For
her Fellow Focus exhibition, Hoffman reflects on how histories of race, gender, and power are often embedded within influential American landscape paintings of the nineteenth century through their depictions of light, nature, the frontier, and borders.
Hoffman was also the 2017 Van Lier Fellow at the Museum of Arts and Design in New York City where her solo
Fellow Focus exhibition, Pieceable Kingdom is on display until April 8th, 2018.
Not exact matches
Maybe I'm a little stuck with Lord Kitchener and his moustachioed
fellows of a bygone age, but I felt the Twitter
focus at the end of the
exhibition to be a bit bathetic, considering there are surely far subtler, more traditionally «propagandist» methods of messaging we are all susceptible to online — so subtle perhaps that's why they were missed...
Maybe I'm a little stuck with Lord Kitchener and his moustachioed
fellows of a bygone age, but the Twitter
focus at the end of the
exhibition, though aesthetically impressive, is a bit bathetic.
Focusing on the relationship with his friend and
fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the
exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.
This limited edition artist's book, designed by Olu Odukoya and published on the occasion of the
exhibition Isaac Julien: «I dream a world» Looking for Langston at Victoria Miro (18 May — 29 July 2017),
focuses on Isaac Julien's seminal work Looking for Langston (1989/2017), a lyrical exploration — and recreation — of the private world of poet, social activist, novelist, playwright, and columnist Langston Hughes (1902 — 1967) and his
fellow black artists and writers who formed the Harlem Renaissance during the 1920s.
The
exhibition explores Still's use of color at a time when many of his
fellow artists were
focusing on Black and White.
His praxis
focuses on creating queer black spaces, curating
exhibitions with
fellow members of art collective The Lonely Londoners and hosting his own monthly club night Body Party.
A display at Flowers Gallery
focuses on the human form, with artists showing diverse approaches to the theme, with more works by McFadyen and a rare figure painting by
fellow Royal Academician Tom Phillips (below), whose piece A Humument (1966 - 2015) is currently on display in the final room of the Summer
Exhibition.
The ailing actor's career as an artist is to be the
focus of an
exhibition at the Los Angeles Museum of Contemporary Art, curated by
fellow film - maker Julian Schnabel
Fernández, a 2005 MacArthur Foundation
Fellow and 1998 Artpace resident artist, will
focus on her latest work, notably «As Above So Below,» a large - scale
exhibition in which Fernández combined graphite and gold to make a series of immersive, interconnected installations.
The second complementary
exhibition titled Chillida in Dallas, curated by Meadows / Mellon / Prado Curatorial
Fellow Amanda W. Dotseth,
focuses on De Musica, a large steel sculpture by Chillida commissioned for the opening of the Meyerson Symphony Center in 1989, which still stands in front of the Symphony building.
While the Hamiltonian
Fellows work towards creating a new body of work for their
focus shows, each artist meets with their mentor to present and talk through their
exhibition concepts and goals.