Not exact matches
And, while there have been a
few images and supposed plot lines leaked online for the
film, everyone has stayed tight - lipped when it comes to revealing information.
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This is a
film of beautiful sights, a
few genuinely stunning
images, and some excellent performances all around.
Part wish fulfillment and part social moralizing, the
film never resolves its point of view, but a
few of the apocalyptic
images stay in the mind.
Conversely, the seeds of Carangi's singular impact on an industry that had become a glorified assembly line are sown in haste: The
film puts forth a
few poignant
images — Gia's colleagues mistaking her for a loiterer, Gia the only brunette in a pool of blondes (a tableau that really shows the novelty of her ethnicity)-- but mostly treats Gia not as a model with a drug habit, but as a junkie who models, one of Paul Schrader's born addicts.
While walking the floor of the American Film Market (AFM) this morning, Steve was able to grab some
images and synopses for a
few upcoming
films.
While the first
film had a sense of newness on its side that made it somewhat effective as a straight - up shocker, we've seen all of the scary
images in this sequel a
few too many times to experience their original effect.
Rogue Nation was shot on
film — with a
few digital exteriors / establishing shots mixed in — and the
image has an organic look that helps ground the outlandish action.
Every
few months, a
film arrives that is the new best - in - class example of the technical form of creating false
images; right now, and for the next
few weeks or months or maybe even the rest of the year, Dawn of the Planet of the Apes is the most technically impressive fantasy picture ever made.
MG: I can't say that I liked this
film, but it's still interesting the way in which the
film finds this abuse of
images by overindulging with ellipses: you don't see when the main guy is hired, you don't see when the woman who is fired kills herself, and probably a
few other things I didn't notice.
Hereafter Rated PG - 13 for mature thematic elements including disturbing disaster and accident
images, and for brief strong language Available on DVD, Blu - ray and Video on Demand When I first saw this
film a
few months ago, I didn't really have much love for it.
The 2.35:1, 1080p presentation definitely represents a new transfer, as the
film elements look cleaner than before in addition to more vibrant, but there is something occasionally electronic about the
image, with the fine, Super35 grain turning to noise during a
few rogue applications of edge enhancement.
Altman is less interested in emotion and psychology than in emotional and psychological gamesmanship — in mind - fucking that has a rich tradition in the more obsessive and political
films of Luis Buñuel, Ingmar Bergman, Roman Polanski, and Joseph Losey, to name but a
few of
Images's most significant influences.
While many parts of the
film have minimalist tendencies —
few images on screen, slower camera movements, decreased sense of timing and pace, accentuation of what is on screen — the pace of the
film is not constant.
What's more, the
film is artistically presented, with more than a
few unsavory
images (borderline necrophilia even), that will not meet well with less open - minded viewers.
His
images are both beautiful and repugnant, often at the same time, showing a side of 18th Century Paris
few wish to venture through, while also capturing the beauty that is Grasse and the lush scenery of the rolling hills and mountains of France (sumptuously
filmed by longtime Tykwer collaborator, Frank Griebe).
Whether by happy accident or through post-production meddling, a
few frames of the stock have been overexposed — a phantom
image in a
film overrun by ghosts.
The 2013 Sundance Film Festival recently announced a couple batches of
films that will screen at the Fest in January, and today we've got some first
images and synopses for a
few films that will be playing in competition as...
We've got a
few new
images from the following
films for you to check out: Vampire Academy — Mark Waters» adaptation of Richelle Mead's novel, starring Zoey Deutch, Lucy Fry and Olga Kurylenko.
What makes Room 237 work so well is that Ascher shows the same Shining clips over and over, with different interpretations, letting only the voices of the theorists and the
images from the
film (plus a
few other relevant movies) tell the story.
One of the more interesting trends amongst
film trailers in the last
few years, however, is that of the collage method, which aims to do little more than show audiences a slideshow of
images.
We're still waiting on a first teaser trailer for Jurassic World, but in the meantime Universal has launched Masrani, a new viral site for the company behind the relaunch of the park in the hotly - anticipated dino - sequel, which offers up a
few new promotional
images from the
film, including a look at Irrfan Khan's (The Amazing -LSB-...]
We've seen a
few images from Bong Joon - Ho's dystopian sci - fi thriller Snowpiercer, but now come a series of character posters for the bedraggled folk riding the rails in the
film.
We've got a bit of a wait until this one gets its release in cinemas (it's scheduled for late 2015), but we do have a
few official
images from the
film and a «wrap» banner to share with you (see above).
In spite of this, Dunkirk does boast a
few images on par with the strongest Nolan has ever
filmed.
by Glenn Dunks «One of the more interesting trends amongst
film trailers in the last
few years is that of the collage method, which aims to do little more than show audiences a slideshow of
images.»
Check out a
few new
images from two
films expected to vie for top honours during this forthcoming awards season.
The
film's first trailer promised a
few full musical numbers, and these
images tease just that.
A
few weeks ago, Steve attended the American Film Market (AFM) and was able to bring back some promo
images, posters, and synopses for a
few upcoming
films.
The
film offers a scanty version of this story in a
few intertitles and drawings: most of the final third is made up of touristy
images of the wildlife on South Georgia taken much later.
The IMAX
images are beautiful — interestingly, this is one of the
few 2D
films where I actually thought it might have been even more successful in 3D — and most of the performances are solid.
Byzantium is set to premier at the Toronto International
Film Festival in September and with anticipation of the its debut they have released a
few more great looking
images for the
film starring Gemma Arterton and Saoirse Ronan.
It may not be strictly speaking a horror
film — it's not scary or particularly unsettling apart for a
few exquisitely created
images — but it is breathtakingly lovely, visually composed like a painting, scored and sound designed by Toru Takemitsu with a spareness that leans on silence, and suffused in sadness, regret, and loss.
«There lies the difference between filmmakers who create visceral
images, and Ramsay» work: while many crime
films contain visceral
images,
few are interested in the visceral experience of the characters themselves.»
If the
film wants to be as «weird» as the director expects it to be, it's got quite a
few Del Toro
images to emulate.
On Monday, along with the release of a
few images from Pixar's upcoming
film, Brave, we learned that the first full - length trailer would be arriving shortly.
A 16x9 - enhanced widescreen
image would have greatly benefited the dance sequences in this
film and be reason enough to double - dip for the
few who actually will be buying this movie twice.
As I write, the leading contenders for the Palme d'Or are said to be «The Motorcycle Diaries» from Brazil and «Comme Une
Image» («Look at Me») from France, although there are supporters for «2046» (2005) by China's Wong Kar - Wai, a
film I found maddening in its mannered repetition of a
few worn stylistic and dramatic strategies.
Like the I Vampiri DVD, some of the
images in the still gallery reveal a
few scenes not in the final
film, and there's a trailer for the main feature.
As the digital revolution has swept through Hollywood like brushfire, Nolan has remained a stalwart champion of shooting on
film, and as 3D has increasingly become the blockbuster norm, he has refused to join the bandwagon, advocating instead for IMAX, a variant on the old 70 mm process responsible for the likes of Lawrence of Arabia and 2001, and whose screen - filling
images envelop us in a way that only a select
few 3D movies (chiefly Avatar and Hugo) have even approached.
DreamWorks has released the first poster and a
few new
images from director Bill Condon's (Kinsey) upcoming WikiLeaks
film The Fifth Estate.
A 58 -
image manually - operated HD photo gallery is comprised predominantly of ordinary
film stills, though a
few behind - the - scenes shots are thrown in as well.
There are
few better Christmas
film images than the sight of Rooney Mara in a Santa Claus hat.
Over the past
few months we've seen a number of photos from the set of Avengers 4 which seems to suggest that the
film will include flashbacks or time travel, and the latest
images to arrive online over at JustJared seemingly confirm that theory.
Whatever its other moments of beauty or weakness, Porto contains one bittersweet, potentially unnerving
image that
few other
films can claim: the sight of Anton Yelchin growing old.
This is no knock on the extensive amount of technical work that went into this digital edition; as with the theatrical rerelease that played in a
few cities this fall, this version of the
film has been refurbished in sound and
image, and it shows: the Technicolor leaps out; the music rings clear.
Bar a
few leaked
images here and there, and director Ron Howard posting vague behind - the - scenes imagery on social media, marketing for the Anthology
film was shockingly absent.
A
few weeks ago we brought you the first
image of Jessica Chastain looking absolutely fabulous in her Crimson Peak costume but today Torilla has scans from Empire Magazine's preview feature on the Guillermo del Toro
film.
Byzantium is set to premier at the Toronto International
Film Festival in September and with anticipation of the its debut they have released a
few more great looking
images for the
film starring Gemma Arterton -LSB-...]
Director James Wan's choice to digitally recreate Walker's
image for the
film's last
few scenes, using two of the actor's brothers as body doubles with Walker's face superimposed on their own, points toward a future in which a performer's ongoing biological existence may no longer be required in order to synthesize his or her presence on screen.