Sentences with phrase «fiction authors often»

I know that fiction authors often find the blogging / platform building a bit tricky to pin down.

Not exact matches

Authors often use an avatar in their fiction stories — it is not Jack that climbs the beanstalk, it is the author... and many times, it is the reader that years later «lives» the story as they read it.

In fact, in the high peak of science fiction magazines, there were often only one or two writers per issue, even though the magazine showed six or seven authors.

So at the very least, beta readers were always center stage in that arena, whereas I often come across original fiction authors who have never heard the term.

He served for a time as the fiction columnist for Writer's Digest and he's the author of Plot & Structure, one of the books I recommend most often to beginning writers.

But with indie publishing running so much of the industry now, the playing field is really evened out and a lot of the big mojo that used to hit the bestseller lists is being seen in fiction — which often doesn't report to these lists, or authors are selling lots of copies of all of their books, as opposed to one, singular title.

Fiction If yours is a work of fiction, I can assist you in developing motivated characters and realistic dialogue and in establishing strong point of view — often three of the most difficult areas for new authors to Fiction If yours is a work of fiction, I can assist you in developing motivated characters and realistic dialogue and in establishing strong point of view — often three of the most difficult areas for new authors to fiction, I can assist you in developing motivated characters and realistic dialogue and in establishing strong point of view — often three of the most difficult areas for new authors to master.

Wattpad is a site that specializes in long and short fiction, where authors often serialize their works.

Fiction editors will often work with authors at any point of the writing process, whether you have 50 pages written or nothing more than an idea.

You might not have a business behind your book, this is often the case for fiction authors.

While I think self - publishing is a perfectly viable (and often lucrative) option for some authors (especially those writing for genres like thriller, romance and YA), it disturbs me to think that some people would be happy to see traditional publishing done away with since literary fiction and literary criticism still depend on traditional it.

Power is the author of at least 25 novels and is often described as the most popular living author of American sea fiction.

By explaining the techniques of high - impact (and often best - selling) recent novels, expert author and literary agent Don Maass will push novelists beyond genre boundaries, beyond outdated styles, beyond their safety zone to ways of writing fiction that are personal, unique, contemporary, and excellent in ways that are both literary and commercial.

I often read an excellent piece of fiction online, only to discover said author has no blog, no social media accounts, no nothing. Donâ $ ™ t expect anyone to notice you if thereâ $ ™ s nothing to notice.

In fact, I often seek out books from debut or newer authors, because I want to see what's trending in Christian fiction.

This rings truer for literary fiction than certain branches of fantasy and science fiction, where authors often assume a future or alternative universe should include diversity, whether alien or human.

Although probably the best way to write a fiction book, nonfiction authors often «assemble» books by working in different parts of different chapters at the same time.

It's always been a great way for relatively unknown authors to get exposure and I often based my fiction orders on what was given a positive review, and many times the book would turn out be a bestseller, e.g. HUSBAND»S SECRET, GONE GIRL.

Feminist romance authors often embrace the problems in romance fiction and then write plots that actively do the opposite of what readers expect.

That was one of the reasons I contacted you wanting to do this interview, is I think too often as authors we haven't been challenged enough to realize, even if you're a fiction writer, if you're a non-fiction writer, how can you take your first book and think of some spin off things that might not be merely books.

An often talked about option for marketing books (especially fiction books) is eBook discovery services like Bookbub, where readers sign up to regular e-mails of discounted books and authors pay to have their books listed.

A lover of YA and fantasy fiction, you can often find him writing on his blog, writing book reviews and connecting online with other writer - type people and interviewing authors.

Non-fiction sells more than fiction, so if you're an expert writing about something even a small group needs to know, you can often demand higher prices than the standard fair, even as a first - time author.

Vanity presses often force their authors to price their fiction or non-fiction at $ 7.99 or much higher.

As well, my concern as a professionally published author is that aggressive marketing (TV commercials, Youtube trailers, fancy websites etc.) are creating a successful viral marketing paradigm for self - pubbed fiction that has the potential to impact trad publishing & leave writers wondering «why bother with the arduous and often heartbreaking process of queries, rejection slips, the endless waiting, etc. when the neighbor simply threw up a website, hired a gang of marketing professionals and bingo, Neil Gaiman is reviewing their book before it's even published?!»

Here are three tools that are especially helpful to fiction authors, who often use different tactics from their nonfiction colleagues.

People often say it's harder to market fiction... I've found it to be easier, because there is so much less competition (there are tons of books, but very few authors are using the strategies I use to get visibility and reach new readers).

As so often happens, thousands of authors began submitting their own works of erotic fiction.

Published in a number of anthologies and journals, she is the author of The Humours of Folly, See Charleston in a Day, 100, over a dozen ghostwritten works of fiction and nonfiction, and often reviews books for The Post and Courier.