back as 1948, when artist William Copley and his brother - in - law opened a gallery in Beverly Hills showing surrealist art by Man Ray, Max Ernst and René Magritte.

Modifying the architecture of the biennial building, she affixed transducers to the backs of the gallery's drywall, causing the room to literally vibrate - a sensation that could be both heard and felt; a plumb bob hanging from the far wall rattled against the surface, rendering the vibrations of the wall visible.

Looking a bit further back, Giorgio Morandi also finds a welcome place in our gallery.

Gabe Boylan is a rara avis and friend (he deejayed a storied party for the gallery's first December invitational a few years back,) and even the most objective viewer will agree that this piece trumps the New York Times book review as far as dispersible critique goes.

Stepping back farther, we have a view of the smaller side gallery with a painting and sculpture by Kevin Finklea on the left, the Evertz painting, the Project Room, my row of paintings, and the pieces by Hsaio and Gomez

In all seriousness, the Gallery's aims are not so far off from Lansger's back in 1959: to demonstrate that forward - thinking art was produced in Los Angeles — art that has an impact (whether directly or not) on what's being produced by two New York based artists.

Such subversion is crucial to Shrigley's canny ability to manipulate his subject matter, a skill further evidenced in the darkened back gallery space.

Shortly before the 50 - year retrospective of his prints was to open at both Pace Prints galleries, we talked to Peter Saul as he looked back over his career so far.

Robert Henry takes the solo show a step further, by pairing its layered, cut, and knotted paper by Liz Jaff with a show of her ink silhouettes and drips back at the gallery — as two views of a woman's contours, craft, and surrender to chance.

Some of the works displayed date back as far as the second century A.D.. For more information including gallery opening times, please visit the Ordovas website.

In addition to her artistic practice, Munro is Editor of SOAP magazine and has curated a countless exhibitions and projects, most recently the international group exhibition We Go Far... And Way Back at Show Gallery on Staten Island, NY.

With 193 galleries from 30 countries, FIAC succeeded this year in getting back American collectors who had come in far fewer numbers last year.

Furthering his often aggressive use of text, Geers devotes the back space of the gallery to a group of seven ultra violet neon sculptures, which spell out the names of The Seven Deadly Sins.

This year, the gallery will reach even farther back in history and present work by the early avant - garde artist Joaquín Torres - García of Uruguay, who worked from the late 19th century into the 1940s, alongside pieces by Mr. Loeb, Wayne Thiebaud, Dubuffet and possibly a work by Richard Diebenkorn.

«These pieces all carry a history of art - making that spans five to ten years,» points out Pfister during a conversation at the gallery, and, in some cases, these references go back further into the past to post-minimalism and reductivism.

While this year's Turner hurtles to its conclusion tomorrow night, in the far less hurried atmosphere of London's Courtauld Gallery an exhibition called Art on the Line harks back to an event that was the equivalent of the Turner in Turner's day: the Royal Academy exhibition, which was held at Somerset House every year from 1780 to 1836.

We'd been anticipating Best Ever's debut «official» solo show since first coming across some early examples of their work a couple of years back, and our recent interview with the duo of Neil «Best» Edward and Hadley «Ever» Newman only served to build our desire further to experience their paintings as a body of work within a gallery setting.

With roots as far back as 1897 when it was known as the National Gallery of British Art, Tate, as we know it now, was established in 2000 as a network of four museums: Tate Britain (home of British art from 1500 to the present day), Tate Modern (international modern and contemporary art), Tate Liverpool (British and international modern and contemporary art), and Tate St Ives (modern British artists).

Here in New York, he's been a regular at museums and nonprofit spaces, starting with a show at the Whitney Museum as far back as 1970, but it took him until 1990 to find a gallery; since 2010, he's been showing regularly with Alexander Gray Associates, which recently presented his newest work under the title «In Oklahoma» (many of the pieces having been made on a residency there).

Today, along with more small works — he said he did 50 small paintings in preparation for contributing three to a show opening May 16, 2015 at Silas Marder Gallery — Zacharias is working on a further exploration of the idea that he traces back to a painting he did in 1962.

Standing alone in the back of the gallery, another sculpture further illustrates the artist's notion of hybridity.

Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.

In Longside Gallery, KAWS's oeuvre is further extended by works including ACCOMPLICE (2010), a baby pink monstrous rabbit figure, a neon pink CHUM (2009), a bulbous figure, and the spermatozoa - like BORN TO BEND (2013), while COMPANION (RESTING PLACE)(2013), and the three - metre - high COMPANION (ORIGINALFAKE)(2006) from the artist's Tokyo store, with its skin peeled back to reveal highly coloured internal organs, is profoundly exposed.

But instead of going into a diatribe about NAR's accomplishments, here's a gallery of some old - time photos that shed a little light on how far back NAR's influence stretches.

Back on the mainland, not far from the excellent Auckland Museum is the historic neighbourhood of Parnell — full of charming renovated buildings that now house cafes, restaurants, galleries and boutique shops.