Sentences with phrase «fellow at the art gallery»

She is the inaugural Senior Curatorial Fellow, Indigenous Art at the Vancouver Art Gallery and was the 2016 Audain Aboriginal Curatorial Fellow at the Art Gallery of Greater Victoria.

She was curator - in - residence with grunt gallery between 2014 — 2017, the 2016 Audain Aboriginal Curatorial Fellow at the Art Gallery of Greater Victoria, and has curated exhibitions at the Morris and Helen Belkin Art Gallery, Or Gallery, and SFU Gallery.

He was also named 2014 - 15 Audain Aboriginal Curatorial Fellow at the Art Gallery of Greater Victoria.

Not exact matches

«We're loose, we're laid - back, we're not pretentious,» Bryan Sperry is saying about Art Attack, the storefront gallery he and fellow artist Troy Abshire opened last April at 1937 W. North Ave. in the bustling neighborhood where Wicker Park and Bucktown meet.

His fellow panelists will be Tara Donovan, who has shown work at Pace Gallery and, more recently, the Parrish Art Museum; Kate Gilmore, who just won $ 200,000 at ArtPrize; Leonardo Drew, who has shown at Sikkema Jenkins & Co.; and Jonathan T.D. Neil, the director of the Sotheby's Institute of Art.

At Gray's gallery he shows a stuffed baboon passionately kissing the nozzle of a pristine vacuum cleaner (conflating classic works by Hirst and fellow art star Jeff Koons); a deer head in a barber's chair; a cow suspended from the ceiling, draped with strings of pearls; and a cat splayed spread - eagle and stapled to the wall.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

TALK Smithsonian National Portrait Gallery here and hosts «Racial Masquerade in American Art and Culture,» a two - day symposium organized by museum fellow Gwendolyn DuBois Shaw, a professor of art history at the University of PennsylvanArt and Culture,» a two - day symposium organized by museum fellow Gwendolyn DuBois Shaw, a professor of art history at the University of Pennsylvanart history at the University of Pennsylvania.

Mozman is a Fulbright Fellow, and has exhibited at the Chelsea Museum, New York, The DeCordova Sculpture Park and Museum, Massachusetts, the Museum of Latin American Art, Long Beach, the Shore Institute of Contemporary Art, New Jersey, Festival de la luz at the Centro Cultural Recoleta, Buenos Aires, the Instituto Cultural Itau, São Paulo, the Friese Museum, Berlin, the Museo Nacional de Bellas Artes, Santiago, Chile, Museo Nacional de Artes Visuales, Montevideo, Uruguay, Centro Cultural de España, Mexico City, the Smithsonian National Portrait Gallery, Washington D.C., and the Studio Museum, Harlem.

He has exhibited at Blue Sky Gallery, Portland, OR; McLean Project for the Arts, McLean, VA; Peer Gallery, New York, NY; Civilian Art Projects, Washington, DC; Richmond International Airport as a Virginia Museum of Fine Arts Fellow; The Silber Art Gallery, Goucher College, Towson, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA; American University Museum at the Katzen Center, Washington, DC; Honfleur Gallery, Washington, DC; Flashpoint Gallery, Washington, DC; Arlington Arts Center, Arlington, VA; among others.

Before the Met he was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (200Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (200art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (2005).

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

In 2012 — 13, he was the Douglass Foundation Predoctoral Fellow in American Art at the Smithsonian American Art Museum in Washington, D.C.. His research has been supported by the Huntington Library in San Marino, California, and he has been involved with a wide range of exhibitions on the East Coast, notably at the National Gallery of Art and the Phillips Collection in Washington, D.C., and the Metropolitan Museum of Art and the Hispanic Society of America in New York.

Each year, three to four exhibitions are presented in the Academy's gallery, including the annual Fellows Exhibition presenting the work of that year's Fine Arts Fellows at the end of their residence.

Horisaki - Christens was a 2008 - 09 Lori Ledis Curatorial Fellow at BRIC Rotunda Gallery, and Summer 2013 Curator - in - Residence at Seoul Art Space Geumcheon (Korea).

Hoyland (second from right) with fellow Sheffield School of Art students and tutor Eric Jones (right) at Graves Art Gallery, Sheffield, c1953

Recent exhibitions include a solo show at the James Watrous Gallery in Madison, Wisconsin; the Nohl Fellows Exhibition at the Institute of Visual Arts (Inova) in Milwaukee, Wisconsin; Descendant, a solo exhibition at the Wright Museum of Art in Beloit, Wisconsin; and Current Tendencies: Ten Artists from Wisconsin at the Haggerty Museum of Art in Milwaukee.

He is a contributing editor for E-Flux's online publishing portal Art Agenda, is a founding member of the curatorial collective DAM PROJECTS, and was the 2015/16 curatorial fellow at Cubitt Gallery, London.

The Hudson D. Walker Gallery at the Fine Arts Work Center features an extensive schedule throughout the year of acclaimed Cape artists as well as Work Center Fellows.

Roden's work has been included in exhibitions at the Fellows of Contemporary Art, Los Angeles; the Mercosur Biennial in Porto Allegre, Brazil; the Serpentine Gallery, London; the Museum of Contemporary Art San Diego, California; the Sculpture Center, New York; the Centre George Pompidou Museum, Paris; and the UCLA Hammer Museum, Los Angeles.

She interned at the Cinque Gallery, which was founded by artists Romare Bearden, Ernest Crichlow, and Norman Lewis in New York City and was also the Romare Bearden Fellow at the Saint Louis Art Museum.

Stop by Glyndor Gallery where Curator of Visual Arts Eileen Jeng Lynch, Curatorial Fellow Natika Soward, and artists, Marna Chester, Peter Morgan and Tanya Chaly, will be on hand to give a behind the scenes look at Avifauna: Interplay of Birds + Habitat.

She is currently a Fellow with the Contemporary Art Society producing an exhibition at the Whitechapel Gallery in 2013 and Middlesborough Institute of Modern Art in 2014 (both UK).

Catherine Haggarty, Painter, Co-director, Ortega y Gasset Eric Sutphin, Critic and curator Ian Cofre, Independent curator and writer Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art Alexis Wilkinson, Curatorial fellow at Abrons Art Center Daniel Wallace, Gallery Director, American Medium Helen Toomer, Co-Founder and Artistic Director of Stoneleaf Retreat and Stoneleaf Residency Elizabeth K. Garvey, Co-founder and Director of Garvey Simon Sara Blazej, Curator, 77 Mulberry Art Project Matthew Deleget Founder and Director, Minus Space Arden Sherman, Curator and Director, Hunter East Harlem Gallery Iliya Fridman, Founder and Director, Fridman Gallery Sara Softness, Assistant Curator, Brooklyn Museum Jocelyn Miller, Writer and Curator, MoMA PS1 Harry Burke, Assistant Curator and Web Editor, Artists Space Andre Escarameia, Principal and Curator, Rooster Gallery Sarah Demeuse, Independent Curator and Writer Jack Barrett, Curator and Owner, 315 Gallery Josephine Graf, Writer and Curator Jillian Steinhauer, Senior editor, Hyperallergic Rachel Wetzler, Writer and a PhD student in Art History at CUNY Graduate Center Adam Abdalla, Creator and Presient, Cultural Counsel

The first drawing by Giovanni Battista Tiepolo in the collection, Chronos Devouring his Child (Fig. 4), was purchased in 1934 from A. Everett «Chick» Austin, Jr., director of the Wadsworth Athenaeum at Hartford and a fellow Harvard graduate student with Professor of Art Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiArt Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiArt and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collectiart, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collection.

Mayhorn is a Whitney Museum of American Art Independent Study Fellow and has exhibited at museums and galleries including The Bronx Museum of the Arts, Rush Arts, Five Myles, The African American Museum in Philadelphia, and The University Museum at Texas Southern University in Houston among others.

Join fellow Producers Council Members at the home of Lisa Ivorian - Jones for a conversation with Jenny Moore, Associate Curator, and Lynne Cooke, Andrew Mellon Professor, CASVA, National Gallery of Art, Washington, DC, on the recently opened exhibition «Rosemarie Trockel: A Cosmos» — co-curated by the artist and Cooke for the Reina Sofía.

Grover was a Core Fellow in residence at the Museum of Fine Arts in Houston from 1995 to 1997, a Warhol Curatorial Fellow with the STUDIO for Creative Inquiry and Miller Gallery at Carnegie Mellon University in Pittsburgh from 2010 to 2011, and a Center for Curatorial Leadership Fellow in New York in 2013.

Tarah Hogue is the 2016 Audain Aboriginal Curatorial Fellow with the Art Gallery of Greater Victoria, and Curator at grunt gallery in VanGallery of Greater Victoria, and Curator at grunt gallery in Vangallery in Vancouver.

The 22 works in The Sympathetic Imagination exhibit, one of her first comprehensive museum exhibition in the US, spans from her work in the early»90s through 2015 was co-curated by Lynee Cooke, Senior Curator for Special Projects in Modern Art at the National Gallery of Art in DC and Christine Y. Kim, Associate Curator of Contemporary Art at LACMA with the Chicago exhibit coordinated by MCA's Chief Curator Michael Darling and Curatorial fellow Joey Orr.

Sous Les Etoiles Gallery Director Corinne Tapia is honored to join fellow jurors Ann - Christin Bertrand, Curator at C / O Berlin; Yeonha Choi, Art Critic & Chief Curator at Space 22; Jeong Eun Kim, Chief Editor / Publisher of IANN Magazine; Damien Poulain, Founder of Oodee; and Aline Smithson, Photographer & Founder of Lenscratch.

And, surprisingly enough, many of these artists were connected to the Abstract Expressionist movement (the most sought - after segment in the art market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart market) to one extent or another: a Washington D.C. - based artist Sam Gilliam was brought by David Kordansky Gallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family mGallery to Frieze Art Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeArt Fair in New York this year, an active member of the famous New York School Edward Dugmore was exhibited at Loretta Howard gallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family mgallery just recently, and now it is Raymond Spillenger, an Abstract Expressionist who is gaining attention with an upcoming retrospective scheduled for early 2016 at the Black Mountain College near Asheville, N.C. Spillenger, who died in November at the age of 89, abruptly left the art scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart scene in the late 6os, and while his fellow AbEx artists were going through mounting recognition and success at the Stable Annual, Spillenger plunged into family life and didn't show his art even to the family membeart even to the family members.

Upcoming Exhibitions: BAI Fellows at Art Spring, Berlin, opening May 26th & 27th, An der Industriebahn 12 — 16, Building 404 Painting Summer Show, Abigail Ogilvy Gallery, Boston, June 7th - August 12th

In 2007 Belal was awarded a Murphy & Cadogan Fellowship through the San Francisco Arts Commission Gallery and an MFA Fellow Residency at the Headlands Center for the Arts in 2008.

Prior to joining the Met, Ian was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery.

Presented by Damien Hirst at his own Newport Street Gallery in London as a grand act of ultimate fanboy - dom, Now is fellow art superstar Jeff Koons «first major UK exhibition since 2009.

The foam block in Another Interlude may make you think of fellow German artist Joseph Beuys; the sole photograph in the exhibition will surely make you think of Hans Bellmer and Man Ray — it's a restaged version of the latter's 1920 work The Coat - Stand (Porte manteau), the original of which is at the National Gallery of Modern Art in Rome, and appears briefly in Another Interlude.

Over the next couple of years, he staged a series of memorably class - conscious shows in London: «The Cleaners» Late Summer Party With Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?»

Before the opening of Wave Hill's fall exhibitions this weekend — with a reception in Glyndor Gallery at 2PM on Saturday afternoon — Danni Shen, Curatorial Fellow in Visual Arts, interviewed artist Michelle Stuart about her practice in relation to Wave Hill's new group...

This exhibition is organized by Omar Kholeif, Manilow Senior Curator and Director of Global Initiatives, with Nina Wexelblatt, Curatorial Assistant, and Jared Quinton, Marjorie Susman Curatorial Fellow, at the Museum of Contemporary Art Chicago, and is presented in the Griffin Galleries of Contemporary Art and the Turner Gallery.

Before joining the Nancy Graves Foundation, Ms. Farrell served as a senior fellow and then assistant curator of prints, drawings and photographs at the Yale University Art Gallery in New Haven, Connecticut.

Later landmark exhibitions include The British School at Rome, 1991, where she was a Fellow; IKON Gallery, Birmingham, 1992; Museu do Acude, Rio de Janeiro, 1993; an outdoor installation, Rainsquare, at the South London Gallery in 1994; Angel Row Gallery, Nottingham, 2002; and the recent retrospective A View from a Window at Camden Arts Centre, London, 2014.

Anja Dreschke is media anthropologist, filmmaker and research fellow at the DFG project Trance Mediums and New Media at the University of Siegen, Regina Barunke is art historian and artistic director of the Temporary Gallery, Cologne.

Feman, who earned his Ph.D. from the College of William & Mary, was working in the education department at the American Art Museum and Walz was a fellow at the National Portrait Gallery.

Jen Catron and Paul Outlaw Artists Susan Cross Curator of Visual Arts at MASS MoCA Anna Maria Cuevas Director of Cuevas Tilleard Annica Cuppetelli Artist Jen Dalton Artist Kim Drew Founder of Black Contemporary Art Blog Meredith Drum Artist + Previous Resident Aliza Kelly Faragher Curator + Writer + Art Consultant Carley Gaebe Artist Alex Gingrow Artist + Previous Resident Eric Gleason Director at Paul Kasmin Anna Harsanyi Curator + Educator Katherine Hill Writer Jason Huff Artist Maud Jacquin Independent Curator + Scholar Paddy Johnson Founding Editor of Art F City Martha Joseph Curatorial Fellow at MASS MoCA Kirstin Lamb Artist + Previous Resident Emily Noelle Lambert Artist + Previous Resident Zoe Larkin Curatorial Assistant at Whitney Museum of American Art Nora Lawrence Associate Curator at Storm King Art Center Amanda Lechner Artist + Previous Resident Sally Morgan Lehman and Jay Lehman Owners + Directors at Morgan Lehman Gallery

Regents Professor at University of California Berkeley (April 2016) Trustee of Zeitz MOCAA, Cape Town, South Africa (2015 - present) Trustee of Parasol Unit, London, UK (2015 - present) Patron of Stuart Hall Foundation, London, UK (2014 - present) Chair, Professor of Global Art, University of the Arts, London, UK (2014 - present) Professor of Media Art at Staatliche Hoscschule fur Gestaltung, Karlsruhe, Germany (2008 - present) Trustee of Art Pace Foundation, San Antonio, USA (1999 - present) Faculty member at the Whitney Museum of American Art's Independent Study Program, New York, USA (2006 - 2013) Trustee of Serpentine Gallery, London, UK (1999 - 2009) Visiting Mellon Professor of English, University of Pittsburgh, Pennsylvania, USA (2006 - 2007) Research Fellow at Goldsmiths College University of London, UK (1998 - 2003) Visiting lecturer at Harvard University's Schools of Afro - American and Visual Environmental Studies, Cambridge, Massachusetts USA (1998 - 2002)

Lisa Yuskavage, a Fine Arts Work Center Fellow from 1986 — 1987, will be honored on Friday, May 4, at a benefit fundraiser in the gallery.

Combining luridly hand - drawn animations, paintings, mechanical sculptures and more, 2009 Guggenheim Video Art Fellow Federico Solmi continues to explore his controversial interests in sociopolitical affairs — last year his native Italy charged him with obscenity, blasphemy and offense to religion — in his second solo exhibition «From Uterus to Grave With No Happy Ending,» which opens tomorrow at NYC's LMAK gallery.

In the 1940s and 1950s, painter Ary Stillman was in the thick of the New York art world, mounting well - received exhibitions at major galleries; participating in lively discussions with fellow artists, intellectuals and poets; even drawing praise from Clement Greenberg, the era's most powerful critic.