Join us Thursday, Dec 13th, for the opening of
Field Projects Show # 10: Your Face is a Landscape.
Join us Thursday, May 24th, for the opening of
Field Projects Show # 4: Minutia Militia.
Not exact matches
Outlook
shows the
projected demand for employees in the
field in 2022, as measured by Employment and Social Development Canada: ➚ = more than 1 job available per job seeker — lots of opportunity ➙ = about 1 job available per job seeker — balanced opportunity ➘ = less than 1 job available per job seeker — low opportunity
«If the answers
show a consistent theme of talking about BS factors rather than a clear line toward being able to do interesting work related to their
field, it's hard to
project them as passionate in their
field,» cautions Dunn.
The problem isn't what he's
shown on the
field, it's whether you can even
project him being on the
field in the NFL.
A little while back Hood asked me if I would host a party to get my friends to try out the new Hood Cottage Cheese and I even though the last few weeks (months) of school felt like I like in a fast forward time machine with just about everything due (concerts +
field trips + MCAs +
projects + art
shows etc) I said yes.
Speaking on the Citi Breakfast
Show, Mr. Terkper said the coming on board of the TEN oil
field and some other gas generation
projects will gradually wean the country off the West African Gas Pipeline.
Previous work by Zhao and Brian Reid,
project scientist at the UC Davis Department of Dermatology,
showed that electric
fields are associated with healing damage to the cornea, the transparent outer layer of the eye.
The
project «got a lot of criticism from academics who
showed that the approach wasn't going to work unless the face of the detector in space was as long as a football
field,» says Philip Coyle, the Pentagon's former top technology tester and a senior adviser to the Center for Defense Information.
In one of her
projects, Grais and her colleagues used
field studies and mathematical modeling to
show that what's known about the well - studied dynamics of measles in the Western world doesn't apply fully to sub-Saharan Africa.
From the
project's initial conceptualization or invention sketches, to the exact materials purchased and the experimental design, to the day when a shoot first emerged in a plant biology
project or a
field of bacteria
showed signs of antibiotic resistance, you want to encourage your students to write it all down.
On June 16, 2010, the Hubble Heritage
Project released a very detailed, composite image of the dark lanes of dust crisscrossing the giant elliptical galaxy Centaurus A. Taken on July 10, 2010 with the Hubble Space Telescope's Wide
Field Camera 3, the panchromatic image of ultraviolet through near - infrared wavelengths
shows new details such as bluish clusters of young massive stars and reddish gas nebulae undergoing star birth normally obscured by dust.
It's the art of
projecting through your aura or energy
field the how you want to
show up in the world.
Evaluation
projects include formative and summative evaluation of exhibits, planetarium
shows, museum websites, and K - 12 school
field trip programs, as well as summative evaluation of teacher professional development programs, curriculum kits and evening programs for adults.
Other panel members emphasized the need to make STEM subjects more engaging for students by demonstrating the subjects» relevancy through
project - based learning; internships, apprenticeships, and other real - world learning experiences; and school and corporate partnerships that
show students the array of jobs available to those with experience in the STEM
fields.
The M Drive configuration also includes the information
shown on the standard Head - Up Display and
projects important information onto the windscreen directly in the driver's
field of vision.
The M Drive configuration also includes the information
shown on the Head - Up Display, which comes as standard on the new BMW M5 and
projects important information onto the windscreen directly in the driver's
field of vision.
Understanding: Our education dissertation writers know that part of doing a final
project is to
show the tribunal that you understand theories and constants within the
field.
The SALDF Chapter of the Year Award celebrates SALDF chapters that have
shown incredible efforts in advancing the
field of animal law and advocating for animals through original
projects and initiatives.
Through recent
projects like Kitty Cams at the University of Georgia, in which cameras are attached to the collars of indoor - outdoor pet cats to track their activities, not only have cats been filmed preying on cardinals, frogs and
field mice, they have also been
shown lapping up antifreeze and sewer sludge, dodging under moving cars and sparring violently with much bigger dogs.
In addition to Mark di Suvero at Crissy
Field, other site - specific
projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014,
showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award
shows and New Work series.
, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture
Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved
Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous
Project, (Continuous
Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String
Show, curated by Josh Smith, Greene Naftali Gallery, New York
O'Neal's drawings and paintings have been
shown at The Drawing Center, New York; BRIC, Brooklyn; P.S. 122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d'Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach, FL; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA;
Field Projects, New York; and Linda Warren
Projects, Chicago.
2015 Directors»
Show, Factory 49 Breaking Space, Imperial Hotel Paddington National Art School Postgraduate Exhibition, National Art School Honours 2015, Library Stairwell Gallery Another Day in Paradise, National Art School The Paddock: Looking back at The
Field, Library Stairwell Gallery To Be Continued (2), Factory 49 Feral, Articulate
Project Space (as arts writer)
Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group
Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats
Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine
Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.
Her
project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the
field of postwar Japanese art history in the U.S.. From 1998 - 2005, Munroe was Vice President of Japan Society, New York, and director of its museum where she presented innovative
shows of pre-modern art.
Field Projects is pleased to present
show # 47: DEEP STRETCH, a group exhibition curated by Sara Maria Salamone and Tyler Lafreniere of Mrs., NY, from our Winter Open Call.
Hoffmann is positioning himself to be a major player in this emerging
field of the exhibition - as - exhibition - history: his most recent book
Show Time: The 50 Most Influential Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition
projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibition.
Jacob Rhodes, Director of
Field Projects, is pleased to present PAST FUTURE TENSE, a solo
show by Rachel Frank that explores the socio - political and Anthropogenic shifts brought about by human activity, highlighting our relationships to vanishing ecosystems, life forms, and modes of dwelling.
Field Projects, is pleased to present HANDS ON, a solo
show by Karen Lederer that wrestles with the patriarchal canon of the past while confronting the current administration's fever pitch war on women.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo
show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo
show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo
show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart
Project Space, Amsterdam [commissioned solo
show] 02.2007 The Believers, Touring
show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo
show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo
show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo
show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo
show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo
show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo
show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo
show] 09.2004 Adam, Smart
Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo
show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo
show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo
show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa
Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission
Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City
Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo
show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo
show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Field Projects is proud to present our winter open call exhibition,
Show # 17: Drunk - Tank Pink, curated by art critic Benjamin Sutton.
Field Projects is proud to present a two - person exhibition featuring artists Tom Kotik and Richard Hart in our 18th
show to date.
FRENCH KISS is a prelude to Lauren Britton's solo
show at
Field Projects in 2017.
Field Projects is proud to present
Show # 19: Homunculus, a solo exhibition featuring new works by Caroline Wells Chandler.
An online exhibition in conjunction with
Show # 31, selected by
Show # 31 guest curator Jesse David Penridge and the
Field Projects Panel: Jacob Rhodes, Rachel Frank, Jason Mones and Blair Murphy
Installation view of Gallery 1,
showing L. Browner Hatcher's Remade model for City Sculpture
Project: «Untitled (Colour
Field Sculpture)» (1971-2/2016)
Attend the Artist & Curator Talk this Saturday afternoon, November 7, at 2PM to hear more from two of the artists in the
show, David McQueen and Matthew Friday, about their
projects for
Field Notes at Wave Hill.
2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group
Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved
Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair
Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video
project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France
Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox
Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group
Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact,
Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA
Chin
showed images from Revival
Field, a landscape - art
project that combines science, technology and art.
Virtual exhibitions include videos, slide
shows, interactive web
projects, and much more within the expanding
field of new media.
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art
Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep
Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG
Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
Recently her work has been featured in
shows at Deitch
Projects, NY, P.P.O.W. Gallery, NY, Workshop, Venice, Italy, The Hole Gallery, NYC, Yautepec, Mexico City, Sloan Fine Art, NY, and
Field Projects Gallery, NY.
Other notable exhibitions of Wilson's work include Cotton: Global Threads at the Whitworth Art Gallery in Manchester UK in 2012, Hand + Made: The Performative Impulse in Art and Craft at the Contemporary Arts Museum Houston in 2010, Shift:
Field of Fluctuation at the 21st Century Museum of Contemporary Art in Kanazawa Japan in 2009, Out of the Ordinary at the Victoria & Albert Museum in London and Radical Lace and Subversive Knitting at the Museum of Arts and Design in 2007, as well as recent solo
shows at Rhona Hoffman Gallery in Chicago, Paul Kotula
Projects in Detroit, and the Museum of Contemporary Art Chicago.
Also on the same floor as Lombard - Freid, at Art
Projects International, is the debut
show of JUNG HYANG KIM, a Korean - born New York painter whose skillful if generic canvases contrast
fields of abstract motifs with more naturalistic forms, in a style of juxtaposition initiated by David Salle.
Her past curatorial
projects include exhibitions at The Kitchen (New York, NY), Field Projects (New York, NY), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), DC Arts Center (Washington, DC), and SPRING / BREAK Art Show (New Yo
projects include exhibitions at The Kitchen (New York, NY),
Field Projects (New York, NY), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), DC Arts Center (Washington, DC), and SPRING / BREAK Art Show (New Yo
Projects (New York, NY), Arlington Arts Center (Arlington, VA), Washington
Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), DC Arts Center (Washington, DC), and SPRING / BREAK Art
Show (New York, NY).
Her recent solo exhibitions with international art institutions include her solo
project as the inaugural exhibition of the «
Field Station» series at the Eli and Edythe Broad Art Museum at Michigan State University, USA, 2017; «Medium Median» at Whitechapel Gallery, London, UK, 2016; «Alicja Kwade» at de Appel arts centre, Nederland, Amsterdam, 2016; «Against the Run», held by Public Art Fund and
shown in the Central Park, USA, New York, 2015; «The Void of the Moment in Motion» at Schirn Kunsthalle, Germany, Frankfurt, 2015, etc..
The
project's two parts respectively utilize techniques of measuring silence and mapping acoustic leakage,
showing the ways in which sound becomes sight and sight becomes sound — the results of communication and perception being violently forced to the limits of both sensory
fields.
At http://www.ucar.edu/org/ it
shows NCAR covers several
projects: CISL for modeling, but also EOL and ESSL which do lab and
field science ($ $ $) So let's guess CISL gets 1/3 of $ 86M or $ 29M.